Golden Globe-winning actor Michael C. Hall (Dexter, Six Feet Under) performs Truman Capote's provocative, naturalistic masterstroke about a young writer's charmed fascination with his unorthodox neighbor, the "American geisha" Holly Golightly. Holly - a World War II-era society girl in her late teens - survives via socialization, attending parties and restaurants with men from the wealthy upper class who also provide her with money and expensive gifts. Over the course of the novella, the seemingly shallow Holly slowly opens up to the curious protagonist, who eventually gets tossed away as her deepening character emerges.
Breakfast at Tiffany's, Truman Capote's most beloved work of fiction, introduced an independent and complex character who challenged audiences, revived Audrey Hepburn's flagging career in the 1961 film version, and whose name and style has remained in the national idiom since publication. Hall uses his diligent attention to character to bring our unnamed narrator’s emotional vulnerability to the forefront of this American classic.
©1950, 1951, 1956, 1958, 1978, 1979, 1984 Truman Capote. Copyright renewed 1986 by Alan U. Schwartz (P)2014 Audible Inc.
"[Michael C. Hall] uses his diligent attention to character to bring our unnamed narrator’s emotional vulnerability to the forefront of this American classic.... I felt content and comfortable in Hall’s hands as the tale unfolded. He did a wonderful job giving each character voice, especially that of Holly." (Caffeinated Book Reviewer)
Yes. I am glad I listened - it was short, the narration was awesome, and Capote is an amazing writer in the way he describes situations and people.
The ending was fitting I thought, however it was still somewhat of a let down in that I felt there was no real closure.
He did great voices and you really felt like he was the main character.
Yes it was. I just had a hard time getting through some of it because I kinda hate Holly's character, and seeing as she is a main focus in the book, I had a somewhat love/hate relationship with the story.
I think that this story would be better to read, given the great writing Capote uses for his descriptions. It is harder to savor great writing on audio, I think. I never really cared about any characters, and quit halfway through. I understand that the author is a great writer, but that was not enough for me to keep my interest in this book.
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Breakfast at Tiffany’s is part of pop-culture (I think mostly thanks to the movie and Audrey Hepburn) so that’s why I was curious about the book.
I did not care for Holly one iota which made her story uninteresting; I found her more annoying than anything else.
-mysterious and quirky? NO.
-bratty and self-centered? YES!
Well, now I know. I only persevered because it was short - I haven’t seen the movie, and I don’t plan to after this.
Smart, young woman tries to put her ugly beginnings in rural poverty behind her by coming to the big city, where she becomes a prostitute. Written with style and intelligence but the story is merely OK. Would've been better as either a short story or a full novel because we don’t learn much about her after the initial introduction and yet it seems so much more could've been said.
People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks.
There is so much more going on here than the writing and characters crafted by Truman Capote over half a century ago, no matter how good all but one of those words were to Norman Mailer, that it is impossible for me to review Breakfast at Tiffany's in a vacuum, or to give it the rating I really wanted to give it (three stars -- it grows to four stars in my mind after listening to it, taking all of those ancillary issues into account).
There is first and foremost the movie, which I would hazard to guess is universally better known than the original novel. Capote may be an icon in his own right, but when you think about Holly Golightly, you think about Audrey Hepburn. And you think about a naive country girl caught up in the swirl of the big city, ultimately falling in love with her neighbor. None of which, it turns out, was part of Capote's conception.
The book is almost identical to the movie, with two notable exceptions (the wartime setting and the final scene), and yet the book is about a couple of things that are completely and radically different than the movie. I don't think I'd be giving anything away by revealing that Capote's Holly is a call girl and his narrator and alter-ego is gay, since that has been well documented and extensively analyzed. The movie, made during a buttoned-up Hollywood era, sanitized those elements.
Theoretically, that should make the book better than the movie -- the same story, but with more depth and richness, with a more complex sub-text. Especially when you consider that of the real life people who contributed to the character of Holly, the most prominent and important and interesting is Capote's mother, who was absent from his life for most of his childhood, having left the south for New York City.
But it is no accident that the movie beats out the book in pop culture consciousness by a ratio that probably approaches 99-1 percent. This short novel, despite all of the peripheral areas interest that have built up over time, just doesn't evoke the same level of enchantment and romance as the movie, at least not for me. And I'm no shrinking violet when it comes to the issues the book tackles that the movie shies away from.
I've been a big fan of Michael Hall going back to Six Feet Under, and Dexter of course. He does a great job as a celebrity narrator of a classic (his only other audiobook dates back to 2002, before anyone really knew him). Some of his voices didn't work for me, but that may just be me.
Two other side notes: I was floored to hear that Capote's first choice for Holly was Marilyn Monroe. I discovered that only after listening to the audiobook -- the physical description of Holly is so evocative of Audrey Hepburn that you would think he wrote the book with her in mind (actually, that would be after your initial impression that he was describing a boy rather than a girl, even though his real life models were certainly women).
The other note: If you're wondering about the reference to Norman Mailer, he once said that Capote's writing is so good that he wouldn't change two words. Which begs the question -- which one word would he have changed before not wanting to change the second word? Which also begs another question -- as much as I love audiobooks, would this have made more of an impression on me in print? I think not, because my issues are with the depth of the storytelling, not the writing or narration.
If I keep going, my review will be longer than the book, so I'll stop.
I read and listen to books. I drink tea. I sleep like a cat and wished I lived in Hawaii.
I don’t know what I expected from this book, but it was very different than I had imagined it to be. I’ve never seen the movie, so I went into the book knowing the bare bones from the description. It’s a good thing this was on sale or I may not have found myself hypnotized by the narration of Michael C. Hall or the literary genius of Truman Capote. Also, this book is so short that even if you dislike the book, not much time is wasted.
The narrator, Holly’s man neighbor who is a writer, finds himself in a sort of friendship with Holly (the main character). We get to see Holly’s life from the neighbor’s point of view and it is an interesting point of view. She is a socialite, a party girl and the neighbor hears the parties and even gets to attend one. For how young Holly is (18 or 19?), she seems to be very intelligent, albeit shallow, and this comes across in the way she speaks. At times I couldn’t quite picture a young girl like this coming across with so much wisdom at times, but it was easy for me to forgive Capote because the book was written so well. Holly also seems very lost and doesn’t seem to comprehend consequences at times and this was spot on for a girl her age. Holly thinks she knows how to find what she is looking for… thinks she knows how to find that place you call home. The narrator who is sometimes called “Fred” (even though that’s not his real name) is a likable personality and I cared about what happened to him, but mostly I cared about what happened to Holly. There were surprise twists to the story that added drama and I don’t want to say too much because I don’t want to spoil anything for other readers, but this classic is worth a listen in my opinion. I got lost in the story and narration. Michael C. Hall was just that good and I hope he narrates a few more books.
On a side note, I guess Capote wanted Marilyn Monroe to be cast as Holly in the movie and I think maybe he was right. The persona of Marilyn seems to fit the character of Holly more than Audrey Hepburn.
Yes, it kept me going. It is not long but the story was very full.
love the story one of my favorite movies and love Michael C.Hall as Dexter. It wasnice hearing his voice in a different context
Fred the narrator, such an insightful perspective
The inflections and tones used for each caracters personality
when she abondoned cat and when fred found him in the window oh and the lavish lifestyle of Holly GoLightly
great listen for a short road trip
Fabulous book by Truman Capote. You will enjoy it again if you have already read it, and if not, I think you will be very pleased. The narrator, Michael C. Hall, did a superb job reading it.
I liked Holly a lot in the story and the way that she was everything and more. I also liked Paul her neighbor and the way that he loved her no matter what.
What a great writer Truman Capote was!
His effortless way of reading and changing character - it was never forced or fake.
"I have no idea why this is a classic..."
Boring story. Sordid lives. I have not seen the movie, but I don't know why anyone would bother making this into a movie. I guess I only made an effort to finish because it was short. I even left the last 40 minutes pending for a week before I managed to get back to it and finish...
Probably, as I think I read something by him many years ago and found it good enough.
I guess he did his best, the material he had was sort of lifeless...
Disappointment. Since the movie is famous, I had expected better.
I actually walked the long way home on a couple of days because I didn't want this to end. I have read the book before but really enjoyed having it read to me. I really felt transported to the moment of the story.
There are a lot of interesting characters in this book but of course Holly is the star. She isn't the nicest person in the world and you know you shouldn't like her yet its difficult not to feel a little jealous of her life and admire her spirit.
Michael Hall performs excellently. His accents are wonderful. I especially enjoyed his portrayal of Holly's "husband" ,Doc.
This book made me happy. It reminds us that life is an adventure and we should never "settle".
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