As survival becomes her sole motivation, Anna takes up the occupation of scavenger, searching for objects from the past which she then sells for food and shelter. But even in this landscape of devastation, her humanity prevails as she finds friendship, love and even some hope for the future. In the Country of Last Things reaffirms the singular gifts of Paul Auster.
©1987 Paul Auster; (P)2009 Phoenix
Vanessa Redgrave is not so much an actress as a force of nature…Here she reins it in to deliver an appropriately detached portrayal of a sheltered young Jewess cast on her own devices in a nightmarish world of terror and entropy. While playing against the unremitting horror of the first-person narration, she vividly impersonates the characters in dialogue scenes.” (AudioFile)
“Auster's, one of the best, is distinguished by an uncanny grasp of the day-to-day realities of homelessness. This is a scary but highly relevant book.” (Library Journal)
“[Auster] creates a tone that deftly combines matter-of-factness and estrangement.” (Publishers Weekly)
Future dystopia setting with the main character/story teller writing to an unknown source.
The most interesting aspect of the story started when the main character began to tell her story more. The least interesting part was the beginning because I had a hard time telling whom she was suppose to be speaking to, and where she was writing from.
Vanessa Redgrave did a great job at setting the tone for the story and her voice over kept me listening even when I didn't know what was happening story wise.
The most memorable character was the journalist the main character fell in love with in the middle of the story, and jump started the main characters subplot.
A great story toward the middle and end of the novel. Started reading this book based on a Book Club recommendation. Definitely worth talking about.
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