He's in a job he doesn't love so that Alison can stay at home with the kids (and why isn't she more grateful for that?); he has a house in the suburbs and a long commute to and from the city. And the only thing he can focus on these days is his secret, sudden affair with Claire, Alison's best friend.
Bold where Alison is reserved, vibrant where Alison is cautious, Claire has just had her first novel published, a thinly veiled retelling of her childhood in North Carolina. But even in the whirlwind of publication, Claire can't stop wondering if she should leave her husband Ben, an ambitious architect who is brilliant, kind, and meticulous. And who wants nothing more than a baby, or two - exactly the kind of life that Charlie and Alison seem to have.
In each of her novels, Christina Baker Kline has explored how people tell the stories of their lives and what those stories reveal about who they are. As they set out on their individual journeys, Alison, Charlie, Claire, and Ben explore the idea - each in his or her own way - that every moment of loss contains within it the possibility of a new life. Alternating through these four intertwined perspectives, Bird in Hand is a searing novel about friendship, love, marriage, loss, and the choices we make that irrevocably alter everything we believe to be true.
©2009 Christina Baker Kline; (P)2009 Audible, Inc.
"Kline's unflinching gaze and lovely prose set [Bird in Hand] apart from the herd of infidelity/marital ennui novels. It's well-done, thoughtful and thought-provoking." (Publishers Weekly)
I love Alison Larkin as a narrator - The English American and Swallows and Amazons are among my all time favorites audio books - which was the reason I ordered Bird in Hand. This is a disturbing, densely written literary novel about modern marriage and its failures that is made accessible because of Larkin’s first class narration. But sometimes even the best narrator can’t make a book something you want to listen to all the way through. Although it will appeal to some, the subject matter of this book didn't appeal to me nearly as much as other books Larkin has narrated.
Pace of book was too slow and I lost interest with a thin plot. Wound up turning off audiobook about 3/4 through. Seemed like author was trying to extensively use big words to make up for no plot.
The book had its moments, good and bad. But I never could decide if it was the book that was frustrating me, or merely the narrator, who was simply ghastly. Her voice was grating, especially when she tried to read children's voices. Worse still, when she read grown women's voices, they talked like children too, which was beyond annoying. The southern accents blew in and out, not at all consistent. I kept trying to hear through the narrator to get the author's voice, an exhausting and completely unrewarding task when you're just trying to get a small slice of entertainment and/or insight in your day.
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