From the best-selling author of High Fidelity, About a Boy, and A Long Way Down comes a highly anticipated new novel.
Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingnue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.
©2015 Nick Hornby (P)2015 Penguin
Started off fine, but didn't sustain my interest. Not sure why. Probably because I never really believed in the title character.
Go back to my library and look for something else to listen to.
From the decriptions it sounded like I would enjoy it. Listened to it on a road trip, but after about 5 hours I realized I just wasn't enjoying it. Possibly because the title character didn't seem real enough to care about, but wasn't out there enough to seem satirical.
I'm an artist and an art historian, and a chef, and a dog mom, master crocheter, a mediocre gardener, and a girlfriend, mostly. My favorite authors (in equal amounts of favorite) are Tom Robbins, Jane Austen, J.D. Salinger, and Haruki Murakami.
I really didn't enjoy this, but it was short enough for me to push through. The characters were bland, at best. There was no transformation, which is what I expect from his characters...from any characters really.
The performance was fine, I enjoyed the narrators voice very much, actually.
All in all, I wouldn't recommend it to anyone.
I loved this. Loved it, loved it, loved it, & then "meh", but that was ok since the rest was so fab. Hornby is obviously an astute watcher of people, as he picks up on details that make his characters real. I wish the narrator didn't almost whisper (most of) her lines. That seems to be how "posh" people (or those who wish to be thought of as "posh"...) narrate, these days; it's just irritable, after a while, to us listeners, with all that breath behind each word. But, if you liked any of Hornby's other books, you will like this, I PROMISE, & the whisper-reading will melt into the background of this tale.
It isn't Nick Hornby's best story but it is made worst by the anemic reading of Emma Fielding. Strong exchanges between characters like Bill and Tony were too often left with a bland feeling because if the narrator's choice to make them whisper at each other. I found it also difficult to distinguish the characters as many were rendered with the same sad, hopeless, hush tone.
If you have ten hours to spare, I'd recommend other books.
Fantastic from beginning to end. Sweet, sincere and moving characters from the first view in Blackpool to years later as the characters age. A joy to hear. The voice actor was amazing as she bounced from age to age, accent to accent and gender to gender. Hornby took us along entire lifetimes and I wanted to hug just about everyone in it from the start. No lost emotion here.
Tackling the new age of sitcoms and British society along with sexuality and love this book zipped along. Brilliant.
People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks.
Art imitates life and life imitates art in Nick Hornby's latest novel -- back and forth until using that old saw is no longer apt. Indeed, Hornby's characters, starting with Lucille Ball wannabe Sophie Straw (nee Barbara), start out crafting their mid-60s BBC sitcom based on their own life experience, and then, when it succeeds, mold the series to the needs of their real life, including the impact of their newfound celebrity.
To take it one step further -- and to state the main reason while I liked this book a lot, despite its decidedly mixed reviews -- the deeper theme is about the creative process, how one's own experience informs that process and how one's own life has to alter in order to maintain creativity over the long haul. Hornby does an excellent job exploring the nuances of creativity while drawing a team of engaging characters and mildly humorous episodes.
Funny Girl will not make fans forget High Fidelity or About a Boy, or even one of my personal favorites, Juliet Naked. But it is solidly in there with the remainder of Hornby's fiction (except for the woebegotten Slam). It is worth the price of admission just for the chapter about the stuffy talk show Pipe Smoke where Sophie's producer Dennis destroys his joyless old school counterpart on the subject of what constitutes appropriate TV material.
If I have one bone to pick, it is the relegation of the 1960s to a bit part, despite its indelible influence as a revolutionary cultural era that set the stage for the show within the book to break new ground. Yes, there is occasional reference to the Beatles, Stones and Yardbirds, and the even more groundbreaking sitcom Till Death Us Do Part (the model for the US hit All in the Family). But it would have been nice to have a better sense of what was going on at the time. In fact, it is often not even clear that the story is set during the heart of the 60s.
Nice job by Emma Fielding reading the book, especially reading Sophie's lines. A little too breathy on occasion, but otherwise spot on.
A fond, acerbic look at youthful ambition, Swinging London, showbiz and the creative process, tied up with a big bright funny bow.
Hornby is at his best with this character driven story of actors, writers and producers on a BBC comedy sitcom in London in the early 1960.
Funny Girl is an instant modern day classic..
Nick Hornby has a great talent in telling the most ordinary stories in an extraordinary lovingly way .. I loved !
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