Winner of the 2015 Pulitzer Prize for Fiction
National Book Award Finalist
New York Times Bestseller
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II, from the highly acclaimed, multiple award-winning Anthony Doerr.
Marie Laure lives with her father in Paris within walking distance of the Museum of Natural History where he works as the master of the locks (there are thousands of locks in the museum). When she is six, she goes blind, and her father builds her a model of their neighborhood, every house, every manhole, so she can memorize it with her fingers and navigate the real streets with her feet and cane. When the Germans occupy Paris, father and daughter flee to Saint-Malo on the Brittany coast, where Marie-Laure’s agoraphobic great uncle lives in a tall, narrow house by the sea wall.
In another world in Germany, an orphan boy, Werner, grows up with his younger sister, Jutta, both enchanted by a crude radio Werner finds. He becomes a master at building and fixing radios, a talent that wins him a place at an elite and brutal military academy and, ultimately, makes him a highly specialized tracker of the Resistance. Werner travels through the heart of Hitler Youth to the far-flung outskirts of Russia, and finally into Saint-Malo, where his path converges with Marie-Laure.
Doerr’s gorgeous combination of soaring imagination with observation is electric. Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is his most ambitious and dazzling work.
©2014 Anthony Doerr (P)2014 HarperCollins Publishers Ltd
“This jewel of a story is put together like a vintage timepiece … Doerr's writing and imagery are stunning. It's been a while since a novel had me under its spell in this fashion.” (Abraham Verghese, author of Cutting for Stone)
“All the Light We Cannot See is a dazzling, epic work of fiction. Anthony Doerr writes beautifully about the mythic and the intimate, about snails on beaches and armies on the move, about fate and love and history and those breathless, unbearable moments when they all come crashing together.” (Jess Walter, author of Beautiful Ruins)
“Doerr sees the world as a scientist, but feels it as a poet. He knows about everything - radios, diamonds, mollusks, birds, flowers, locks, guns - but he also writes a line so beautiful, creates an image or scene so haunting, it makes you think forever differently about the big things - love, fear, cruelty, kindness, the countless facets of the human heart … Doerr's new novel is that novel, the one you savor, and ponder, and happily lose sleep over, then go around urging all your friends to read - now.” (J.R. Moehringer, author of Sutton and The Tender Bar)
“A tender exploration of this world's paradoxes; the beauty of the laws of nature and the terrible ends to which war subverts them; the frailty and the resilience of the human heart; the immutability of a moment and the healing power of time … A compelling and uplifting novel.” (M.L. Stedman, author of The Light Between Oceans)
“[All the Light We Cannot See] presents two characters so interesting and sympathetic that readers will keep turning the pages hoping for an impossibly happy ending… Highly recommended for fans of Michael Ondaatje's The English Patient.” (Evelyn Beck, Library Journal)
That it was told from perspective of 2 individuals, on opposing sides of the war.
The fleeting touch of romance toward the end.
The narration transfixed me. I thought it was excellent.
Diamond sparkles in the dark.
One of the best novels I've listened to.
All the Light We Cannot See is a well balanced gem of a book - beautifully written descriptions and dialogue. Most of all I loved the diverse and complex relationships. The humanity of all the characters was deftly captured, and the many and varied forms of love.
A few words were noticeably mispronounced and it was a little disruptive when that happened. I got the impression that the reader was aware of some of them opted to persist rather than introduce inconsistency. Ideally those mistakes should have been spotted and corrected before publishing. However, aside from these relatively infrequent glitches I loved the narration - it was unobtrusive, understated and sensitive. I was totally engaged and had no difficulty distinguishing one character from another and certainly experienced a wide range of emotions along with the characters.
I would encourage anyone who loves really good literature to listen to this beautiful story.
Excellent narrator. The story line is wonderful, considering the era and all the issues attached to it, war, hunger, antisemitism, etc. the delicate issues are treated gracefully, which makes listening possible. To think that during a time of loss, hope and a brighter future can be felt.
Beautiful voice and delivery. Needs to study French a little for pronunciation. One could really reap in the beauty of this story thanks to the lovely delivery of the reader. I'm so sad it's over.
I don't know if I have the words for this yet.
Masterful storytelling. Thoughtful, moving and reflective, many moments that caught my breath and made my heart race. This story will stay with me forever.
I rate this book excellent because it made me feel empathy for the individuals on both sides and let's us see that not only the horrors of war itself are devastating but how it affects people's future. And shows human strengths as well
"Great story, woeful narration"
No, the narrator makes too many jarring errors of pronunciation.
Too many mispronunciations. For example, navy - in a passage describing how huge trees were cut down to make masts for ships - the French & British navies become "navvies". Seriously - why didn't someone stop her? So many mistakes I found myself calling out the correction "Not 'straff' - STRAFE!" Just hope I didn't do it on the train.
"Wonderful, absolutely wonderful"
It's up in the top five. My book club - I'm 7 years in this book club....... - voted it the best book we had ever read..... Now!
I suppose "The Girl who Dropped from the Sky" covered a similar epoch.
i'm a convert to audiobooks because of the acting/voicing talents of the narrators/actors/actresses. It's like the difference between a b/w and 3D colour movie for me. The narrator is a huge contributor to the enjoyment of the book.
Historical Fiction at its very best
Now I'll have to ensure I visit St-Malo sometime soon in the future, to see the actual geography being writing about. I wonder does no.4 Rue Voberelle exist....???? Will I be able to resist walking the beach and looking in the ocean for the sea of Flames.......
I want to thank Anthony Doerr for his talent. I searched the internet for a way to contact him to personally thank him for this book..no luck...so I hope he gets to read my thanks here.
"Page turner, but overwritten."
Yes, oh indeed yes! Why can't some Readers be bothered to check basic pronunciation in foreign languages? It is so sloppy and unprofessional. Sometimes a Reader gives a consummate performance and one is left breathless with admiration for their mastery of different voices, for their fluency and, above all, for their managing to pronounce names and words from other countries and their languages correctly. But this is not the case with Julie Teal. Her ignorance is astounding. Surely she has heard the word 'Führer' pronounced elsewhere? Or commonplace French forenames such as Etienne? If not, then the producer, or someone should take the trouble to correct her, or she should take the trouble to find out. It can absolutely ruin a book and is thoroughly irritating.
Perhaps, as the story is quite good, though pretty trite at times, and definitely overwritten. It is superfluous to give two or even three adjectives to qualify so many of the nouns. 'Less is more' sometimes!
Her pronunciation above all. However, it wasn't her fault that the short, choppy style in places makes it very hard to carry the story along with any fluidity. But her voice and register range is very limited and she makes far too little differentiation between some of the main characters' voices.
I did enjoy some of the incidental detail woven around gemmology, radio transmitters and receivers, the works of Jules Verne and so forth.
I would give the narrator 9/10 for her reading of this novel. There were a couple of strange pronunciations (mitochondria is one I remember) but overall very good.
The characters, they were wonderful. Loved the relationship between Marie-Laure, her father, Uncle Etiennne and the housekeeper. Werner was well drawn, and I really gained a sense of his inner conflict, especially in his relationship with his friend Frederick at the Reich training school. Good research by the author.
None in particular, there were so many.
Marie-Laure's experiences in the attic of the house towards the end of the siege of Saint-Malo
Beautifully written, lyrical prose by a very talented writer.I have only given the story 4 stars because of the last few chapters and the ending. I didn't like the rapid transition to the present day, felt it quite spoiled the whole ambience of the novel.
"I give it five"
I'm a bit of an audio book junkie and have listened to many many books over two decades. I'd say that this is in my top 12. It is an extraordinary novel. Well worth the hype.
I liked how two stories ran parallel and then towards the end the main characters crossed paths. Our hero learned the lesson of doing things and making decisions based not on who is right but rather what is right. Late in the day he redeemed himself and made a values led decision.
Her diction. And her pacing and pausing.
Yes and I got terribly engrossed in the lives of the characters. In a similar vein to Poisonwoodwood Bible, Alone in Berlin, People of the Book, Wilkie Collin's No Name and John Hersey's White Lotus (and many others)- I didn't want this novel to end.
Thank you Audible and thank you Ms Teal and above all thank you Mr Doerr.
"Despite the narrator"
Technically exquisite writing - esp from the close pov of the blind girl - and the research a little too heavy to always convince as the characters' knowledge and not the writer unable to resist sharing his long hours in the library, but a story both epic and intimate, sustained and sincere, if sentimental. The narrator is almost comically inadequate. That she struggles with French and German words I can understand - but English, too? Navvies, noted in a review above, is a favourite, but her pronunciation of 'extravagance' is the best, and may outlast the memory of the book itself for me. Wasn't anybody at the recording listening to her? These errors were so numerous I decided to make them added pleasures, but, yes, the writer and the readers deserve better.
"A well told Story"
This book more than met my expectations. The story was very moving and extremely well told. I would recommend it.
"An excellent, well researched novel"
This has to be my all time favourite buy from Audible, excellently written with almost peotic prose and well drawn characters. It centres around a young girl, Maire-Laure, who has a degenerative eye condition, and a young German boy, Werner, who are both in occupied France during WW2. The story floats backwards and forwards, starting from the siege of St Malo and ending in 1974, interweaving the lives of Marie-Laura and Werner and dragging you into a world of Jules Verne, radios and airwaves. Absolutely beautiful, poignant and one that stays with you. I don`t mind admitting I actually put off listening to the last hour of it because I seriously did not want it to end!!
Really enjoyed this book, very different to my usual listening material.narrator very good and easy on the ear. Very believable
Loved the story. A side to the war I've not come across before. Found how the story portrayed the blind girl interesting.
Report Inappropriate Content