Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things.
After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different....
From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew.
©2013 Robert Jackson Bennett (P)2013 Recorded Books
I have always loved to read. Discovering audible has been great for a multitasker! Sorry for any misspells on reviews!
A very entertaining trip of weird. The book is described as supernatural but I would say it has many sci-FY elements such as quantum physics, alien beings and parallel worlds. Mona is an ex police officer that has been wandering for a few years after losing her baby and divorce. She inherits a home that belonged to her mother (committed suicide when she was a child) and after finding some info in her dads storage that shows her mom happy and working in a lab feels a great desire to learn of her moms life. The home and lab are located in Wink New Mexico, unfortunately it is not on any map. I don't want to spoil the story so in short she finds Wink, a charming small town and weirdness ensues. People are strange nothing is what it seems including Mona. The book kept me riveted till the end. Narrator was great. If you like Stephan King, or early Dean Koontz you will enjoy the story.
Right up there
At the Mountains of Madness because it engages with similar concepts of beings from another dimension.
What lives on the other side of the mirror?
Loved it - best since Lovecraft and Philip K Dick
Well, truth be known, it took me awhile to get through this tour de force as I was travelling and i kept stopping and starting. That said, it is a remarkable, stunning book that will stick with me for awhile.
Where do I start? The introduction to Mother, and the scene with Gene Kelly/Mr.First, are stunning.
The last few chapters are deep , complex and wrap up many many concepts, but the entire book is littered with sharply wrtten, and performed, scenes and dialogues.
I don't recall listening to him in the past, but I may have. Notwithstanding,
Any scenes involving Mr. First were amazing. The human trash clean up guys stuff was amazing. Hell, the entire book is amazing! Hard to pull out any one moment.
This is a stunning book. I can't recommend it enough. It is full on, sometimes over the top, horrific, fantasy, gory, fascinating, complicated, everything but the kitchen sink. An immediate classic.
I urge you to commit your credits and yourself to this shimmering performance, and to pass it along. You will never be the same after listening to it. Remember, things are never quite as they seem.
American Elsewhere may be the best audiobook I've listened to this year.
I hate reviews that say 'Best Book' etc... But this story was great.
It felt familiar enough for me to enjoy the ride but not so much that it was predictable.
I listen to books while I do the repetitive part of my job and while I do yard work. I can't use audiobooks that require strict attention.
I listened to this via Audible. Didn't read the PB.
I found it to be derivative. Clearly channeling Lovecraft's Great Old Ones. Also, some Dexter. Mona's "fuck" in every sentence was as tedious as Deb's.
The story was good. The narrator was good. I didn't love the way Bennett told the story. It was inconsistent.
I DID listen all the way through because I wanted to see where it was going, in spite of wishing he'd had a better editor.
Editing. The book was chock full of mistakes and awkward phrasing.
It had potential, it really could have been a better book. It desperately needs pruning. It was disjointed, and stilted. The good ideas that it did contain went unexplored.
He often stutters, not like a handicap, but often enough that you wonder why the director (whose name is proudly spoken at the beginning of each part) did not redo the take. The narrator hesitates on a word, and puts emphasis on the wrong words, which changes the meaning of the sentence. Taken out of context, it would make no sense.
There were some parts that seemed like they were written and performed by professionnals, but they were like gaps in the clouds on an overcast day. The prevailing winds would blow me back into the gray reality of what an amateurish and silly book this really is.
Here are some examples of what bugged me in the writing;
'' Whimpered like a stuck pig'' I thought they squealed.
'' she was a becoming young woman'' Did he mean comeley?
'' He was unable to enunciate his sadness'' What??
He mangles popular expressins contantly, and uses words in not quite the right way so often, I could not finish it. I got most of the way through, but it was just not worth it.Another reviewer said it was like early Koontz, Maybe Koontz in high school... Maybe.
Instant favorite! just a great story and performance! I cant wait to see what else this author has to offer.
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