The story begins with King Uther Pendragon's use of enchantment to lay with Igraine, Duchess of Cornwall. Arthur is conceived and taken away in secret, returning as a young man to claim the throne by pulling the sword Excalibur from the stone. In retelling the story of Arthur's rule of Britain, Malory intertwines the romances of Guinevere and Launcelot, Tristram and Isolde, and Launcelot and Elaine. Sir Galahad's appearance at Camelot begins the quest for the Holy Grail. Finally, Camelot is brought down by the conflict between King Arthur and his natural son, Mordred.
(P)1997 Blackstone Audio Inc.
"The most authoritative version of the legend in the English tradition." (The Concise Oxford Companion to English Literature)
"Le Morte d'Arthur remains an enchanted sea for the reader to swim about in, delighting at the random beauties of 15th-century prose." (Robert Graves)
I'd certainly recommend the book to a friend, but definitely not this specific recording.
Well, obviously the stories (which I heard bits and pieces of since childhood).
Honestly, it would be better if it used another reader. I read the other reviews complaining about this reader, but thought that maybe it was just the accent. I grew up in England, so I figured it wouldn't bother me. What I found is that it isn't the accent so much as the reader's style of reading. As someone else wrote, he really does read the story like there is something very foul and distasteful right under his nose. Somehow there also seems to be a constant note of condescension in his voice, like he's reading the story to what he thinks are group of not-too-bright school boys.It's very distracting.
Since I ended up listening to it all over again with a different group of readers, no. Now the actual story (or really set of stories) is definitely worth the time -- it brings together some of the fundamental myths of western culture.
I have listened to hundreds (perhaps even thousands) of recorded books. Readers have their pluses and minus, but this one, with this book, is awful. I struggled through the first two books (about 10 hours) before I gave up and got the LibriVox version -- the amateur readers there do a much better job (and some can even pronounce the French correctly) :)
The chapter markers are completely meaningless for chapters in the work. Really disappointed in that. The reading is good but you really have to pay attention as it is read really quickly without a lot of breaks between sections of the stories.
The narrator tells all in a bored and offhand way which not only robs the story of any possible drama but becomes positively offensive after a while. I couldn't finish this, life is too short.
Le Morte D'Arthur is an easy listen and I would listen to it again because these timeless tales are always entertaining.
This book is just as great as other Frederick Davidson's readings. I don't know why some people do not like his voice, I find it great. Have you ever heard him read Les Miserabes by Victor Hugo...FANTASTIC!
A different reader
I hated them all by the end of the second hour of this nightmare rendition of Sir Thomas Mallory's wonderful compilation.
I couldn't finish the book so it may have but I am unwilling to go further with it. I don't let someone hit me in the head twice, this narrator is as bad as Scott Brick.
I got my MA in medieval literature, and was at first so psyched to see this text available as an audiobook — unfortunately, the choice of narrator is just ... SO bad! I absolutely love Malory's presentation of the Arthurian material, but this narrator sounds throughout the entire production as though he's just caught scent of something foul.
No emotion. Reading too quickly. Seemed to be just trying to get the story over with.
Should have gone with the abridged version
"Fascinating stories, dreadful narration"
One of those books I'd always wanted to read but never got around to, so the chance to listen to it whilst commuting was too good to miss. The stories are often odd, sometimes amusing and regularly exciting. They also give a fascinating glimpse into the way the mediaeval mind worked.
However, I so nearly asked for a refund as the narration is quite simply diabolical. Frederick Davidson has a posh old Etonian-style accent and he enunciates well with no mistakes, but his delivery of the prose is as the dryest sermon you ever heard from some stuffy old vicar who has long since given up trying to win any new souls. There are no changes of mood, no excitement in the heat of battle, no sorrow or love, just stoic indifference (dearly beloved, blah, blah, blah). The dialogue is even worse as he changes hiis voice by moving back from the microphone, looking down his nose and expressing himself like a constipated wombat. Merlin, the kings, the knights of the round table and poor farmers alike are all afflicted with this most unnatural voice. Only Arthur himself (generally) manages to avoid the wombat treatment but instead sounds entirely effete.
In short, I thoroughly recommend the book, but not this version.
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