Audie Award Nominee, Fiction and Best Solo Narration, 2013
The story begins in 1962. On a rocky patch of the sun-drenched Italian coastline, a young innkeeper, chest-deep in daydreams, looks out over the incandescent waters of the Ligurian Sea and spies an apparition: a tall, thin woman, a vision in white, approaching him on a boat. She is an actress, he soon learns, an American starlet, and she is dying.
And the story begins again today, half a world away, when an elderly Italian man shows up on a movie studio's back lot - searching for the mysterious woman he last saw at his hotel decades earlier.
What unfolds is a dazzling, yet deeply human, roller coaster of a novel, spanning 50 years and nearly as many lives. From the lavish set of Cleopatra to the shabby revelry of the Edinburgh Fringe Festival, Walter introduces us to the tangled lives of a dozen unforgettable characters: the starstruck Italian innkeeper and his long-lost love; the heroically preserved producer who once brought them together and his idealistic young assistant; the army veteran turned fledgling novelist, and the rakish Richard Burton himself, whose appetites set the whole story in motion - along with the husbands and wives, lovers and dreamers, superstars and losers, who populate their world in the decades that follow.
Gloriously inventive, constantly surprising, Beautiful Ruins is a story of flawed yet fascinating people, navigating the rocky shores of their lives while clinging to their improbable dreams.
©2012 Jess Walter (P)2012 HarperCollins Publisher
Knowledge is knowing the way. Wisdom is looking for an alternative, more interesting road to get there. Audiobooks are that road.
I know this won’t be a popular review but I have to be honest. I picked this one up because of the endless five star ratings. Unfortunately I cannot join that club. I found the book choppy and the characters shallow. I didn’t connect emotionally to any of them, not even Pasquale and Dee Moray. Sure there were parts that I enjoyed, especially the scenes in 1962 Italy. The descriptions of Porto Vergogna were enchanting. It was the change to the present day Hollywood storyline that I found rather dull. Even the addition of Richard Burton and Elizabeth Taylor didn’t manage to light my fire. I found my mind wondering often and that’s never a good sign. Too many characters, too many storylines, none of which were terribly compelling. I did force myself to finish the book, but it was a chore. I guess it wasn’t my cup of tea.
Edoardo Ballerini did a good job narrating. His knowledge of Italian added authenticity to Pasquale and helped bring me into the beautiful setting.
I admit I'm a Smut Glutton, I prefer Male Narrators, Sexy Book Covers get me and I'm 32 years Happily Married.
I have listened to over 550 books, some more than once. I can spend hours searching for the best books worthy of my cherished credits. Then, two nights ago, when I opened the home page to shop, Beautiful Ruins was one of the featured books, however I actually thought I had clicked the book next to it. As I said, BEST mistake I've ever made. Soo much detail and development. I never knew I could love a book where all the characters seem so flawed. Needless to say, no hours spent shopping for use of my next credit... another Jess Walter book. Then I'll shop Edoardo Ballerini books! You should too!
I'm a designer (interiors and graphics) with an English degree. I recovered my love of reading after a disastrous bout with grad school.
"Beautiful Ruins" is set in Italy, in Hollywood, in Edinburgh, Portland, Idaho and Seattle, but mostly it is set in summer -- even the darker passages are warm and lit by humor. A nimble series of interlocking plots is set in motion during the filming of "Cleopatra" in Rome, which plays out into the present. Since there are so many colliding (or colluding) stories, it is a pleasure to note that there are no stock characters, no CGI extras on hand: even minor characters assert their individuality. In particular, Richard Burton has an extended cameo that is both hilarious and irresistible -- the reader gets a real sense of the actor's intense charisma, as well as a cool assessment of the damage left in a narcissist's wake. Of the major characters, my very favorite is the wily, amoral puppet-master Michael Deane: he is so entirely shameless, so entirely and unconflictedly himself, that all is bulldozed before him. He makes the mess that starts the story, and more or less cleans it up eventually.
This is a satire, but one with warmth and humor as well as anger.
The narration, by Edoardo Ballerini, deserves special praise, for his fluent reading of Italian as well as for his subtle acting.
"Never trust anyone who has not brought a book with them." --Lemony Snicket
Until Beautiful Ruins, I had never read any of Jess Walter’s work, nor listened to any of Edoardo Ballerini’s performances. But when I started listening to their masterful collaboration I got the same feeling I did when listening to Water for Elephants and The Help for the first time. There’s something special here, without a doubt. Ballerini caught my attention right away, as the novel starts out with a description of the Cinque Terre along Italy’s coast and is made even more beautiful by his impeccable Italian. Walter speaks of intersecting lives and flips back and forth between present-day Hollywood and the Italian Riviera of the 1960s, telling a captivating story of love, disillusionment, friendship, and the realities of responsibility that I won’t soon forget (and won’t stop recommending until everyone I know has a similar soft spot in their heart for Pasquale Tursi!).
Next up...everything else that Jess Walter has written and Edoardo Ballerini has narrated!
Yes. This book is completely engrossing, interweaving the lives of several completely different kinds of people who intersect over a fifty year time period. It's written like a jigsaw puzzle, all the pieces fit together at the end. At times fun and enjoyable, at other times sad, heartbreaking. The images of Italy, both in 1962 and at present were breathtakingly described.
The ability of the author to tell an engrossing, detailed story bringing in so many different people. The story travels from Italy to Hollywood and then to Seattle and Idaho; back and forth from 1962 to present (with look-backs in between).
I have not heard his narration before but was impressed with his performance with this book.
I wanted to, it was engrossing but it actually took several sittings to complete.
I love books!
I can not tell you how much I enjoyed this book. It is really several stories in one starting with Pasquel a small hotel owner in a very small Italian coastal village to present day Hollywood with Chair a young disillusioned development assistant.
Jess Walter is very good at descriptions and has a real feel for the locations described and life.
I got this book because of an NPR review rated it as the best new novel of the year. I agree
One other thing I think Edoardo Ballerini was fabulous as the narrator
Say something about Yusef. Uh...he was a great horn player?
The structure is ideal. The craftsmanship is wonderful -the novel was constructed and finished like some complex engineering creation, say a high rise or, perhaps a tennis court, cantilevered over the sea. This is not a slight -great art often depends on great craftsmanship. The language shines though for me, Edoardo Ballerini's reading may have taken it farther than reading it myself.
I rarely laugh out loud listening to novels, particularly since I might be listening with my wife or the three year old asleep next to me. BUT, this made me laugh out loud twice. Once at dialogue and once at a plot twist. Naturally, Beautiful Ruins makes me want to visit Liguria AND perhaps rent Cleopatra.
Addicted to Audible!
I am not sure I would have loved this book as much if I had read it, but listening was a wonderful experience! The Narrator was superb and I was transported to Italy, America and back many times. I did not find the switching between past and present difficult to follow as I do in other books. I enjoyed the intertwined stories and the way they were all tied up neatly in the end. Having a daughter who is currently studying film restoration and preservation at UCLA right now also made it quite interesting to me, as that was Claire's background. Great literature - NO, an enjoyable and entertaining listen - YES!!
This story is set in one of the most beautiful areas I've visited, and, like the setting, describes characters and contexts that are at once well-known and the hidden paths, seemingly discovered by chance. The novel tells many stories about how an intricate matrix of crass and benevolent characters make life-choices by following the paths to "what they want" and "what is right", and the tension when those paths are not always in parallel. Even though the "players" have flaws and can cause pain for each other, each choice shines by expressing eventually some of the better parts of human life.
There are many examples of these choices, a small example is how Jess Walter describes the growth of one of the characters who has devoted himself to building a cantilevered tennis court along the beautiful Ligurian coast. He eventually discovers that unlike the photos he's seen of tennis (he's never played), every point in tennis includes a swing that misses.
The romance, for me, is more poignant because it optimistically allows some of the best parts of human love to be expressed not through a standard "happily-ever-after" resolution, and that life includes the harder, more complex, "what is right" choices.
The narrator Edoardo Ballerini brings a depth to the characters, Italian pronunciation, and even does a Welsh voice that you'd recognize. Well done!
Short, Simple, No Spoilers
Friends raved about this one and reviewers gave it 5 stars so I took a chance. Beautiful Ruins was not for me. Good premise adding a backstory to the Richard Burton and Elizabeth Taylor firestorm making Cleopatra, with new characters. Parts were entertaining, but overall, the different points of view were disjointed, not flowing back together and characters were not developed beyond surface aspects. The ideas were present yet not explored with enough detail, creating real people you cared about. The ending was rushed.
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