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Publisher's summary
Jaws is the classic, blockbuster thriller that inspired the three-time Academy Award-winning Steven Spielberg movie and made millions of beachgoers afraid to go into the water. Experience the thrill of helpless horror again - or for the first time!
Jaws was number 48 in the American Film Institute's 100 Years...100 Movies, and the film earned the coveted number-one spot on the Bravo network's 100 Scariest Movie Moments countdown.
This timeless tale of man-eating terror that spawned a movie franchise, two video games, a Universal Studios theme park attraction, and two musicals is finally available on audio for the first time ever!
Featured Article: The Best Horror Podcasts to Binge Listen for a Scare
Listener alert: The horror genre is changing. With the huge spike in podcast popularity, great horror is no longer the exclusive territory of novels. With series such as Lore and PseudoPod, fans of the spooky genre can find the scariest, most terrifying tales in podcast format. So, if you’ve been looking for your next favorite chilling listen, look no further. Here are the best horror podcasts to add to your library... if you dare.
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- By: Russell Banks
- Narrated by: Zach Villa
- Length: 13 hrs and 3 mins
- Unabridged
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Now available for the first time in audiobook format, a powerful literary classic from one of contemporary fiction's most acclaimed and important writers. Russell Banks' Continental Drift is a masterful novel of hope lost and gained and a gripping, indelible story of fragile lives uprooted and transformed by injustice, disappointment, and the seductions and realities of the American dream.
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Give up and die
- By AI on 12-09-21
By: Russell Banks
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Dead Irish
- Dismas Hardy, Book 1
- By: John Lescroart
- Narrated by: David Colacci
- Length: 10 hrs and 14 mins
- Unabridged
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In his new life as a bartender at the Little Shamrock, Dismas Hardy is just hoping for a little peace. He's left both the police force and his law career behind. Unfortunately it's not as easy to leave behind the memory of a shattering personal loss - but for the time being, he can always take the edge off with a stiff drink and a round of darts.
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Soap-opera thrillers?
- By Snoodely on 01-27-10
By: John Lescroart
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The Winter of Frankie Machine
- By: Don Winslow
- Narrated by: Dennis Boutsikaris
- Length: 9 hrs and 7 mins
- Unabridged
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Frank Machianno is a late-middle-aged ex-surf bum who runs a bait shack on the San Diego waterfront. An affable Italian with a love of people and life, he's a stand-up businessman, devoted father, and a beloved fixture in the community. He's also a hit man - specifically, a retired hit man. Back in the day when he was one of the most feared members of the West Coast Mafia, he was known as Frankie Machine.
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Five stars straight across the board
- By Eric Taylor on 06-28-12
By: Don Winslow
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Midnight Sun
- Sinclair Sisters Series, Book 1
- By: Kat Martin
- Narrated by: Rebecca Estrella
- Length: 11 hrs and 30 mins
- Unabridged
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Call Hawkins just wants to be left alone and leave the past where it belongs. The bleak beauty of Dead Horse Creek is a perfect place to get away from the world, a place where nothing exists to remind him of everything he's lost. His isolation is complete - until Charity Sinclair arrives fresh from New York City. Stunningly beautiful and stubbornly independent, she's also shamefully ignorant of the untamed wilderness and the very real dangers she'll face if Call doesn't teach her a thing or two.
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Kat Martin's books are always good but....
- By Jayne on 03-15-19
By: Kat Martin
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Laguna Heat
- By: T. Jefferson Parker
- Narrated by: Christopher Lane
- Length: 9 hrs and 38 mins
- Unabridged
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Laguna: a place where a crazed killer has turned paradise into a Disneyland of depraved violence - with a fiery vengeance - and where homicide cop Tom Shephard unravels a grisly mystery. It reaches back across 40 years of sordid sex, blackmail, and suicide into the dark corners of his own past.
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Fabulous
- By Stacy on 02-24-09
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The Dead Cat Bounce
- By: Sarah Graves
- Narrated by: Lindsay Ellison
- Length: 10 hrs and 59 mins
- Unabridged
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Since she bought her rambling fixer-upper of a house, Jacobia Tiptree has gotten used to finding things broken. But her latest problem isn't so easily repaired. Along with the rotting floor joists and sagging support beams, there's the little matter of the dead man in Jake's storeroom, an ice pick planted firmly in his cranium. Jake's unknown guest turns out to be local boy turned billionaire Threnody McIlwaine.
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too slow of a story...
- By Annette on 03-13-18
By: Sarah Graves
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Changing Tides
- By: Michael Thomas Ford
- Narrated by: Blake Somerset
- Length: 14 hrs and 43 mins
- Unabridged
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Marine biologist Ben Ransome understands the sea, especially the tiny, beautiful sea slugs he has studied and admired for most of his life. What Ben doesn't understand are people, and now, one of the most important people in his life - his 16-year-old daughter, Caddie - is coming to live with him for the summer. But the sweet, happy child he remembers has been replaced by a wounded, angry stranger who resents everything about her father. Caddie is determined to act out in every way, leaving Ben feeling more alone than ever.
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Sounds like a college lecture
- By Patrick McDonald on 12-15-16
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The New Moon's Arms
- By: Nalo Hopkinson
- Narrated by: Gin Hammond
- Length: 9 hrs and 59 mins
- Unabridged
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Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.
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What a joy
- By newmoon on 07-05-19
By: Nalo Hopkinson
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Godzilla: King of the Monsters follows the heroic efforts of the cryptozoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super species, thought to be mere myths, rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
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Everything the movie could have been.
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I personally loved it.
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What listeners say about Jaws
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- John M
- 07-21-10
Fascinating, but not for the obvious reason
I read this book many years ago and knew it differed from the movie, but I thought it would be fun to listen to the audiobook version. First off, yes - the movie is much better than the book - not because the book is awful, but rather because the movie is just so good and memorable. And it is true the dialogue Benchley's puts in his character's mouths is not particularly natural and there are many redundant sections throughout.
(Do note, however, that this book did spend 40 weeks on the NY Times Bestseller list and sold 20+ million copies, so someone certainly liked it!)
However, the book is unintentionally fascinating as a view into mid-1970's US society. I really enjoyed the watching the characters deal with life without cell phones, without microwaves, without the internet, all the while constantly drinking, smoking, dealing with class envy, latent sexism, racism, many references to the "War" (meaning WW II) and 70's era concepts of "swinging". I'm sure Benchley thought his characters were pretty progressive, but almost 40 years later the attitudes are very amusing.
Between the 70's society study and a reasonably good monster story you can definitely enjoy this book, just leave your memories of the movie at the door!
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- Gillian
- 03-31-14
Oh, How Disappointing…!
No review of Jaws could start off without mentioning the movie. I was eight at the time, so, while the rest of the family went to see it, my mom had to take me to Bambi. I remember coming out of the theater to find a woman crying and retching into a Kleenex, so distraught was she by Jaws. (My mom had to take me out of Bambi also: I just lost it when Bambi's mom got blown away by the hunter. Honestly? Between Bambi's mom dying and a freaked out shark, I think I would've handled the shark better.)
When I finally saw it, I thought it was great. And when I read it, I seem to remember finding it to be a good read.
So, it was quite disappointing to find that it just didn't age well. And by no means does it follow the movie. Which is just fine. I understand that. But the book has so many, many layers of the personal lives of the characters which, at first I appreciated. It's nice to have character development. It goes overboard though, and starts to drag. One wonders where the shark is. It is called Jaws, isn't it? The shark is supposed to be the main draw. The daily lives of the characters, their small and even large choices start to get in the way of the narrative, drag it down. Especially since the characters make some pretty poor choices that have nothing to do with the story. It just gets annoying. Who needs to know about a petty affair?
Imagine my surprise, also, when the real action starts, and I looked down and found that there were only six more minutes of the book. Talk about an abrupt ending!
I also had to listen to this at 1.25 speed as the narrator, Erik Steele, makes each line ponderous, with huge pauses in between sentences and concepts. He also has the voice of an anchorman. To his credit, though, is the fact that his dialogue really, really shines. His characterization of Quint is dead on and so very enjoyable, I could have listened to a book with only Quint all day long, as Steele brings him to life with such wonderful tones and a great accent.
Ultimately, this was a decent book, with decent writing and great action in sporadic scenes throughout. It left me hungry for more. Which is unfortunate because it really could've given more. A good enough read but unsatisfying when all is said and done.
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36 people found this helpful
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- wonder woman
- 06-08-18
You're Gonna Need A Better Book
I'll start out by saying that yes, I grew up in New England watching Jaws all my life, so I am absolutely accustomed to the characters and story the way Peter Benchley and Carl Gottlieb wrote it for the screenplay. So, by all means, feel free to take my review with a grain of salt (or a shot of apricot brandy).
I have always wanted to read the book that the movie was based on knowing that books are usually even better than the films adapted from them. But honestly, this is one rare example where that is simply untrue. I'm going to get into a bit of SPOILER territory here, so be warned...
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While most of the differences between the book and the film are hard to get used to at first, they didn't ruin the story for me. (Brody is an islander in the book, Hooper and Ellen have a history, Quint hardly makes an appearance until part three of the novel). It makes it interesting to see how the story was originally written vs. how they decided to write it for filming. What did bother me was how Ellen Brody was written. The entire second part of the book is riddled with her frustrations and annoyances that come across as, at best, female stereotypes, and at worst, demeaning to women and offensive. (No, not every woman fantasizes about being raped, thank you very much). I also felt like Benchley wrote himself into a corner; Ellen and Hooper have an affair to liven up Ellen's doldrum-ridden life. Martin suspects something odd is going on, but never actually confirms any of it before the book concludes. We have all this build up with a third of the book being about Ellen's feelings of being dissatisfied, and then Benchley wraps up her anguish in a matter of a few lines. She just suddenly realizes how good she has it and suddenly she's snapped out of her depression in the matter of moments. It's just far-fetched and stereotypical of women and their too-often implied hysterias.
I suppose part of the issue is the dated ideas on sex and intimacy, but another problem for me was just how it was all written. Descriptions and word usage were clumsy and odd ("He screamed, an ejaculation of hopelessness.") Sometimes the dialogue came across as very natural and other times it was so stiff it was painful to hear. I have to give credit to Erik Steele who did a good job of reading the book (his Quint was reminiscent of Robert Shaw's with a touch of pirate-like fun), but even his performance couldn't save such a lackluster story for me.
The conclusion of the novel happens in a similar way to Ellen Brody's dilemma... it just sort of winds down and stops. Again, we have so much build up to this confrontation and then barely see a showdown. Hooper gets eaten like some half-assed astronaut in his anti-shark cage, even though he has a weapon to use against the great white. (The under-water gun is barely mentioned once he goes into the ocean). Quint and Brody battle the shark, (which takes them days where they go back to shore and head back out on The Orca). Then, out of nowhere, Quint gets dragged into the ocean with the dying great white and they both sort of float away into nothingness while Brody kicks his way back to shore on a flotation device from the sunken Orca. It's sort of a letdown, honestly.
I am grateful that Benchley wrote the Jaws novel and that someone along the way thought it would make a great film. It certainly did! And while I am happy to have powered through the novel thanks to a talented performance, I can't say it was completely enjoyable or that I'd ever read it again. I think it's important to read the books that movies are based on to get a sense of where these characters started, but Jaws truly is a exception to the rule that the book is always better.
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Overall
- Kyle
- 01-23-10
Actually....it was pretty good.
Jaws reads like a cross between a Stephen King novel with a bit of Moby Dick thrown in. All in all, it wasn't too shabby. It sure wasn't serious literature by any stretch of the imagination, but it was worth a credit and the time spent listening to it. Sometimes you just want to be entertained!
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- Charles
- 06-04-09
The Perfect Book for the Beach
I was fifteen when the movie was released, and I loved it then. I read the book shortly after seeing the movie, and I remember liking it. Thirty some-odd years later, I listened to the audiobook and loved it even more. The narration by Erik Steele was pitch perfect. I was transported back to the 70s, and it was a rollicking nostalgia trip. Peter Benchley definitely caught the spirit and attitudes of the time and somehow wove them into a story that is like Moby Dick meets Fear of Flying meets the Old Man and the Sea meets Godzilla! I am surprised that it took so long for this iconic piece of Americana to be published as an audiobook. My only regret is that I was unable to wait until beach season to give it a listen. It would be the perfect accompaniment for a long weekend by the ocean.
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17 people found this helpful
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- JE
- 09-01-20
Spielberg is a genius.
How can a book this boring, pretentious, poorly written, corny, disgusting, aimless, and idiotic be turned into such an epic movie? Spielberg is a legend. He took a story filled with shallow, stupid, selfish, despicable ass holes, and totally reimagined it. This is the version of Jaws where you actually pull for the shark! It’s a damn miracle it became the film we all know and love. No one in this book, and I mean NO ONE is likable or well written. It’s a shallow collection of weak, selfish, amoral, pompous, idiotic, boring, losers who bare no resemblance whatsoever to the fantastic and lovable cast of characters from the Jaws film apart from their names. The chief is a weak, boring, oafish asshole. His wife is a pathetic, selfish, adulterous, bitch. Hooper is a shallow, despicable, corny, douche bag. The characters are one dimensional, the pacing is all over the place, and the dialogue is both unnatural, bizarre, and boring all at once. Even the shark attacks are boring. It’s truly a testament to Spielberg’s genius that he could spin this total piece of shit into such an incredible film. I love Jaws the film. This book literally depressed me. It is that awful. You get the feeling reading this book that the author is a pretentious, self important ass, and he owes Spielberg everything for turning his trash into gold. Read it if you want to marvel at one of the only times in history that a terrible book was turned into a great film, but if you’re expecting the story from Jaws the movie, well, this ain’t it, chief.
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16 people found this helpful
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- Katydid65
- 07-09-09
Jaws
First read the book when it came out and read it more then once - great summertime read. At the time I was a young mom of three and vowed that my little ones would never swim in the ocean, of course, that vow was broken many times over. Decided that it would be a great summertime Audible book and I was right - love it - it is like visiting with an old friend - bringing back good memories. Also Erik does a great job.
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- Axl Bradshaw
- 06-04-20
bad story but quality performance
This book aged like milk. If you are a fan of the movie or are in anyway critical of the stories you consume you will be bitterly disappointed. however the same cannot be said for Erik Steele's performance which was excellent and brought like to these otherwise dull characters.
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- Jim B.
- 08-28-18
Watch the movie it’s way better
The book is a short read which was nice but it dragged on in some of the most boring details. Virtually zero suspense and the ending was so anticlimactic I nearly fell asleep. Seriously the movie is 1000% better and far more worth your time
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- avoidthelloyd
- 07-02-14
Unsatisfying Ending...DN DN...DN DN... dndndndndnd
***Some spoilers*** Man... I am so glad that the author allowed some screen writing liberties because if the movie would've followed the book very closely, the ending would have stunk. This book starts off very engaging, but quickly moves into a lengthy section regarding an adulteress affair of the protagonists wife. She is regretful of not having a life of notoriety and finds her marriage to the police chief unfulfilling, resulting in the adultery. During this section the shark is fairly inactive... resulting in a desire to skip ahead. In my opinion, this part does nothing to move the main idea of the story forward. The book does contain vulgar language and some sexual immorality. I really feel let down with the last chapter of this book because there are SO many unanswered questions: 1) Why did Jaws live? 2) What does this mean for Amity? 3) Does Brodie confront his wife? 4) What happened to Mr. Vaughn? I needed and expected closure via a dead shark!... like in the movie! It was ended so abruptly that I'm actually kinda angry. Anyway, the narration was awesome and I could listen comfortably at 1.5X speed. I hope this helps someone. Later.
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