The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question.
Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame's and Tengo's narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.
A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.
BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin and Philip Gabriel.
©2011 Haruki Murakami (P)2011 Audible, Inc.
"Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers.... But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves." (The New York Times Book Review)
“Profound . . . A multilayered narrative of loyalty and loss . . . A fully articulated vision of a not-quite-nightmare world . . . A big sprawling novel [that] achieves what is perhaps the primary function of literature: to reimagine, to reframe, the world . . . At the center of [1Q84’s] reality . . . is the question of love, of how we find it and how we hold it, and the small fragile connections that sustain us, even (or especially) despite the odds . . . This is a major development in Murakami’s writing . . . A vision, and an act of the imagination.” (David L. Ulin, Los Angeles Times)
“1Q84 is one of those books that disappear in your hands, pulling you into its mysteries with such speed and skill that you don’t even notice as the hours tick by and the mountain of pages quietly shrinks . . . I finished 1Q84 one fall evening, and when I set it down, baffled and in awe, I couldn’t help looking out the window to see if just the usual moon hung there or if a second orb had somehow joined it. It turned out that this magical novel did not actually alter reality. Even so, its enigmatic glow makes the world seem a little strange long after you turn the last page. Grade: A.” (Rob Brunner, Entertainment Weekly)
I'm sure Alison Hiroto is a very nice young woman. But I'm afraid to say that, in my personal opinion, she is not the right choice to give voice to the incomparable prose of Haruki Murakami in 1Q84. She hasn't the chops, training or gravitas, (and again, this is only my own opinion), to handle the job.
I've appealed twice to Brilliance Audio, who published the audio book, to kindly consider re-recording the female part. I don't think they're going to listen to me, but I wish they would. From an R.O.I. perspective, even though they'd have to pay quite a bit to hire and mix a new female reader, they'd more than make that back on the audience that would flock to download the book, once it was re-recorded with another female voice talent.
Perhaps with additional training, coaching and practice, Alison Hiroto could become a great reader. After all, everyone starts somewhere. I sincerely hope she improves over time. But I am truly disappointed in her performance on 1Q84. And it seems from reading other readers' reviews, I am not alone.
So Brilliance Audio, what do you say?
Please work with me to prevail upon Brilliance Audio to re-record the female reader's part.
Yes, the book is enchanting and thought provoking.
I liked the fantasy of the two moons, the little people and I loved the character of the detetective!
My favorite scene was when Anamame went to kill the Leader but the Leader wanted to die. He share with her some thought provoking ideas and they became close friends in the act.
The scene of Adamame teaching classes in self defense at the health club, where she was overly drawn to teaching the students to
The ending of the book was a bit trite and overly sweet. After all the drama of getting Adamame and Tengo together, I cannot imagine another alternative, but it was not believable the two people who had not seen each other since 10 years old would be unquestionable trusting and
After 47 hours of them stuffed in my ears I'm gonna miss those guys, especially Tengo' s part voice, a little bashful at the beginning much more confident in the run, they proved a great strenght at not yawning in repeating so many times same stuff and all the confirmations, the exact identical question after the question, all those considerations using same words as before, reading once again characters' caracteristics i.e. Fuka Eri not using of question marks and, for sure, there is a lot that could have been easily skipped or told us just once or two times, at most.
Same plot's turning points are popular images easy to be liked but leaving a wearisome sense of cheapness for having been chosen, Murakami what happened to you? therefore, easily the same, to be loathed.
The story is so vivid, so unique and so well told, that it just takes you by storm, you can not put down the Ipod and go to sleep. I't rich, vast, with many sub plots, and parallel stories. truly the work of a master
Style of writing, few plots.
the narrators do a great job in highlighting the heros.
a must read. but lengthy. be prepared to get immersed.
I have a conundrum regarding this book. It will sit hauntingly in your head long after you finish it with wonder about the ultimate meaning of the events in relation to the characters and wonderment over how satisfactory the ending is with regard to the lengthy build up.
This is a VERY long book, which was originally published as a Trilogy in the native Japanese, although I find it hard to see how anyone would be totally fulfilled without reading the entire set.
The book revolves from the point of view of 3 main characters who are voiced by different readers. The performances are straight-forward and don't pack a great deal of emotional drive into the words, so you're left to that interpretation on your own.
One thing that significantly helps to understand the structure and tone of the book is an understanding of Japanese culture and speech patterns. Some prose will seem needlessly repetitive, but this is the cadence of Japanese conversation. Because the language contains numerous homonyms (words that sound the same, but have different meanings), Japanese speakers often echo back a statement to insure that they understood the meaning inferred from one speaker to another. So you'll hear passages like "I need to go to the train station in the Chiba prefecture." followed by their conversation partner saying something like "The train station in Chiba. Yes, I see."
The plot of this book is sort of twisty and fantastical. It builds on a premise of alternate realities, and the reaction one might have to switching subtly from one reality to another. In the end, it seems to be a story about second chances at love and happiness, a good thing indeed.
I am not familiar with any other work by this author, but there is one aspect to this book that I found rather perplexing. It contains some very explicit sexual descriptions that don't necessarily advance the plot of the story. They might be seen as what the Japanese call "Fan Service" which is in essence meaningless titillation that arouses the user to press on with the story. That's just my guess, but perhaps a less cynical person might conclude that the author is simply using sexuality to express the wholeness of a person beyond the dimensions that are known publicly. Much of the motivation of the characters is driven by the desire to keep secrets and discretion, and what may seem more indiscreet than sexual situations. If you are offended by explicit sexual descriptions, you may want to pass on this book.
Overall, its a worthwhile journey through some unusual circumstances, and was definitely worth the time I spent with it.
When I started this book I was immediately hooked... but, half way though it became a drag.
The way the story is formed, with having two (and later three) character points that are narrated by different people, is fun and interesting in the beginning... but I found Allison Hiroto's voice to bug me more and more as her character was overly portrait. Her character's story was especially detailed to a point of hearing exactly what dishes she ordered in a restaurant or the plain minutia of her life that didn't seem to relate to the story and with that came the mistakes... Characters are described in such detail that some things they say and/or do seems not to match what was described before..They almost became caricatures of themselves.
It seemed like the author didn't anticipate the audience to be smart enough to fill in the blanks (sometimes its better to not explain everything in great detail).
This probably sounds very vague and I understand that for some people this might be a great book.. but I found myself not caring about the characters halfway though.. And if you don't care what happens to the main characters of a story it kinda ends there.
I wonder if there is something lost in translation.
I don't regret getting this book since I got many great hours of reading out of it.. I just wish it would have been more engaging.
Storyline...Rad Fem serial killer meets lackluster geek and they live happily ever after. Man, I'm really getting sick of all these contemporary authors trying to sell books to mindless feminists who mostly buy books. That pretty much sums up all American Art at this time. Truly lame. That said, I liked the Japanese setting and would like to know more about the culture. There were also some themes and characters in here that rang a bell. The writing was pretty good and the narrator, Marc Vietor, who also narrated my all time fav book, "Lucifer's Hammer", did an amazingly good job on the main character Tengo Kwan.
This was my first but not my last Haruki Murakami book.
I bought this book because it was described as Sci Fi and on so many Best Books of 2011 lists. In my opinion this book is a love story with a little Sci Fi thrown in.
The writing in this book is beautiful. The descriptions in the book are simple and almost unnervingly vivid at the same time. But…this is a long book with a slow pace. The story, although not uninteresting, unfold very slowly.
If you like fast paced books with big payoffs at the end, this book is not for you. I don’t mind books that leave loose ends but I could understand why some people would be disappointed after 42hours.
I’m conflicted about this book. The last book to leave me this conflicted was One Hundred Years of Solitude by Gabriel Garcia Marquez.
In the end...this book reminds me of Music by Chanting Monks. The first time I listened I thought it was incredibly beautiful. But after an hour I thought…”that’s enough Chanting Monks” and I put in different music.
All the characters described were pretty lifelike and quite believable despite the sometimes unbelievable story.
One long story of so many scenes...
I am not sure the end justified the means.
The female narrator, Allison Hiroto, is so absolutely annoying to listen to that she actually makes it very easy to hate one of the main characters, thus ruining the book for me. I can't imagine who cast this person, but they should get a hearing aid prior to losing their job. Hiroto over enunciates every word, sounding stiff and impersonal. Nobody talks like this naturally for good reason. That's because it is ANNOYING! I'll sum it up by saying that she pronounces the
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