Of all the great figures of the Roman world, none was more fascinating or charismatic than Cicero. And Tiro, the inventor of shorthand and author of numerous books, including a celebrated biography of his master (which was lost in the Dark Ages), was always by his side.
Compellingly written in Tiro's voice, Imperium is the re-creation of his vanished masterpiece, recounting in vivid detail the story of Cicero's quest for glory, as he competed with some of the most powerful and intimidating figures of his or any other age: Pompey, Caesar, Crassus, and the many other powerful Romans who changed history.
Robert Harris, the master of innovative historical fiction, lures us into a violent, treacherous world of Roman politics at once exotically different from and yet startlingly similar to our own.
©2006 Robert Harris; (P)2006 Simon and Schuster, Inc. All rights reserved.
"Entertaining and enlightening." (Publishers Weekly)
This series strikes a good balance between historical research and story. The author creates a vivid picture of the places, people, clothing, food--without ever letting the story sag. The performer does a good job of creating the character of the narrator.
Simon Jones becomes Cicero, Tiro and all the characters in a seamless way. The story is compelling, poignant and historical.
Imperium is a good audio choice, as it's fast-paced, straight forward, and I felt no need to "turn back the pages" to review earlier content.
I was amazed at how many parallels there are between Roman Law and politics and our own. I loved the fact that what I thought would be dry (neither law nor politics are of great interest to me, nor is the Roman Empire, for that matter) ended up being one of the most riveting stories I've enjoyed this year. It's well written, it doesn't condescend to the audience, it's thoughtful, and I learned a lot.
Excellent voice modulation for the different characters.
It is one of my all time favorite listens. I often avoid dry history books, but this one is full of real people involved in a fascinating story.
This book and the narration brought ancient Rome to life for me. It was as if I got to know intimately, historical figures who were previously like cardboard images.
Jones's voice has that ring of truth that makes the fictional part of the story merge seamlessly with the factual part, creating an informative and engaging tale yet avoiding distortion. There is an appropriate arrogance in his delivery that makes the words sing.
Terrific historical novel
The time of Cicero through the eyes of his trusted slave. The seamy politics and dirty tricks almost make Washington appealing!
I read perhaps 1 or 2 books a year before Audible. Now I listen to 1 or 2 books a month. I'm mostly listen to sci-fi, fantasy, and classics. I'm a software developer and tabletop game designer.
I'm a big Roman history buff so this novel really appeal to me. Overall I enjoyed it. I learned more about people I already knew a lot about, so that was a rewarding. But it was a bit slow and dry in some points.
I loved this book for the wonderful characterization of life in ancient Rome, all told from the point of view of a particularly gifted and "privileged" slave. I never thought the politics of ancient Rome could be so suspenseful, but I found the book riveting and highly satisfying. The sinister depiction of Julius Caesar was also fascinating and somewhat unexpected. The narration is outstanding.
An excellent story of a 'reluctant' lawyer-politician in ancient Rome, similar to John Adams from American History.
The main character seems to be continually on the verge of defeat only to pull off a masterful recovery.
We are given foreshadowing hints that these victories are leading to a dark, and possibly destructive, path.
This was a good listen. It tells the story of Cicero, arguably the greatest orator of all time, as recorded from the perspective of his secretary/slave Tiro. Tiro invented shorthand writing, and although he wrote a book about Cicero's life, that original manuscript was lost. Robert Harris attempts to recreate that (with creative license) in this book.
The narrator Simon Jones did a fabulous job with the narration. I felt like I was listening to one of the great historical/Biblical epic films of the 1960s - Ben-Hur, Cleopatra, Spartacus, and the like. He varied the voices and never stumbled over the various names.
The draw of this book is the historical element and the political intrigue. This is not an action story, as you should probably know after regarding its subject, Cicero. The man was a statesman and politician, not a warrior like Pompey or Caesar (who have major roles of course).
In all, it was a refreshing read. It ends on a good point, a natural stopping point, never really drags or becomes boring, and is for the most part quite clean in terms of content.
Is he a dot, or is he a speck? When he's underwater does he get wet? Or does the water get him instead? Nobody knows, Particle man.
Robert Harris brings Rome to life. I am familiar with the more well known names are associated with the time of the end of the Roman republic and the birth of the empire. Others were just names I occasionally heard about. They are all portrayed vividly here, and I think the success of the book is due largely to Harris selection for the story's narrator, Marcus Tullius Tiro, slave and personal secretary to Cicero.
Harris is clear that this is a novel. It is a not a historical narration. It is the story of a man as told by an admirer. Many years after Cicero's death, Tiro relates the story of his master as he witnessed it. Tiro is an entirely sympathetic character; skilled in his craft, indispensible confidant to his master, as close to a member of Cicero's family as his station will allow, dreaming of the day of his own promised freedom; it is through his eyes that we become eavesdroppers on the events of this era with which his master becomes embroiled.
The story delves into politics and legal matters of the time and drips with intrigue, but it is not quite a mystery or a thriller. After all, we are dealing here with well known historical figures in events that are well documented. The outcomes are not unknown. The question is not so much what will happen, but how it will unfold for us in this story. The story Tiro relates is that of a socially awkward but brilliant Cicero who learns the skills of rhetoric, establishes himself as a lawyer, marries his way into the senate, and doggedly embarks on a journey to make a name for himself. Cicero comes across as a man as unabashed in his quest for power and prestige (specifically what the Romans called imperium) as he is sincere in championing the highest of Roman ideals. It is inevitable that he is faced with choosing between the two at times or else finding creative ways to marry them. But if that were not the case, we would not have nearly as compelling a story.
As for the novel's historical offerings, it is replete with details of senate procedures, legal maneuvers, and campaigns and elections that political junkies will like. I have no particular interest in Roman legal matters, but I found these to be juicy ornaments that made the story more colorful. The main historical value I found in the novel was the way it presented the conflict among the factions of aristocracy and between the aristocratic and the plebian interests. Knowing what is to follow, I can appreciate how what characters in the story do to manipulate these to their own interest plays into the events that ultimately lead to the fall of the republic.
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