Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended.
In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.
As an added bonus, when you purchase our Audible Modern Vanguard production of John Irving’s book, you'll also get an exclusive Jim Atlas interview added to your library.
Why we think it’s a great listen: For 20 years, John Irving believed that his ambitious novel could never be adequately executed in audio – and then he met narrator Joe Barrett.... In the summer of 1953, two 11-year-old boys - best friends - are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument.
©1989 Garp Enterprises Ltd; (P)2008 Audible, Inc.
“John Irving, who writes novels in the unglamorous but effective way Babe Ruth used to hit home runs, deserves a medal not only for writing this book but for the way he has written it. . . . A Prayer for Owen Meany is a rare creation in the somehow exhausted world of late twentieth-century fiction—it is an amazingly brave piece of work . . . so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” (Stephen King)
"Roomy, intelligent, exhilarating, and darkly comic...Dickensian in scope....Quite stunning and very ambitious." (Los Angeles Times Book Review)
"John Irving is an abundantly and even joyfully talented storyteller." (The New York Times Book Review)
I thought I knew where it was going, but I was completely surprised by the ending. I love it when an author comes up with a new story line. Besides being new and unpredictable, this book really makes you think. It stays with you (in a good way). As to the narration, the only part that I found annoying was OWEN MEANY'S LOUD VOICE. I realize, though, that his annoying voice is part of the story, so it makes sense that it should be read that way.
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