King of the Vagabonds

Book Two of The Baroque Cycle

By: Neal Stephenson

Narrated by: Neal Stephenson (introduction), Simon Prebble, Kevin Pariseau

Length: 11 hrs and 11 mins

Publisher's summary

A chronicle of the breathtaking exploits of “Half-Cocked Jack” Shaftoe – London street urchin turned legendary swashbuckling adventurer – risking life and limb for fortune and love while slowly maddening from the pox – and Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent a contentious continent through the newborn power of finance.

The Baroque Cycle, Neal Stephenson’s award-winning series, spans the late 17th and early 18th centuries, combining history, adventure, science, invention, piracy, and alchemy into one sweeping tale. It is a gloriously rich, entertaining, and endlessly inventive historical epic populated by the likes of Isaac Newton, William of Orange, Benjamin Franklin, and King Louis XIV, along with some of the most inventive literary characters in modern fiction.

Audible’s complete and unabridged presentation of The Baroque Cycle was produced in cooperation with Neal Stephenson. Each volume includes an exclusive introduction read by the author.

Listen to more titles in the Baroque Cycle.

©2003 Neal Stephenson (P)2010 Audible, Inc.

Critic reviews

“Bawdy, learned, hilarious, and utterly compelling, [it] is sprawling to the point of insanity and resoundingly, joyously good.” ( Times of London)

“Thrillingly clever, suspenseful, and amusing.” ( New York Times Book Review)

"Most tales of 'olde' times are replete with castles, robed lords and ladies, and handsome men on horseback. But what about the wretches they pass on the side of the road as they go off to a lively joust? is about those men, the poor, the grifters, whose names are lost to history—the vagabonds. Stephenson's novel tells their story, with the able help of storyteller Simon Prebble. Prebble's witty banter is perfect as the voice of Jack, a knave who is out to prove that even a lowborn can succeed in seventeenth- and eighteenth-century Europe. Prebble even does a great job with the historical characters such as Isaac Newton, Ben Franklin, and others. Equal parts action and adventure, along with a healthy dose of humor, make this a great listen." ( AudioFile)

Imp of the Perverse Embodied in Brilliant Fiction

This series must be contemplated as a unified whole. This review is for the entire BAROQUE CYCLE.

Sorry Neal, I was wrong. For me Neal Stephenson was a bit of an acquired taste. My first Stephenson exposure was with SNOWCRASH, a zany over-the-top Sci-Fi farce with quirky characters, tight plotting and fascinating ideas—try an ancient software virus in the human brain. My next Neal Stephenson encounter was THE DIAMOND AGE and this was for years my last. It was not until revisiting SNOWCRASH now as an audiobook (narrated by the superb Jonathan Davis) that I realized that anyone able to reach such dizzying fictional heights once deserves more than one strike. It was after this that I listened to ANATHEM; strike two. But there was one more title that had received acclaim that I first had to tackle before relegating Stephenson to one-hit-wonder status: CRYPTONOMICON. This was a home run; different from SNOWCRASH in almost every way but still wonderful, and really long. From this I learned three things: (1) Stephenson was not easy to pigeon-hole; and (2) He could handle fictional works in the long form; and (3) If you are not preoccupied with plot advancement, the rabbit trails can be quite scenic. So, once I learned that many of the characters in CRYPTONOMICON had ancestors in THE BAROQUE CYCLE, I determined to tackle the whole lot back-to-back, as if it were one giant novel. QUICKSILVER is the first audio installment of THE BAROQUE CYCLE, which is here divided into seven installments. In print form it is broken into eight books published in three hefty volumes.

I could tell from the comments of other listeners that this huge tome is not for everyone. If you require fast tight plotting, this may not be for you. If you enjoy witty repartee between vagabonds, kings, courtiers and thieves then this may be the mother lode. I liken Neal Stephenson to Gene Wolfe; another writer who can keep my interest just by the brilliance of his prose. It was in the middle of ODALISQUE, book three in the cycle, that I realized I didn’t much care that the plot was just creeping along, and that side trips to follow the numerous cast of characters kept taking me away from the one I liked best. I was enjoying the show and didn’t want it to end. This is truly not seven different novels, but one huge novel tied together by recurring characters and one vast and very satisfying story arc.

This accomplishment by Neal Stevenson is just the thing that the term magnum opus was coined for. Mr. Stevenson demonstrates his ability to manage a vast narrative alternate history and retains his focus over two-thousand six-hundred eighty-eight hardcover pages, through one-hundred fourteen hours of audiobook narration; yet the feel and texture and pacing is consistent throughout the entire work. Amazing. If you decide to tackle this tome you will be rewarded. It may cause you to rethink the whole audiobook medium.

I really enjoyed Stephenson’s insights into the politics of the scientific community, revolving around Isaac Newton. The fusing of Natural Philosophy (science), Alchemy, commodity-based monetary theory, rags-to-riches character transformations, and court intrigue make for a fascinating experience. Listening to this series is like taking a time-travel vacation to the eighteenth century. The shabby, muddy, miasmic grunge of the period’s living conditions sometimes remind me of Monty Python and the Holy Grail or Jabberwocky, with associated punch-lines. This is a very different world from the one we live in but I began to think I might understand it a little better and found that, in some ways, it might not be so bad.

If you are at all interested in free-market economics, and commodity-based monetary theory then one of the long-term story arcs will be of intense interest to you. Stevenson explores the impact of the foundation of the central Bank of England upon the flow of gold. And his deft insertion of an Alchemical component into the mix creates an enjoyable element of mystery. This is the storyline that required one-hundred hours to tell.

This is a Science Fiction work because the alternate-history angle with Alchemy infecting the realm of science will appeal to the SF fan. If you were provided with a plot outline or given some character sketches you may think this an historical novel, and it could be read from that perspective. But Science Fiction readers don’t as a rule read historical novels, but they will read this, therefore, whatever qualities it possesses, justify the SF label.

—PERSISTENT THEMES OF THE BAROQUE CYCLE—
Predestination versus Free-Will is on everyone’s mind
The debate between Protestantism versus Catholicism had a huge political impact
Geocentrism versus Heliocentrism is the only thing everyone can agree upon
Commodity-based Monetary theory makes the world work
Court Intrigue and witty conversations provide joy in every circumstance
Meritocracy rags-to-riches stories abound
People can endure much if they have hope
Vagabond underworld versus Persons of Quality show we have much in common
Alchemy counterpoised with Natural Philosophy revel the nature of science
Encryption and secret writing have long been employed
True love makes life worth living
Courtly liaisons show the shallowness of the ruling class to whom society is entrusted

Simon Prebble does yeoman’s work on this production. To my ear he nailed every single pronunciation of every word in the course of over one-hundred hours of narration—no mean feat. His character voicings are subtle but immediately recognizable. His talent allows him to even give convincing alternate pronunciations of words to the different characters that are appropriate to their individual personalities. The more foppish English characters habitually emphasize different syllables than the lower class characters. Despite the deep quality of his voice Simon Prebble handles both male and female character voices convincingly. His voice has a limited range but I was constantly amazed at how he could make subtle alterations in inflection, diction and pacing to effectively distinguish the various characters in a conversation. Simon Prebble achieves the desirable state of occupying the place in your head usually reserved for your own internal sub-vocalizations when you are reading a print book to yourself. This is a high achievement indeed and makes this a soothing book experience.

Narrated by Simon Prebble (Main text)
Kevin Pariseau (Chapter epigraphs)
Neal Stephenson (Introduction)

Neal Stephenson once again shows his brilliance

If you could take any character from King of the Vagabonds out to dinner, who would it be and why?

Any additional comments?

I have read many Neal Stephenson books and this is one of my favorites.

Amazing

For a science fiction writer, Stephens is a hell of a historian! The tiny details of the history of science, and the atmosphere in which these people lived and did their revolutionary work are so vivid. Add all the action and adventure and the breakneck pace of the life of Half-Cocked Jack and you can't put it down.

Another amazing Neal Stephenson tale.

Mr. Stephenson has the ability to transport you into his characters shoes. He tells amazing and enjoyable tales.

Great Story To Be Continued

This was better than Quicksilver, the one before it. Better plot, characters and story lines.

Less Math Fiction, More Action

This book, although about Half-Cock Jack (no, that is not "half-cocked"), is really a bridge between Book 1 and 3. Jack finds Eliza at the siege of Vienna, and by the end of the book you start to realize that Eliza is going to be more of a character than Jack will.

Book 1 showed the scientists and mathematicians, and their noble patrons, while this story shifts focus on the poor. So there are vagabonds, soldiers, miners, Satanists, Turks, hareems, the oddities and intrigues of nobles, spies, diplomats, early modern capitalism and more. The action is definitely higher than in book 1. Better yet, Neal Stephenson doesn't shift gears back and forth in time anywhere near as much (or so it seems) as in Book 1, so it is much easier to follow, especially if you are doing something else.

The section on early modern capitalism - focusing mainly on the trading center in Amsterdam - is very interesting. Well worth sitting still and listening to that section. The section in which Jack gets entangled with the Satanists is a bit hard to follow, requiring you slow down and pay attention. All in all a number of "laugh out loud" moments, which makes this yarn a rollicking one. One cautionary note, however: this book is a little more sexually oriented than Book 1, so if you are listening in the car with others - especially children - you are going to have to turn it off unless you want to answer a lot of interesting questions.

The narrator, Simon Prebble, shows that the range of his voices is even greater than in Book 1, and continues to keep me engaged.. Hey, you got through Book 1, and if you ignored the reviews there and listened anyway - and found it interesting - trust me that you will enjoy this one too.

Swashbuckling and rambling

Book 2 of the Baroque Cycle is a lot more fun than Book 1.

That doesn't mean it doesn't have the same flaws. There is still very little approaching a plot. The narrative is still merely an device that enables Stephenson to describe at great length the politics, economics and science of 17th century Europe. There are only the vaguest gestures toward narrative progression, there are numerous entirely extraneous incidents, and the novel stops rather than ends.

But as long as you can tolerate the above, this is an enjoyable work. Jack and Eliza are extremely entertaining protagonists - seeing the glories and horrors of baroque Europe through the eyes of a cheeky cockney vagabond and a hyper-intelligent courtesan is a lot more fun than the rather anonymous protagonist of Book 1. And unlike the previous novel, this one has an astonishing geographic and social range, spanning the muddy slums of London, the silver mines of Germany, the wars between the Turks and the Austrians, the banking cities of the Netherlands, the palaces of France, and the slave galleys of North Africa.

And while there is verbiage aplenty and the usual ridiculously detailed explanations and descriptions from Stephenson, some of them are absolutely wonderful - I particularly enjoyed his surreal, dreamlike description of the siege of Vienna and of Eliza's byzantine plotting with various crowned heads of Europe.

These novels are not for everyone but this one requires considerably less patience and its charms are more immediately evident to the reader interested in a turning point in world history.

Don't operate heavy equipment while listening.

I am listening to the series. This book has been the easiest to follow so far. They all seem to jump around, unless you are paying close attention you will loose your place. I would have rated it lower, but I am comparing it to the rest of the series.

Quicksilver part 2

King of the Vagabonds is a rewrite of Quicksilver minus the Royal philosophical society. But if you had fun reading about Jack and Eliza in the first book and want to reread their story then go ahead and get this addition I enjoyed it. I’m also a big fan of Neal S.

Outstanding!

Outstanding! My third listening. Stephenson is top of his field & Prebble is master of the read!