Hemingway. Fitzgerald. Faulkner. These and other giants of literature are immediately recognizable to anyone who loves to read fiction and even to many who don't.
Now, thanks to these 32 lectures, you can develop fresh insight into some of the greatest American authors of the 20th century. Professor Weinstein sheds light not only on the sheer magnificence of these writers' literary achievements but also explores their uniquely American character as well. Despite their remarkable variety, each author represents an outlook and a body of work that could only have emerged in the United States. As such, the aim of these lectures is to analyze and appreciate some of the major works of American fiction, using as a focal point the idea of freedom of speech.
The works you'll investigate here include Winesburg, Ohio (among the most poignant descriptions of life at the beginning of the century); Light in August (which depicts the ravages of racism in the American South); Their Eyes Were Watching God (the first – and perhaps the best – account of growing up black and female in America); Slaughterhouse-Five (a poignant and wacky take of mass destruction and aliens); Sula (an experimental novel that makes rubble out of the conventions of black and white culture); and White Noise (which depicts our encounter with the technological madhouse in which we live).
These American fictions, seen together, tell a composite story about coping, about fashioning both a story and a life. Much is dark in these stories, but the honesty and integrity of these writers makes us realize that reading is as much a lifeline as it is entertainment or education.
Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.
©1996 The Teaching Company, LLC (P)1996 The Great Courses
I have listened to many wonderful audiobooks, and this is the best I have heard.
Thank you for adding the great courses to Audible. I can't imagine that any of the others will hold a candle to this one however. This series of lectures is insightful, profound, challenging and ultimately uplifting. The last one is more profound than any sermon I've ever heard. I previously read some of these books (like Light in August available as audiobook) and never understood them as I do now. Its understandable for the non english major but not dumbed down. There was so much in it, so much food for thought, I listened to several lectures multiple times.
I expected a more general treatment of 20th century American fiction. In addition to Hemingway, Faulkner and Fitzgerald the following authors are covered: Sherwood Anderson, Zora Herston, Kurt Vonnegut, Flannery O'Connor, William Burroughs, Robert Coover, Toni Morrison, and Don Delilo. There is no mention of well known authors such as Wharton, Hersey, McCarthy, Roth, Ellison, Wright, Dos Passos, Malamud, Doctorow to name a few. Is Robert Coover more significant than these authors? I've talked to several English majors and they don't even know who he is. It turns out he's on the same faculty (Brown University) as the lecturer.
The limited coverage of the course is accentuated because the lecturer covers essentially only one book per author. And the one book per author is not necessarily the most well known book of that author. For example, for Fitzgerald "Tender is the Night" is analyzed and not "The Great Gatsby" and for Morrison "Sula" instead of "Beloved".
There is also an emphasis on extreme experimental novelists as opposed to the broad spectrum of American authors in the 20th century.
To the lecturer's credit he does say in his first lecture that the course is not a survey course. But the course should have been described as such. So the course title could have been modified to indicate that e.g. Sample of Experimental 20th Century American Literature.
If the course had been better described I would not have given it such a poor grade. But just as in an exam, if you don't answer the question you get a poor grade.
Lectures on Broadway musicals
He displayed an in depth understanding of the books that he covered. He was also enthusiastic describing and analyzing them.
Disappointment because I expected a broader treatment of 20th century American fiction.
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