The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question.
Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame's and Tengo's narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.
A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.
BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin and Philip Gabriel.
©2011 Haruki Murakami (P)2011 Audible, Inc.
"Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers.... But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves." (The New York Times Book Review)
“Profound . . . A multilayered narrative of loyalty and loss . . . A fully articulated vision of a not-quite-nightmare world . . . A big sprawling novel [that] achieves what is perhaps the primary function of literature: to reimagine, to reframe, the world . . . At the center of [1Q84’s] reality . . . is the question of love, of how we find it and how we hold it, and the small fragile connections that sustain us, even (or especially) despite the odds . . . This is a major development in Murakami’s writing . . . A vision, and an act of the imagination.” (David L. Ulin, Los Angeles Times)
“1Q84 is one of those books that disappear in your hands, pulling you into its mysteries with such speed and skill that you don’t even notice as the hours tick by and the mountain of pages quietly shrinks . . . I finished 1Q84 one fall evening, and when I set it down, baffled and in awe, I couldn’t help looking out the window to see if just the usual moon hung there or if a second orb had somehow joined it. It turned out that this magical novel did not actually alter reality. Even so, its enigmatic glow makes the world seem a little strange long after you turn the last page. Grade: A.” (Rob Brunner, Entertainment Weekly)
I have been a Murakami fan for years and I have listened to many of his other titles. I waited months before listening to 1Q84 because I was reluctant to spend weeks listening to a single book. When I did listen to it I often questioned my judgment because the story is SO SLOW. When you have over 46 hours to tell a story, an author has a lot of time on his hands. In spite of this reservation, I want to acknowledge that Murakami is such a gifted writer that he uses that time to richly develop and explore the lives of the two main characters.
True to form, Murakami works his magic and finds a way to draw the listener in to his strange world. By the end of this book I was finally intrigued and I looked forward to the last 8 hours (!). Ultimately, it was satisfying. I must admit, however, when I turned off this book for the last time, I asked myself if this was the best use of my 46 hours, 50 minutes. Interestingly, since I finished this book weeks ago, I have thought about it very little.
For those who are curious about Murakami but are reluctant to start a book of this length, I would recommend some of this other titles - especially Kafka by the Shore or Norwegian Wood.
"A reader lives a thousand lives before he dies. The man who never reads lives only one." - Jojen Reed. #ADanceWithDragons
This is one of those books that have been getting rave reviews from bibliophile or rather anyone who is a fan of modern literature. The book appealed to me for a number of reasons but for some strange reason I never got around to give it a try until recently. I wasn't disappointed...
The first thing you find right off the bat is how well Haruki Murakami is able to use words to paint a picture. And I am no referring to a half baked imagery that leaves you to fill in the blanks but he fully attempts to describe the scenery in such a way that your entire senses seem to be a part of it. This can cause someone to get impatient and skip past these moments and lose one of the things that make this novel really special.... that amazing attention to detail.
Keep in mind whilst going through this novel that originally this was actually three books. 1Q84 was actually released as three separate books (Book 1, Book 2 and Book 3) and so while it might seem really long, keeping in mind that it originally was three separate books it's actually pretty normal in terms of length (and also bang for your buck seeing that you're buying three books in one). This is one of those books where patience is a good thing, just sit back and enjoy the ride, don't watch the hours spent going through the book just enjoy the actual journey. I can assure you by the time the book actually ends you will be begging for more once you really allow yourself to enjoy it.
1Q84 is, at worst, one of the most imaginative story lines I have ever really come across. Haruki Murakami weaves an elaborate and immaculate storyline with interesting, flawed characters each with their own back story. Even these minor characters are developed in a way that leaves you feeling satisfied in the end. I am seriously impressed as to how Haruki Murakami came up with the storyline and the time and energy that was invested in creating this piece of work, if this is the style of Japanese writers I would hope that more can be translated to English.
The narration in this book takes some getting used to, especially the voice of Allison Hiroto which can quite literally put you to sleep with how soft and gentle it comes off. After an hour or two though all the voices just seem to lay on you like high quality satin sheets (another sleep reference but without it actually putting you to sleep). Once the story picks up you get gripped and caught up with the way the narrators still seem to be so patient in their delivery but yet somewhat wishing they would pick up the pace. Truth be told though, you likely won't increase the tempo at this point because you would have gotten so used to the pace you won't mind it at all.
I truly can just go on and on about this book for the mere fact that it was done so exceptionally well. When I can write a review this long it means I either really enjoyed or really disliked it... and this book.... I LOVED!
I rate as follows: 5 Stars = Loved it. 4 Stars = Really liked it. 3 Stars = Liked it. 2 Stars = Didn't like it. 1 Star = Hated it.
This was my first book by Haruki Murakami, and it was an extraordinary experience. At one point in the book, while discussing one of the main characters, it states that something "Had shaken his heart from a strange angle". And I think that's a good description of how this book affected me. It shook my heart from a strange angle.
I've never read a book quite like this one; it was unique. It has a certain moral ambiguity to it, especially in the first half. This caught me off guard and was unsettling, but it did fade to a much lesser issue as the story progressed.
The story weaves common threads throughout the book; opening up questions on themes of loneliness, the vacuums left by people or loss (and whether these can or should be filled), both the damage and comfort of religion, how our childhood scars affect us as adults (and how much power we should allow them to have) and the very thin line - the delicate balance - between Right and Wrong, Good and Bad.
Mostly, however, the book is a deep mystery that pulls you into it's dark running current and carries you along. I know some of the other reviews did not appreciate or enjoy Ms. Hiroto's narration, but I loved it and couldn't imagine the story without it. I thought it was exquisite, as was the performance of the other narrators as well.
The stunning, stark, simple honesty that was the hallmark of any conversation held by the character of Tengo was my favorite aspect of the book. It's hard to describe, but the character always speaks and replies to questions with no pretense, no pride... it really impacted me.
Especially towards the second half of the book, there were sudden twists of humor that were a welcome gift; inspiring short, unexpected guffaws.
Yes, the book can be unsettling on many levels; but it's also very impactful. I'll never forget my time in 1Q84, under the two moons.
If you've read one story about a female exercise therapist/hitman, looking for random casual sex while searching for the man of her dreams, who enters a parallel existence with two moons in the sky only to kill the leader of a religious cult that hears voices from little people who come out of a dead goat's mouth and make duplicate copies of people, you've read them all.
Seriously, if you like weird, and I do, you'll like this.
When I like something I'll let you know. If I don't, I'll let you know that too!
1Q84 is a fantastically interesting and long story - emphasis on both the interesting and the long. Well crafted with interestingly odd characters placed in mystical circumstance. The narration is spot-on, I enjoyed each of them and their performances contribute to the enjoyment of this story. The sound engineering could have been better, because it is noticeable when an edited retake was placed into the performance. Not your typical Audible production values.
Surreal. Interesting. Long.
I've never read any other book like this.
The narrator spoke Wayyyyy too slowly. I wanted to yell,
There's really only one reality...but what is it?
I would recommend this book to someone who has patience and is not looking for a fast-paced or suspense -filled story. It was very long but I finished it without regret.
I believe a reviewer should finish a book before submitting a review. What do you think?
This book moves into your heart and mind and stays. It has been months since I've finished this book and I'm still thinking about the wonder of it all. The poetic fantasy realism of it (and I know that doesn't make sense but in the context of this book I feel it is a fit).
The only reason I didn't give the narrators 5 stars is because I think Murakami should please insist upon Japanese narrators. American accents detract a wee bit.
This author is quickly becoming a favorite.
J.F., CA. I am a voracious "bookaholic" who enjoys many different genres. I am often listening to/reading multiple books at the same time.
This book is such a great listen. The plot is fresh, different and so multi textured. The characters are complex and well developed. Although the story is very long, it keeps you well engaged. The different sub-plots takes a while to merge but each protagonist's story is so interestiing on its on that it is ok. The pace and cadence at which the story is told are also just right. I hope there is another book from this author that is translated in English. I will be searching. You won't be disappointed with this book and you are getting a lot for just one Audible credit. By the way, the narrators did a great job too!!!
And I don't know why. Maybe because I had already made it through about fifteen hours of pointless, over-written, repetitive boredom so that I was determined to discover why this industrial-strength long novel garnered such glowing reviews. And I didn't want to be left out of the intelligent appreciation club.
But...I literally walked away while the narration was going on and then would come back to be hearing the same monologue over and over again in every different form---the character thinks it, then the character does it, then the character thinks about it again, then the character talks to another character about it, then the character thinks about it... . I never missed anything.
And maybe it was the translation, but the constant (and I mean constant) repetition of the characters' names, over and over again, was truly irritating. Speaking of the translation, so much of this novel seemed so "Westernized" to me with little reference to anything Japanese except maybe food. That might have been purposeful, but it robbed the atmosphere of any Asian flavor. And don't get me started on the author's obsession with breasts and pubic hair.
I actually appreciate that others liked this novel, but it sure wasn't meant for me. I need to listen to something light and frothy where things actually happen.
I haven't read any of the author's other works, nor do I know anything about him except what the translators say at the conclusion, but I don't think I'm going to try.
This is the most monotonous work I have ever encountered. The slooooow reading of the female narrator who pauses to OVER stress every descriptive word in the book makes you feel like the print she read must have CA..PI..TAL..IZED each one. Like listening to a teacher read out loud to a preschool class, where each syllable is stressed separately to help the kids "sound out" the words on the page in front of them. The male narrator is actually good and that is the only nice thing I can say about this book.
The story itself doesn't help. Nothing ever happens. Or something very interesting happens, but the author skims over it with one brief comment and then goes into excruciating detail about some other minutia, like what they ate, how it was prepared, what was on the side, what spice was used to season it, how much was used, and how was it chopped, course or fine, and then lists a metaphor about how course or fine, why it was chopped that way...blah blah blah. Even the rare event that can not be classified as day to day minutia is interesting at best- like a dream that doesn't make sense, but is so odd that it makes an impression anyway, even if it is disjointed and has no real meaning.
It is so insanely verbose... I just listened to a 15 minute passage about Aomami considering buying a goldfish and deciding on a rubber tree instead (which we already know is the outcome), I fast forwarded 10 minutes and she was still thinking about it when i resumed. That's where I quit the book after about 30 hours. The author repeats everything and repeats it and repeats it. It makes me want to scream. Every time he mentions the fish- its not just "fish" it is the gold fish that she saw on this date that she considered buying after she saw someone else's goldfish, in this particular store, in this location, next to that other place, where she eventually bought a rubber tree, which was a sad specimen- as if you could possibly have forgotten what fish he was talking about a half sentence ago, and the state of the rubber tree has anything to do with the stupid fish! At one point he describes Leader breathing deeply - it takes him over 10 minutes to do it- and the word deeply must be repeated 20 times. Reading this book is like grading a whole 6th grade classes' answers to a vocabulary test- he gives you a word; list a simile, a metaphor, a synonym, use it in a sentence, then repeat 28 times. I'm not kidding. He goes so far that in all of the dialog between Tengo and Fukaeri, Tengo literally repeats verbatim every word Fukaeri just finished saying before adding his comment. All of the other dialog is like this to a slightly lesser, but no less irritating, extent.
Not only does the author describe what IS there with every possible word that might be applicable - but he then proceeds list everything it can not be... There IS a second moon. It could not be a plane. It could not be a star, it could not be a comet, it could not be his imagination, it could not be a trick of the light... I GET IT ALREADY! MOVE ON! like some twisted 50 hour non-rhyming version of green eggs and ham.
It should have been a 200 page book. Seems like in the process of editing the author wrote each word, each sentence, each thought a dozen different ways and couldn't decide which he liked best, so just left them all- just in case you are a complete nincompoop and didn't understand the first 11 times he described it.
In addition, I can't relate to any of the characters. It may be a cultural thing, but their behavior, thought process, acceptance or disbelief, none of it makes any sense to me.
I really suffered during the 30 hours I stuck with this book becasue of the positive reviews. I hope I can save someone else the same suffering.
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