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2666
- Narrated by: John Lee, Armando Durán, G. Valmont Thomas, Scott Brick, Grover Gardner
- Length: 39 hrs and 15 mins
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Publisher's summary
National Book Critics Circle, Fiction, 2009
Composed in the last years of Roberto Bolaño’s life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.
Critic reviews
This winner of the 2008 National Book Critics' Circle Award for Fiction is the master work from "one of the greatest and most influential modern writers" (New York Times Book Review)
"...think of David Lynch, Marcel Duchamp (both explicitly invoked here) and the Bob Dylan of Highway 61 Revisited, all at the peak of their lucid yet hallucinatory powers." (New York Times)
"It is safe to predict that no novel this year will have as powerful an effect on the reader as this one." (Publishers Weekly, starred review)
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Imagine that Alice had walked into a bar instead of falling down the rabbit hole. In the tradition of J. R. Moehringer’s The Tender Bar and the classic reportage of Joseph Mitchell, here is an indelible portrait of what is quite possibly the greatest bar in the world—and the mercurial, magnificent man behind it. The first time he saw Sunny’s Bar, in 1995, Tim Sultan was lost, thirsty for a drink, and intrigued by the single bar sign among the forlorn warehouses lining the Brooklyn waterfront.
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Visiting an Era
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By: Tim Sultan
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Baltimore Blues
- Tess Monaghan, Book 1
- By: Laura Lippman
- Narrated by: Deborah Hazlett
- Length: 9 hrs and 55 mins
- Unabridged
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Unemployed at 29, Tess Monaghan is willing to take any freelance job to pay the rent—including a bit of unorthodox snooping for her rowing buddy, Darryl "Rock" Paxton. In a city where someone is murdered almost every day, attorney Michael Abramowitz's death should be just another statistic. But the slain lawyer's notoriety—and his noontime trysts with Rock's fiancée—make the case front page news...and point to Rock as the likely murderer. But trying to prove her friend's innocence could prove costly to Tess.
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I'm on #8 - This series is almost unique
- By connie on 02-19-12
By: Laura Lippman
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Love and Other Ways of Dying
- Essays
- By: Michael Paterniti
- Narrated by: Richard Poe
- Length: 14 hrs and 20 mins
- Unabridged
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In the 17 wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection. In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge.
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Incredibly intimate voice for humanity
- By Ed Hodges on 01-02-16
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The Company You Keep
- By: Neil Gordon
- Narrated by: Donald Corren, Hillary Huber, Kirby Heyborne, and others
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Set against the rise and fall of the radical antiwar group the Weather Underground, The Company You Keep is a sweeping American saga about sacrifice, the ecstatic righteousness of youth, and the tension between political ideals and family loyalties. When Jason Sinai, one of the last Vietnam-era fugitives still wanted on murder charges for a robbery gone wrong in 1974, encounters a young newspaper reporter in search of a story, he must abandon years of safe underground life for the dangerous life of the road.
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Audiobook of the Year
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By: Neil Gordon
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The Possessed
- Adventures with Russian Books and the People Who Read Them
- By: Elif Batuman
- Narrated by: Elif Batuman
- Length: 9 hrs and 32 mins
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In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.
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Dear Russian Literary Diary...
- By Darwin8u on 08-29-17
By: Elif Batuman
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How to Find Your Way in the Dark
- The Sheldon Horowitz Series, Book 1
- By: Derek B. Miller
- Narrated by: Michael Crouch
- Length: 12 hrs and 23 mins
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Twelve-year old Sheldon Horowitz is still recovering from the tragic loss of his mother only a year ago when a suspicious traffic accident steals the life of his father near their home in rural Massachusetts. It is 1938, and Sheldon, who was in the truck, emerges from the crash an orphan hell-bent on revenge. He takes that fire with him to Hartford, where he embarks on a new life under the roof of his buttoned-up Uncle Nate.
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Absolutely wonderful story.
- By George Thomas on 12-11-21
By: Derek B. Miller
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The Red-Haired Woman
- A Novel
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- Narrated by: John Lee, Katharine Lee McEwan
- Length: 7 hrs and 22 mins
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On the outskirts of a town 30 miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, the two will develop a filial bond neither has known before - not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world.
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Drags On
- By T. Conrad on 10-25-17
By: Orhan Pamuk
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The Patriots
- A Novel
- By: Sana Krasikov
- Narrated by: Suzanne Toren, George Guidall
- Length: 22 hrs and 58 mins
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Florence Fein grows up in Brooklyn in the 1930s, in a family that is gaining a foothold in the middle class. At City College she becomes engaged politically with the left-leaning student groups, and eventually, in the midst of the Depression, she takes a job with a trade organization that has a position for her in Moscow. There, she falls in love with another expatriate American and has a son. Soon after, Florence is sent to a work camp and her son to an orphanage.
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Point of View of characters, past and present collide
- By Angela Adams on 01-29-19
By: Sana Krasikov
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The Kindly Ones
- By: Jonathan Littell
- Narrated by: Grover Gardner
- Length: 39 hrs and 6 mins
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The chilling fictional memoir of Dr. Maximilien Aue, a former Nazi officer who has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. Max is an intellectual steeped in philosophy, literature, and classical music. He is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man, we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews.
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Office politics in hell
- By Maine Colonial 🌲 on 04-02-13
By: Jonathan Littell
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Dead Before Dying
- By: Deon Meyer
- Narrated by: Simon Vance
- Length: 10 hrs and 44 mins
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Three men who have nothing in common are found murdered in Cape Town, and the string of vicious killings pushes the city toward panic. Captain Mat Joubert is left scrambling for answers in a case that might be his last chance to prove that his life's slow spiral will not pull him under.
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South African mystery, very good.
- By Kathleen on 09-29-12
By: Deon Meyer
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Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry and above all with science fiction, they are eager to forge a life in the literary world - or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure as they work to construct a reality out of the fragments of their dreams.
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What listeners say about 2666
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- jonefuroy
- 06-01-15
Will be re-read!
The only problem with this master piece is its length. It's impossible to grasp it all in one go, but it makes me want to start again straight away!
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- Hugo
- 07-04-22
Not a book for the casual reader (listener)
Imagine standing on top a mountain overlooking a nation. listening,feeling and seeing every tough,conversation and action. This is the burden 2666 inflicts on the reader. The book itself is an amazing achievment. And its clear Bolaños layed all of his soul in it. But only those with the highest levels of reading prowess will be able to get thru the massive story. I myself had to tap out with much regret.
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- Kevin OConnor
- 09-14-22
has some good elements
this book is all right. about 3 of the 5 sections are interesting. i didn't care as much about the "part about the crimes"
it just seemed like a list of murders in mexico.
i'd recommend other books before this....
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- Barbara
- 12-18-12
I didn't want it to end
39 hours long and I didn't want it to end.
For one thing, I had no idea where Bolano was going with this one--andl that is a treat. For another, even though this touches on some grim facts of life as humans in the world there are in this book a myriad of interesting tales and people. Very entertaining and often funny Sometimes I found myself in the midst of a conversation and said to myself--wait a minute, who are these people and how are they related to the character I was following? Going back just a few minutes always cleared that up.
On the performances--I enjoyed them all. But the first reader gets extra stars for making a very difficult text enjoyable, funny, easy to follow. There were four professors of German Literature, one from France, one from Italy, one from Spain, and one from England who just kept going to meetings and he made that fascinating. He is the reason I could get into this book--which was utterly rewarding.
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7 people found this helpful
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- Susana
- 12-22-15
Where do I start........
What made the experience of listening to 2666 the most enjoyable?
I don't know what to say about this book other that I suspended my judgment and let the writing take me along the somewhat labyrinthine path to a decidedly and expected unresolved conclusion. I loved the writing and knew from the beginning that there would not be a neat ending with all loose parts nicely tied up. This being said, I was not displeased with the ending. The writer was an amazing thinker to create the various realities of the novel, some gritty, some academic, some banal.
What did you like best about this story?
The language and development of character
Have you listened to any of the narrators’s other performances before? How does this one compare?
I have not listened to him before
Who was the most memorable character of 2666 and why?
Archimboldi was an enigma until the last chapter and by the time we meet him we are eager to learn more about this elusive person
Any additional comments?
I will certainly listen to another book by Bolano, but not right away. I want to savor the experience of 2666
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- Tyler Nowicki
- 10-25-22
Coup De Grace
This book with make you bend the knee to the greatness and horror a dying man felt we needed to pay attention to.
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- Madeleine
- 01-30-13
Avoiding Mister Death
Someone, I don't know who it was, said that the difference between a piece of genre fiction and a literary novel is that, in literary novels, the author gives you far more detail than you need as a reader. What you make of that excess of detail then determines whether you are a literary reader or not.
There are truly great things about this book. Although the meta-narrative voice stays true, its five parts each offer a very different narrative style. I'm not going to bother with a synopsis, because other reviewers have done this, but it moves from quirky, cosy satire to grim documentary realism to modern historical fiction.
For me, it was mostly a story about death and the humorous, tragic, poignant or obsessive strategies we use to put it off. We're all treading water. Whether one distracts oneself focused on the ludicrously esoteric (the part about the critics), or by living through one's child (The Part about Amalfitano), or by allowing oneself to be carried up on the chaos of events (The Part about Fate), or by hovering close to the edge of death itself and living within its shadow (The Part about the Crimes), or by ccupying oneself with the act of narration (The Part about Archimboldi), I think Bolaño wrote a book about the ways people put off death. Which makes sense, since he was dying while he wrote it. "Thanatos," says Bolaño in the last part of the book, "is the greatest tourist on earth."
There are a lot of sparkling moments of truth in this novel. The one I feel I will carry away with me most durably is that, in our relationship with our societies, there is a strange tipping point - a moment triggered by a collision of dire circumstances - at which, individually, alterity stops being a delight, an adventure, a richness of life's tapestry, and seems to become a mortal threat to the existence of the self. Whether it is the other as Foreigner, or as a member of another class, or race, or gender, the human psyche can flip from appreciation to blind terror in a very short space of time. And beyond that point, we are a murderous, inhuman bunch.
Perhaps one of the greatest disappointments in the novel comes about because, by the end of his life, it is clear that Bolaño acquired a hell of a lot of wisdom, and yet he leaves no real place for love. I think he had taken the measure of most things, but not that. Perhaps because, despite his honest and insightful grasp of many things, he chose, like so many modern literary writers, to let that subject embarrass him into silence. In this way, it has the same, familiar asymmetry, you see in a lot of contemporary literature. Bolaño went to his grave successfully innocent of sentimentality, which, in my view, makes the novel a little less courageous than it could have been.
I'm not a literary reader. And the single star I did not give this book probably reflects my insufficiency as reader more than it does Bolaño's ability as a writer. I found his meta narrative style of over-elaboration grating and unfruitful. And I found his rejection of sentimentality predictably post-modern.
That being said, I don't regret the time I spent reading this book at all. It is a rich, harrowing journey, well worth the effort.
Regarding the narration, it was very good overall. However, I found the choice of Scott Brick as narrator for "The part about the Crimes" was a poor one. This part focuses on the hundreds of murders of young women in Santa Teresa (a thinly veiled docu-drama narrative of the serial killings in Ciudad Juarez). He really loads emotion into his voice, and I felt this was particularly antithetical to the purpose of the almost list-like account of the murders. I'm pretty convinced the dryness of the style of this portion of the novel was meant to explore the phenomenon of the 'normalization' of violence. I found Brick's reading really betrayed the author's efforts to do this.
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- Mark Shuert
- 10-28-09
I just don't know
Alright, I finally made it through the whole thing. There were many times that I seriously considered throwing my ipod out. Having finished it I can't decide now whether it's a masterpiece or just awful. There are equal parts of both. Part one and three were excrutiating to listen to. At the same time I really enjoyed parts two and five. I'm going to need some time to mull this over. Anyone who attempts this will have to be more than patient. The style is very different and the book(s) roam all over, both in geographic terms and styles of narration. Good luck.
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- Stavros Pavlides
- 05-31-17
Monumental. Staggering
What made the experience of listening to 2666 the most enjoyable?
Good god what a book. Had a little trouble adjusting when narrators would switch, but the power of the story, the humanity, tragedy, violence, and brilliance just overwhelmed me. I'm kind of in shock still. Not a book I am likely to forget
What other book might you compare 2666 to and why?
Hmm other Bolano books, for one, such as 'Savage Detectives'. Also brought to mind 'A brief history of seven killings', and perversely also 'War and Peace'. I have not yet read Austerlitz but I suspect that is similar too, as many have compared Bolano to Sebald. Perhaps Sebald=Archimboldi?
Which scene was your favorite?
The 4th section, about the murders, was definitely the most shocking
If you were to make a film of this book, what would the tag line be?
I wouldn't
Any additional comments?
I think i need a cigarette.... damn...
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- Phil
- 10-04-22
This might be the best book I've ever listened to!
I can't say enough good things about this book. I've already ordered a physical copy because I know I'm going to need do read this book more than once. it's very funny, entertaining, and engrossing. What a page turner! The writing is amazing, the different performers are all perfectly suited to their respective section, and I wanted this book to be never-ending. Brilliant!
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