©2005 Peter Meineck; (P)2005 Recorded Books
I could not put this audiobook aside, and have listened to much of it several times. Professor Meineck discusses the significance of Greek drama and provides a great deal of information on the historical and cultural context in which the genre developed. He helps us to imagine the staging and see the plays from the viewpoint of the original audience. After this, five lectures provide an in-depth examination of the incomparable Aeschylus, two cover Sophocles, and the final three cover Euripides and Aristophanes.
For an example, lecture seven discusses Agamemnon. Here we are helped to imagine the sacrifice of Iphigenia, and a parallel is drawn to a perversion of the Greek wedding ceremony. Very interesting information is provided on the translation of Clytemnestra's assertion of fidelity, which is on the surface a bald-faced lie. Meineck returns to the original Greek to help us see that she has very carefully chosen her words. He discusses female power images in the beacon fires, and points out that Aeschylus has altered the myth to have Clytemnestra herself murder Agamemnon, rather than her lover. We are treated to a superb examination of Agamemnon's return, in which he is met by Clytemnestra's carefully staged welcome-trap. As she lays out a tapestry for the conquering hero to walk on, we see the murder of Iphigenia replayed. While preventing him from stepping on the soil of his homeland, she compels Agamemnon to wade through metaphorical blood, trampling the wealth of his own household, on his willing way to his own ritual sacrifice. Good stuff, as is the rest of this course. Highly recommended.
Although it's about 8 hours long, I've listened to this series of lectures many times. They are not only informative but told with such passion, insight and sensitivity that I got hooked from the start. I'm so happy I discovered the 'Modern Scholar' series, I'm sure I'll come back for more!
"Its all Greek!"
This is wonderful as an introduction to Greek drama and the lively lectures do not allow the mind to wander except perhaps to seach for that odd book of Greek plays.
Brilliantly delivered lectures makes the whole incomplete tangle of Greek playwrights, plays and their preoccupations come to life.
Decidedly, if you have even the smallest interest in the subject, this will illuminate the fascinating subject of Greek drama, an important foundation stone of modern plays
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