Driven by the desire to live seriously and act generously, Gabe meets an impassable test in the person of Martha Reganhart, a spirited, outspoken, divorced mother of two, a formidable woman who, according to critic James Atlas, is masterfully portrayed with "depth and resonance."
The complex liaison between Gabe and Martha, and Gabe's moral enthusiasm for the trials of others, are at the heart of this ambitious first novel.
©2009 Phillip Roth; (P)2009 Brilliance Audio, Inc.
"A first novel of awesome maturity." (James Atlas)
"A rich book, full of incident, wry and sad and even in its most desolating scene somehow amusing." (Elizabeth Hardwick, Harper's)
"[Roth] has the finest eye for the details of American life since Sinclair Lewis." (Stanley Edgar Hyman)
No question about it, Mr Roth attended his English lessons. Excellent vocabulary, but what's the point of any excellency if it is used to dwell in muck. The author just wallows on the worse of human soul. Not even down right evil, just nagging pettiness. I've made it to half the book, and I just can't listen to another line of it. He definitely has gathered a wide range of characters decidedly enjoying their separate miseries, not a trace of "letting go" until now, just hanging on and on and on to their unhappiness until one just has to let go of this book. What's the point of listening to people's whining for another second. First audio book I won't finish.
There's a documentary-like feel to this novel. Everyone feels so real. We see the full range of their lives -- their dreams, desires, compromises, expectations, pettiness. The problem for me was they weren't very interesting. Perhaps when this was written, it was revealing -- people didn't live like they do in a 50s sitcom. Today, though, it's old hat that people have unwholesome desires and sometimes act upon them. The prose is excellent, of course, and the narration, except for the nasally dialogue the narrator uses for one of the children (whichi is incredibly annoying), is good.
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