A richly imagined new novel from the author of the New York Times best seller People of the Book. Once again, Geraldine Brooks takes a remarkable shard of history and brings it to vivid life.
In 1665, a young man from Martha's Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold, Brooks has created a luminous tale of love and faith, magic and adventure. The narrator of Caleb's Crossing is Bethia Mayfield, growing up in the tiny settlement of Great Harbor amid a small band of pioneers and Puritans. Restless and curious, she yearns after an education that is closed to her by her sex. As often as she can, she slips away to explore the island's glistening beaches and observe its native Wampanoag inhabitants. At 12, she encounters Caleb, the young son of a chieftain, and the two forge a tentative secret friendship that draws each into the alien world of the other. Bethia's minister father tries to convert the Wampanoag, awakening the wrath of the tribe's shaman, against whose magic he must test his own beliefs. One of his projects becomes the education of Caleb, and a year later, Caleb is in Cambridge, studying Latin and Greek among the colonial elite. There, Bethia finds herself reluctantly indentured as a housekeeper and can closely observe Caleb's crossing of cultures.
Like Brooks' beloved narrator Anna in Year of Wonders, Bethia proves an emotionally irresistible guide to the wilds of Martha's Vineyard and the intimate spaces of the human heart. Evocative and utterly absorbing, Caleb's Crossing further establishes Brooks's place as one of our most acclaimed novelists.
©2011 Geraldine Brooks (P)2011 Penguin
I love a good murder mystery or any novel where good overcomes evil. Two of my favorite authors are Frank Peretti and Ted Dekker.
This is my 2nd Geraldine Brooks novel. I was not disappointed. She presents a somewhat fair view of the early settlers and their interactions with the natives and with each other. At the very least, she writes books that I love to read and discuss with others. She's a book club favorite.
Brooks always conducts thorough research of her topics in order to present as accurate and rich a picture of the time and place as possible. Caleb's Crossing is no exception. She has selected an interesting and difficult time in the early history of the Massachusetts Bay Colony. Written in the voice of the daughter of a preacher on Martha's Vineyard, she has addressed the issues of religious zealotry, woman's place in that society, inter-class dynamics, and prejudice against Native Americans. She is a truly gifted writer and her characters, although carefully defined by the values and beliefs of the era, are compelling and believable. Like her other books, she manages to connote struggle, tragedy, passion, and redemption. I know some people have an issue with the reader, but Brooks always seems to find the right voice for her stories. I felt Jennifer Ehle was a good choice for this book.
The story captivates you and carries you along right to the end. A thoroughly enjoyable experience.
The relationship between Bethia and Caleb and her immediate acceptance and loyalty to him throughout the story.
The conversations between people are more alive.
Yes. I have a bias in favor of audible editions because of some visual problems, but I would prefer this particular edition in any case.
The characterization was superb. I felt an understanding for the Puritanical father even though I disagreed with so many of his convictions. The other characters were presented also in depth.
The interpretations of each character through her renditions of the voice of each.
I would have enjoyed that, but I looked forward to each time I had opportunity to listen as a special treat.
As my title indicates, the in depth research along with a good fictional adaption provided a great way to gain historical insights.
The enunciation of every. single. word. was. so. distracting. that. I. had. to. abandon. the. audio. and. finish the book by reading it.
Yes as I know that friends would love this book like I did.
How hard life must have been and the plain make sense part about growing corn.
The story was wonderfully engaging, despite the stilted pronunciation from the narrator. Brooks' word choice reflects the vocabulary of the era, so it didn't need exaggeration from the narrator, and I found that distracting. Geraldine Brooks always tells a great story, enhanced by historical information and details of the natural world.
I loved this story. Geraldine Brooks knows how to tell an entrancing story. This is one of my favorite books.
The narration was an excellent balance between authentic 17th c vernacular and an accessible, understandable 21st c listen. Jennifer Ehle's voice is beautiful, yet firm -- a perfect reflection of the narrator - Bethia - a bright girl chafing under the limitations of 17th c social and economic strictures. I came to the audiobook w/ anticipation from Jennifer Ehle's wonderful performance in Pride and Prejudice, and, surprisingly, in Contagion, and she did not disappoint -- I thought her careful enunciation conveyed the formality of Colonial speech in an understandable way for a modern listener. I also read the book after listening on my walks, and it helped to have heard the unfamiliar Native words and names as I encountered them in print. I thought Geraldine Brooks created a rich story from a history that has very little primary or even secondary source material, and especially enjoyed the addition of the perspective of a Pilgrim girl the same age as the Native boys. My only criticism is that some of the story is kind of soap-opera-y, but maybe the author is anticipating a movie? The book inspired me to visit Martha's Vineyard and Aquinnah, and I got a deep sense of the landscape from Brooks' narrative -- even with the tourist trappings around it, the cliffs and meadows and hills are spectacular -- you really appreciate the home Caleb and Joel left when they "crossed over."
I might try another historical fiction by Brooks, but I would never listen to another book read by Jennifer Ehle. It was stilted, no expression, and took away from the story.
It was stilted, no expression, and took away from the story.
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