The hero of James Lee Burke's recent best-seller Rain Gods, cousin to lawman Billy Bob Holland and a genuine product of the South, both old and new, Hackberry Holland makes his first appearance in this early gem from "America's best novelist" (The Denver Post).
Against the backdrop of growing civil rights turmoil in a sultry border town, the hard-drinking ex-POW attorney yields to the myriad urgings of his wife, his brother, and his so-called friends to make a bid for a congressional seat - and finds himself embroiled in the seamy world of Texas powerbrokers. And when Hack attempts to overturn an old army buddy's conviction, and crosses paths with a beautiful union organizer who speaks to his heart in a way no one else has, he finds both a new love and a new purpose as he breaks free from the shackles of wealth and expectation to bring justice to the underserved.
©2010 James Lee Burke (P)2010 Simon & Schuster
I love Burke, but I don't think this is quite a good as the others I have listened to. It starts out a little slowly, but then speeds up and has a great ending. Will Patton is terrific as always.
I am a 65-year-old psychologist, married for 25 years, with two sons who are 25 and 22. I love reviewing the books and the feedback I get.
No. Not when you have read as many of his books as I have. His gifts are so outsized that I have come to expect truly marvelous entertainment from him, particularly when he is paired with the remarkable Will Patton. However, the well just has to run dry sooner or later, and I am afraid that in Hack Holland we are seeing the grisly death of Mr. Burke's outlandish writerly talents. When he sinks this low, he becomes compulsively violent. Other readers have commented on this, and it is most certainly true. The violence is relentless and by now pointless. We know that Dave Robicheaux and Clete Purcell and now Hack Holland have all brought back the horrible nightmares of Korea and Viet Nam, as have minor characters galore, but the piling on is serving to diminish the point here, not to heighten its emphasis. The reader can only listen to so many nightmares about grisly murders, decapitations, etc. etc. etc. before the shock value of these wears off completely. By this time I have lost the point. At first I understood the Post Traumatic Stress Disorder that these men bring home and try to cope with in their lives after war, but these thousands of pages cannot serve simply to make those points over and over again. The books, and this one in particular, are so much about conflict in so many relationships across such a broad spectrum of people in Texas that you wonder how it is that they don't just kill each other off and be done with it. There'd be no one left to write about, I spose.
As above, the emphasis on conflict in its multifarious manifestations (sorry; I won't do that again) just begin to make the mind roll over and lose the point completely. Let's see: Texas law enforcement is a rotten, corrupt-to-the-core pigsty; politicians are lying whores who will say and do anything for money and their own despicable personal gain and ambition (gee whiz!), the women are just as nasty as the men, etc. Are we taking notes here?
I do love Will Patton. His voice is delightful, with that gravelly texture that is easy to snuggle up to at night. He is a great selling point for any audiobook.
Like, move to Texas, become oil-rich and run for political office? Uh, no.
No. Time to either retire, or to change the focus, and as the boys at Monte Python would have it, do something completely different. How about exploring some uplifting aspect of human nature? I hear uproarious laughter. Just a thought. Doesn't sell many books.
Don't know what I want to be when I grow up. Trip's cool though. Use Audible to make gym-training sane... And rip my imagination.
I have been a James Lee Burke fanboy… just look at my other reviews. I've called him a poet and looked forward to each new Dave Robicheaux chapter at an epic American cultural turning point. Mark Hammer is one of the greatest Audible voices of all time. So I am overwhelmed with disappointment in Hackberry Holland asa stereotypical ideologue's over-written lead character.
When writers present ideas, they can become great, when they represent ideas, they are propagandists. Maybe I should have listened to all of this polemic filled with hateful white south westerners and saintly people of color.I couldn't since quickly it seemed as if he was again visiting a stereotypical place where there was no grey, no nuance, no other side but the whiny argument that Burke presents. As the son of a union leader, I understand the struggle and its virtues. I also understand its excesses, contradictions, and frustrations.
An artist asks questions, a partisan answers them. The world of Robicheaux is riddled with questions… Hackenberry is about unambiguous answers. Robichieux's a question mark, Hackenberry an exclamation point.
Burke is singing to the choir. How disappointing. Once upon a time a young writer turned in an assignment to his editor. She read it, looked up and said, 'Ted, you're really enraged by this issue aren't you?" "YES!" he retorted.
She slid the article back across her desk, "It shows. Rewrite it."
Mr. Burke, it shows.
I love James Lee Burke - but I must say this was probably my least favorite book. His second book with this charater is better, and you don't need to read this one to enjoy the next. Skip it -
This story was very good, but very dark. The main character, Hackberry Holland, is an alcoholic rich lawyer with a lot of issues, especially his past as a prisoner of war in Korea.
James Lee Burke is an excellent writer and I like how he expressed the good and the bad sides of Hackberry. I definitely plan on reading the next book in the series.
One of my favorite narrators, Will Patton, was awesome in his narration of this novel.
A believable character and a plot.
Anger at the fraudulent title, which was misleading as to content.
This is one of the worst books I ever read. A character who is an alcoholic, who cheats on his elegant wife, and who is unreliable when it comes to working his law practice with his brother, and yet he is a knight in shining armor when it comes to social injustice. Get real. I will never purchase another one of this author's books again.
Burke is a well above average talented writer, and this is interesting for its glimpse at the young novelist figuring it out. There are some nice passages, and you get that there's really something at stake: the tough-guy protagonist has some real decisions to make about where his allegiance lies and how much he can tolerate in the face of deep corruption. I can't help reading it as Burke himself trying out different aesthetics for his own work.
That said, this doesn't age all that well. The protagonist's narcissism gets old. The reconciliation of an early 1970s counter-culture sensibility with 1950s noir shows its seams (and feels forced). The maybe-interesting-for-her-day love interest gets reduced too quickly to arm candy after a promising beginning. And the climax resolves less than I'd like.
I enjoyed parts of it a good bit as a flashback to an earlier time, but it didn't hold up for me through the end, and I found myself dragging for the last quarter.
Report Inappropriate Content