Preview
  • City of Thieves

  • A Novel
  • By: David Benioff
  • Narrated by: Ron Perlman
  • Length: 8 hrs and 28 mins
  • 4.6 out of 5 stars (6,907 ratings)

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City of Thieves

By: David Benioff
Narrated by: Ron Perlman
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Editorial reviews

Two unlikely young men charged with desertion and facing execution in the besieged city of Leningrad are charged with an impossible task: they can have their freedom if they can find a dozen eggs for the wedding cake of a powerful colonel's daughter. The two make an odd couple: one a scrawny Jewish outsider, the other an erudite charmer, and their journey takes them from the war-torn city to the snow-covered countryside. Sound like the basis of a classic movie? That might be because the author, David Benioff, is a successful screenwriter, and City of Thieves is halfway between movie-script and roman-a-clef, between airport blockbuster and serious literature.

It's a difficult balancing act, but it succeeds here in no small part due to Ron Perlman's unforgettable narration. His voice is as full of character as his celebrated face, and his bar-room drawl brings a hard-boiled noir quality to the narration. It's a voice dripping in contraband and cordite, easily navigating the Russian names and injecting a sly, seductive humor into the dialogue that offsets the occasional lapse into sentimentality. It's a fantastic performance that succeeds in tying together the disparate elements of this rich tale.

Perlman also takes great relish in conveying the myriad of tiny details that Benioff weaves into the narrative, and which lend a cinematic quality to the work. Indeed, the author's screenwriting background is evident throughout: there's a tightly-constructed plot that never loses a sense of forward propulsion, even during the quieter moments; there is a skilful interweaving of film-school tropes the buddy movie, the coming-of-age tale, the WWII film. And there's that attention to detail. Although Benioff has clearly done his research, it's the off-beat imagery that brings to life the reality of living in a besieged city: concrete dragon's teeth are arranged to hinder the approach of enemy tanks; leather boots still bloody from the feet of the previous owners; malnourished children's bones break easily.

A slightly superfluous framing narrative alerts us to the novel's more literary aspirations. The art of storytelling is central to this tale, and the narrative brims over with literary references: doomed poets, scabrous novelists, callous propagandists. The picaresque plot recalls A Hero of Our Time, and the main action begins with a German parachutist's corpse drifting down the empty streets, an image halfway between a movie storyboard and Lord of the Flies just one of many evocative set-pieces in this highly entertaining adventure. Dafydd Phillips

Publisher's summary

From the critically acclaimed author of The 25th Hour and When the Nines Roll Over and co-creator of the HBO series Game of Thrones, a captivating novel about war, courage, survival - and a remarkable friendship that ripples across a lifetime.

During the Nazis’ brutal siege of Leningrad, Lev Beniov is arrested for looting and thrown into the same cell as a handsome deserter named Kolya. Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter’s wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible.

By turns insightful and funny, thrilling and terrifying, the New York Times best seller City of Thieves is a gripping, cinematic World War II adventure and an intimate coming-of-age story with an utterly contemporary feel for how boys become men.

©2008 David Benioff (P)2008 Penguin

Critic reviews

"The novel tells a refreshingly traditional tale, driven by an often ingenious plot...[Benioff] shifts tone with perfect control - no recent novel I have read travels so quickly and surely between registers, from humor to devastation.” (The New York Times Book Review)

“This spellbinding story perfectly blends tragedy and comedy.” (USA Today)

“Splendid...Benioff has produced a funny, sad, and thrilling novel.” (Entertainment Weekly)

Featured Article: 15 Poignant and Postapocalyptic Listens for Fans of The Last of Us


Naughty Dog's postapocalyptic video game The Last of Us is a masterclass in storytelling. Celebrated for its complex ruminations on grief, morality, and redemption, this unique take on dystopia has maintained a steady fanbase since 2013. That following is set to grow following the debut of HBO's television adaptation—a breakout hit that sacrifices none of the emotional stakes or brilliant character work of its source material.

What listeners say about City of Thieves

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    5 out of 5 stars

A masterpiece. Best book I’ve read in a long time.

Until reading this book, I’m not sure why I’ve given so many books in my past 5 star reviews. This was definitely worthy of five stars. I loved this book so much and I was fully enveloped into the story and characters. Easily in my top favorite books of all time.

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    4 out of 5 stars
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Entertaining WWII view from Leningrad

If you have any Russian blood in you, as I do, this story will reverberate for you. During the war, two waifs find their way through almost incomprehensible famine, destruction, bombing by the ubiquitous Germans and winter's cold, on a mission from a Russian general to find a dozen eggs! One is Jewish, although only half, and the other is pure blond-haired, blue-eyed Cossack. This is the perfect duo. They stumble through enemy lines and eventually the Jewish boy, who is seventeen, finds himself playing chess with a monstrous Nazi Oberleuitenant (forgive my ignorance of German; perhaps it is understandable). The Nazi has murdered so many Russians, in such vile ways, that he must be killed. Along the way our boys pick up Vika, a tiny woman who is the best sniper around. She is so bony that she passes for a young boy, and Lev falls in chaste love with her. The writing is smooth and true. The narrator is an actor who knows how to use his voice. There are a few funny scenes, particularly one in which our boys, looking for eggs, find a scrawny what-they-think-is-a-chicken. They are in for a surprise. You might expect the book to be depressing, as much WWII stuff is for me now, but the author and the narrator make it rise above the Russian suffering. We know the horrendous losses that Russia sustained, but the book is worth reading for its insights into Russia. Only Martin Cruz Smith can do this better, and he is truly in a league with only one member.

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City of Thieves

This book reminds me of The Twelve Chairs. I've listened to it several times and it just gets better and better. Perlman's performance is perfect

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    5 out of 5 stars

One of the best

This book rivals "The Company" for my all time favorite audiobook. I loved the main characters and the narrator was terrific!

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    5 out of 5 stars

Engrossing and fast-paced

I couldn't stop listening to this book - it was one of my most enjoyable "listens" all year.

The plot was interesting and full of unexpected moments; it held me captive throughout the book. The characters fleshed out and became likable - I'm still laughing at some of their dialogue. And the narrator was very good - a semi-gruff voice perfectly suited to a war-time tale.

I had never heard of the book, but I'm glad it was on Audible's list of 60 five-star books from 2009. Very good book.

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This is a great book

I laughed, I cried, I saw it all coming from a mile away and yet,I was surprised.

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A Fantasy of Jewish Masculinity

Any additional comments?

Here’s a premise: the question of how we define masculinity is, in large part, a rewording of a deeper question – how can we show love for our fathers? That claim builds from a perspective that is both heteronormative and male, but grant me that much and see how wide it might reach.

Masculinity is culturally defined. I’ve always loved the legend of the meeting between Richard the Lionheart and Saladin. Richard, boasting of his strength, takes out his mighty sword and uses it to cleave an anvil. Saladin, standing nimbly before him, uses the razor-sharp edge of his blade to slice a piece of silk he’s let fall across it. Each of those attributes is a kind of masculinity, whether the Norman sense of the unassailable strong man or the Arabic sense of the lightning quick and wise warrior.

City of Thieves gives us two equally distinct visions of masculinity. There is Kolya, a handsome and able Aryan who lives his life unflappably. And there’s Lev, a big-nosed, neurotic Jewish young man who, always doubting himself, always rises to heroism. Lev may question himself at every turn, but he always carries himself as a man. At the beginning, he risks his life to save a friend. Throughout the middle, he proves an important and sober balance to Kolya’s impatience. And, at the end, well, [SPOILER] he kills the chief bad guy and gets the girl.

For me, then, this novel is most obviously a kind of wish fulfillment fantasy: it lays out the perfect scenario for Jewish masculinity, with all its flaws, to be the precise set of codes necessary for survival and eventually heroism. We come to like Kolya very much; he stands as one kind of masculine ideal. But Kolya’s excellence doesn’t overwhelm Lev’s. Instead, we see that it takes both masculinities – a more conventional (by American standards) masculinity and Lev’s Jewish one – for the partners to complete their mission.

If that isn’t clear before the end, well, the climax brings it home: how else can we understand the significance of the Jewish kid beating the vile Nazi at a game of chess? It’s the ultimate in “Is there a doctor in the house?” It’s like the high school tech nerd who, with the whole school watching, quick fixes the projector the principal needs in order to make possible the screening of some anticipated movie. It’s a contrived situation in which the boy’s particular skills – particular not just to him but to the culture in which he is emerging as masculine – are exactly what we need.

And it’s also wonderfully satisfying. If you forget this is a fantasy, then I can see how you might find it ahistorical or tone deaf. It’s not especially good history, nor is it emotionally true. Demanding such characteristics of it, though, is to misunderstand that this is a sustained wish projection. If noir is an interrogation of the codes by which a man should live in a world where there’s no reason to believe in a benign, ordered universe, then this is an exploration of the strength implicit in a stereotypical Jew’s qualities. It’s a reimagining of a dark time in such a way that a clever Jew can play a difficult and necessary tole in defeating the worst villains of the century. Lev wins because he is supposed to win, because the cards are stacked in his favor by our writer.

And Benioff does all that with good humor and excellent pacing. The subplot of Kolya’s counting the days since his last shit is funny and even joyful, and Lev’s sexual awakening is both tender and embarrassing. Reading this, I can see the sensibility that Benioff brings to his work on Game of Thrones. That too is a fantasy – a more apparent one – and Benioff invests it with many of the same concerns: its story line is also contrived, but there is room within it for a variety of masculinities to vie with one another. (In fact, that conflict between different cultures is the heart of Game of Thrones.)

It’s fair to add that, as with Danaerys, we also see how here how women can thrive in a masculine context. Vika ??? is, of course, not only the finest sharpshooter, she is also the finest partisan fighter and she is demonstrably more capable than either man. In this wish-projection world, she is the ultimate fantasy down to her taking time to wash and put on makeup when she returns to Lev in the closing pages. She excels at both the masculine and feminine codes, as both a model gentile in her fighting capacity and as a model Jewess in her eventual unveiling as David’s grandmother.

To return to my original point, though, I think this is not merely a fantasy of masculinity but also, as I suggest in my opening premise, an almost too-needy letter of affection to fathers. The back cover copy of my edition (well, the audiobook slug) makes a big deal about the idea that this is a novel written by a young man, David, from the recollections of his grandfather, that this is about David’s efforts to understand his grandfather’s experiences. And then, as Lev pursues his mission, he thinks fondly of his father, always measuring himself against the glimpses of literary greatness he still recalls.

That is, this is not merely an interrogation of masculinity but also a tribute to David’s forefathers. (Less so to his foremothers.) Yes it’s a fantasy, and yes it’s perpetually involved with how a boy is supposed to perform as a man, but there’s a sweetness in its almost transparent effort to embrace and even celebrate its fathers. This may not be literature for the ages, but it’s also something that works to break received conventions. It is perhaps too much fun to ring true as a history of Jews during the time of Hitler and Stalin, but it unfolds from that dark history into an imaginative space that offers a rare balance between poignancy, humor, suspense, and action.


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Amazing!

One of my most favorites reads recently. Sad. Funny. Touching. Wonderfully narrated. A must listen!

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So good that I’m mad it’s over

I’m mad and sad that I’ll never be able to read this again for the 1st time.
It’s so funny and so dark. Great absurd adventure, great characters, great comedy and tragedy.
I didn’t need the musical interludes and flourishes — only once did I feel it really added something to the story.
Narrator does a beautiful job. One of my very favorite audiobooks and I have some dear favorites

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Great story!

Ron Pearlman does a great job bringing you into Benioff’s Stalingrad during the Nazi siege. I cannot imagine the cold and scarcity of food, clothing and housing. What strength these Russians showed.

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