A brilliant mixture of paranoia and Lovecraftian horror from one of today's most decorated and well-respected authors of horror/dark fantasy. When his father disappears, Gavin Meadows’ search uncovers a race of semi-human beings that have existed in—and under—the city for centuries.
©2010 Ramsey Campbell (P)2010 Audio Realms, Inc.
Frankly, a little grating. He has a rather annoying way of over-enunciating.
No, it really wasn't. The premise was good. I liked the initial set up of the characters. But writer uses the very frustrating ploy of making the protagonist inexplicably oblivious to the very uncanny things he starts to see. And frankly, it's a narrative device I haven't got a lot of patience for.
I actually usually have no problem with a rich story that develops slowly. However, this didn't have enough substance to justify the 10 hours of listening. The plot moves at a glacial pace and there just isn't any excuse for it. Plus although he's a competent writer, it is not as if he's literary enough to engage you with the beauty of the language while he moves glacially through the plot.
It probably would have made a very good long short story or a novella.
I've noticed a lot of this particular problem recently. Either writers or editors or publishers who allow a small story to stretch out into a very long book.
I have read some Ramsey Campbell before and I find the story ideas interesting, but his characters do tend to very "unlikely" in both behavior and conversation. Making it worse in this case, the story was very conversation heavy, often with three or more people sharing a conversation, and this proved far beyond the narrative abilities of Mr. Rowe who's indication of character change in speech consisted mainly of changing the pace of his speech, never the intonation.
No, the audio version is just too hard to follow, and the book itself features character whose decision making skills are so obviously impaired it's hard to identify with them in any real way.
His tone never changed from narration, to dialog - let alone among characters in a dialog.
The main character, his family, friends, and everyone else who were supposed to be "ordinary people", all of whom made some of the most bizarrely stupid choices that could be conceived of.
In a story about magical creatures that have haunted the underground areas of London since time immemorial, I shouldn't be using up my "suspension of disbelief" on the day to day choices of the main characters.
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