Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life. Through the character of Gordon Comstock, Orwell reveals his own disaffection with the society he once himself renounced.
©2011 CSA Word (P)2011 CSA Word
At times certain wonderful books, by towering authors and read by notable narrators often end up with a rather dull effect. For 'Keep the Aspidistra Flying', narrated by the immensely talented Richard E. Grant, this is not the case. The atmosphere of Orwell's terse satire is fully developed in this dramatic reading by Grant, who manages to deliver character after character without loosing any of the pacing allowing the social and political underscore of the book to be fully experienced by the listener.
Of the many painfully satirical moments in the performance to look out for is the exchange between Gordon Comstock and the french waiter at the country pub.- enjoy.
What a pleasure to listen to Richard Grant capture every nuance and drop of sarcasm in Orwell's great prose masterpiece, The book feels very modern in sensibility; the narrator is exceptionally brilliant and funny. It was really a delight.
Gordon Comstock may just be the least appealing character in any book I have ever read. Whining, self pitying, grasping (of everything but money) he is almost completely devoid of human sympathy. At one point I nearly abandoned the book because he is such an unsympathetic persona.
But it is an Orwell. You can't give up on an Orwell. It's the law. And Gordon does finally redeem himself for the most human of all reasons. If you love Orwell you need to work your way through all of his work. If you don't love Orwell you need to work your way through all of his work so that you eventually will. This is certainly no "Animal Farm" and "Coming up for Air" is a friendlier read (next please Audible) but it certainly repays the listening time.
Richard E Grant's performance is excellent. Just the right amount of self important sneer in his voice and just the right tone of undeserved and unappreciated privilege in his delivery. All round a very good audiobook.
john in RI
The scene where Gordon finally sells a poem and ends up blowing the money on booze and tarts. You can feel his hangover when he wakes up in jail. Gives me a headache just thinking about it.
Gordon's tenacity, although like everyone he ends up with his own aspidistra.
If you have seen any of his movies you know what an amazing actor he is, in fact he starred in the film adaptation of the book. No one could have done a better job than Mr. Grant. Check out Withnail & I. "We've gone on holiday by mistake..."
Ravelston because he would pay.
Orwell said he wrote the book because he needed money. Quite ironic.
As with any audio recording of a book, the choice of narrator is extremely important. I've been waiting for this particular book to come out in audio format for quite some time now (this is my favouritee Orwell novel), and it was worth the wait. The narrator does a brilliant job. This is a thoroughly enjoyable recording.
"Withnail fans - this is a must listen"
I picked this up in an audible sale and I am so glad I did. Firstly this has outstripped 1984 as my favorite Orwell novel. The writing is sharp, gives a great flavour for the period but as is always the case with a true classic - the themes and characters transcend the original era.But great books do not always make great audio books. Richard E Grant's performance is one of the best I have ever had the pleasure of listening to. The talk of booze soaked poverty and frustrated creativity is pure Withnail and I (or Withnail is pure Orwell, you choose). As a long time fan of that film I was delighted by his reading.
Gordon Comstock, the money obsessed creative snob whose every decision seems to bring him closure to the edge of self destruction. Thoroughly hateful and utterly sympathetic.
Grant brings every ounce of the drunken narcissistic creative kamikaze passion that made Withnail and I unforgettable to a generation of cinema goers.
Gordon's idiotic series of bad judgement calls when he finally gets paid for a writing assignment. Hearing him plunge into a self destructive frenzy as his loved ones look on and suffer is incredibly sad.
This is really good, you should give it a try!
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