A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified "dinery server" on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilization: the narrators of Cloud Atlas hear each other's echoes down the corridor of history, and their destinies are changed in ways great and small.
In his captivating third novel, shortlisted for the Booker Prize, David Mitchell erases the boundaries of language, genre, and time to offer a meditation on humanity's dangerous will to power, and where it may lead us.
This audiobook is available exclusively as an audio download!
Note to customers: The complicated format of this novel makes it seem that the audio may be cutting off before the end of a story, accompanied by a change in narrator. However, this is the author's intention, so please continue to listen, and the stories will conclude themselves as intended.
©2004 David Mitchell; (P)2004 Random House Audio
"[Mitchell's] exuberant, Nabokovian delight in word play; his provocative grapplings with the great unknowables; and most of all his masterful storytelling: all coalesce to make Cloud Atlas an exciting, almost overwhelming masterpiece." (Washington Times)
"[Cloud Atlas] glows with a fizzy, dizzy energy, pregnant with possibility and whispering in your ear: listen closely to a story, any story, and you'll hear another story inside it, eager to meet the world." (The Village Voice)
"A remarkable book....It knits together science fiction, political thriller, and historical pastiche with musical virtuosity and linguistic exuberance: there won't be a bigger, bolder novel next year." (The Guardian)
This is an outstanding book but mainly if you sit and "read" it. The book is a very complicated read but absolutely amazing if you take the time to actually read it. Listening to it, on the other hand, I found to be extremely difficult. While trying to listen, I found myself rewinding and re-listening to parts constantly causing much frustration and confusion. This book is not really meant for listening pleasure unless your IQ is way above average. If you have time to concentrate on your listen, you may be able to get through it. Once I sat down and read the book, I decided to give it another listen and I found the narrator to be amazing and intriguing. After reading the actual book, I had no trouble listening to it. I actually loved hearing it and got more out of it. If you find yourself unable to listen, sit down and give it a read. You'll Love it!
Initially, I was concerned that I had made a mistake in choosing this book. Some of the reviews made me skittish and the first (of six) parts is quite difficult to listen to because of it's archaic language. In addition, this first part can make you worry that the book isn't going anywhere.
My patience was rewarded for the rest of the book however, and I include the very end-that picks up the tale of this first part again and is much easier to listen to 2nd time 'round.
The readers are all wonderful, but especially the reader of the sixth part. The sixth part also has strange language. But the reader is so good, that I was totally hooked by the second paragraph.
The overall plot was, at first, hard to find. The story is so temporally disorienting that I had to let go for a while and just enjoy the little subplots as they lay. I noticed little gems of connection and filed them away for later.
Then somewhere in the middle, revelation happened and I began to see Mitchell's point: Our past predicts our future, everything is cyclical and EVERYTHING is connected.
That which sails hopefully to an island paradise must later row from it in horror. (I promise that wasn't a plot spoiler in any way) These connections are perfectly nuanced and so finely finessed, that I didn't see them at first. (I suspect this was meant to be; by one of the finest writers of our time.)
I rarely read or listen to a book more than once but I am already looking forward to revisiting this again someday.
But I write for myself, for my own pleasure. And I want to be left alone to do it. - J.D. Salinger ^(;,;)^
Ironic that I happen to read Cloud Atlas in the same year I read Calvino AND Gibbon's Decline and Fall. All I would have to do is read a little more Melville and perhaps some Jared Diamond and it would be impossible to explain as a mere coincidence. I loved the book. Maybe I'm a pushover for puzzle novels, structural creativity, narrative flourish, thematic clouds, etc., but I really enjoyed every page of Cloud Atlas. I do think this is a strong enough book that it deserves a place on the shelf next to DeLillo or Rushdie. Mitchell took a couple big risks and they paid off fairly well. Not that this is a perfect novel, and it is hard to justify giving it five stars when I also give Dostoevsky and Kafka five stars (certainly they deserve galaxies not stars). I guess the way I look at it is thus - if I read a novel and it makes me want to read another couple novels by the same author it deserves at least 4 stars. If, after reading an author's work, I want to go buy every damn work written - I'm pretty certain that justifies a five star rating
I will start by saying that the ghastly ordeal of Timothy Cavendish was a particularly clever bit of writing.
I am not entirely sure of all the subtleties that may fit his story, with that of the other five stories in Cloud Atlas(if any exist), but a more careful reading sometime in the future may explain it better to me. The other stories were also interesting, and I liked them all in varying degrees.
Cloud Atlas is one of those books I may actually consider reading again, and that is saying a lot (I very rarely read a book twice).
If you are contemplating paying a credit for this download, you should be aware however, that this book has a somewhat unconventional plot-thread(?) consisting of six stories. Each story is read or observed by the person in the next story. Each story ends abruptly, except the sixth story, which is finished at once. At this point the novel goes back to each of the other five stories to 'end' them, ending with the first last.
The six stories are:
The Pacific Journal of Adam Ewing
Pacific Ocean, circa 1850.
Letters from Zedelghem
Zedelgem, Belgium, 1931.
Half-Lives: The First Luisa Rey Mystery.
Buenas Yerbas, California, 1975.
The Ghastly Ordeal of Timothy Cavendish
United Kingdom, early 21st century.
An Orison of Sonmi~451
Nea So Copros (Korea), dystopian near future.
Sloosha's Crossin' an' Ev'rythin' After
Hawaii, post-apocalyptic distant future.
I really wanted to like this book. The narrators did a great job, but the story itself is one tale following another - - through time - - highlighting how cruel and heartless mankind can be to each other. Filled with despicable characters, cheaters, liars, murderers, betrayers along with the simple naivete of those who have been damaged. The author is in love with his language and apparently has a low opinion of mankind in general. There are hints of inter-connects between the stories, but nothing clever or "ah ha" about it. I am truly baffled at the popularity of this novel. I may see the movie out of curiosity. They will have to cut quite of bit to make it fit into a single motion picture. This might make it better.
Mitchell (David-not Joni) takes an abstract agenda on a circular trek that arcs over the years with different stories and characters, then curves neatly back and around to completion (because we know a circle has no beginning or ending). The trick is to not keep asking are we they're yet and enjoy the ride, because Mitchell is constantly moving toward a destination, in spite of the feeling that you are zig-zagging all over the place (as well as through time).
As reviewers have already shared, there are 6 stories/narratives that--not so much weave together as--stack upon each other, forming a ring around a central theme. It IS witty and beautifully written and enlightening and humorous...I particularly enjoyed Mitchell's adeptness at becoming a new character and voice in a new era and a new world with each story--a person linked to the past and the future. And, he is a good story teller, one of those that can start a tale and envelop you in the atmosphere as much as the plot. Mitchell is as much an architect and adventurer as a writer, using his words to create and explore.
Some reviewers said they thought Cloud Atlas was a difficult book--an evidentiary case for the audio/Kindle combo option. Having the text was a good tool for those times when I needed 2 or 3 reviews to get on course, but the audio production was so good it heightened the experience. That said, if you can listen without disruption and want a little mind-expanding journey through time, this is not difficult at all...it just is adventurous and outside the box. A puzzle--but one that you can piece together as you go and enjoy the picture as it comes into view.
[*The many reviews here were a helpful guide (especially those that were able to take the advantage of time and add upon early reviews for our benefit on issues like *slow beginning* *abrupt story endings*) and made me appreciate anew the value of listener's sharing their experiences. Reviews I found helpful: Elizabeth/Atlanta; William/Bainbridge; Ryan/Somerville; Karen/Ames; and many more worth reading.]
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
One of my favorite books ever, partly because of its unusual structure. Cloud Atlas isn't really a novel in a traditional sense, but six stories nested inside each other. Mitchell writes each vignette in a wildly different setting and style, and offers only the slightest of devices linking each one to the next. There's a 19th century seafaring tale, a sardonic coming-of-age story set in the 30s, a piece after a 1970s suspense paperback, and... well, I won't give away the others. The lack of much direct connection between stories is the sort of choice that some readers will admire and some will think reduces the whole work to an exercise in self-indulgence.
I fall into the former camp. Mitchell has the virtuosity to make his design work, and each character voice, though very different from the preceding one, rings true. I think that readers who are looking for a clever device to tie it all together, obvious closure, or a sense of how seriously the author means us to take his fanciful constructs, are missing the point. I find this be a work that creates a series of impressions, like paintings or tracks on a music album, and lets them float together in the reader's mind, their mood and tone forming moving but elusive connections in the imagination. In this case, the sense of struggle and incompleteness that each story evokes in its turn came across in a way I found beautiful and affecting, even in the way one world gave way to the next without warning. The cyclical structure of the book and its recurring patterns reminded me of Buddhist ideas. Don't try to read Cloud Atlas just for plot, or you'll be disappointed; read it for the writing, conviction, imagery, and artistry.
This is an extremely clever book filled with nuances and devices that would, I think, be better appreciated in the written form; to state the obvious, it's much easier to flip back in a book than it is to scan back on a listening device. But you (who am I kidding, I mean me; it's all about me) feel pretty darned smart while listening to the second half of the book when you find that not only do you really get it, but that you are also able to make "aha" connections between parts early on in the book that made almost no sense at the time. This isn't a mystery (although one of the stories within the book does take the form of a mystery, of sorts) but I often felt as if I would have been better able to keep up with the story if I had been taking notes; then again, that probably would have interfered with my ability to sleep on the subway while listening to some of this book. On an almost entirely positive note, some of the narration is excellent and the fact that the book is split up into six different stories with different narrators makes it very easy on the ear, if a little taxing on the brain.
Cloud Atlas is am ambitious literary undertaking that is worth every second of listening. Mitchell set himself the task of crafting six separate stories, in six different time frames, and presented in six different literary styles. The stories are connected in various manners both directly and indirectly with implied reincarnation. While the individual tales unfold in a temporal order, Mitchell creates a palindromic array where the first half of each story is revealed followed by an abrupt shift to the next (1-5); until the sixth which is presented in its entirety and then concluding the other five in reverse order (5-1).
The six tales comprise a diarist in the mid 1800's, correspondence in the early 20th century, a journalist / detective in the late 20th century, a present day comedy (including many belly laughs), a late 22nd century sci-fi, and a later post-apocalyptic oral rendition. Each individual tale is well done with interesting plot twists, especially in the 2nd half of each tale. Of particular emphasis in each story is the influence that individuals can exert both immediately and for the future on the lives of others.
The decision for six different narrators (each gets their own tale) deserves special kudos as this touch adds to the listening enjoyment. John Lee and Kim Mai Guest are simply spectacular. Be prepared for sudden shifts in the storyline without warning. This is one piece of ear candy to savor.
This is one of the best books I have read in the last few years (and I read more than 100 books per year). The different narrators for each section were excellent and helped distinguish each story. I did find myself reviewing the hard copy of the book as well because the material is so rich, I didn't want to miss anything. Although I normally don't read science fiction, the sections that were science fiction were intriguing because of the way they tied into the remainder of the book. Don't miss it!
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