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De renaissance in de muziek
- Een hoorcollege over renaissancemuziek, van de late 14de eeuw tot in onze tijd
- Narrado por: Leo Samama
- Duración: 7 h y 31 m
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Resumen del Editor
In de westerse kunst- en cultuurgeschiedenis beslaat de Renaissance bovenal de periode tussen 1400 en 1600. De confrontatie met de denkbeelden uit de antieke wereld bracht een wedergeboorte van de kunsten teweeg en was een breekpunt met wat men lang beschouwde als de ‘donkere middeleeuwen’. Tegenwoordig zien we de voortekenen van een renaissance al vanaf de late 12e eeuw opdoemen, met de herontdekking van de klassieke oudheid en de opkomst van het humanisme.
Door een verschuiving van louter kerkelijke dogma’s in de cultuur naar een meer mensgerichte benadering, ontstond er ruimte in de kunsten voor een imitatio della natura en het uitdragen van smaak, genot en plezier. In de muziek leidde dit tot een zoektocht naar het dichter bij elkaar brengen van woord en klank bij de uitdrukking van zowel heilige als wereldlijke teksten. Daarnaast ontstond ook een meer welluidende en veelgelaagde muziek, met diepte en perspectief, wat we polyfonie noemen.
De invloed van die nieuwe meerstemmigheid doet zich tot in onze tijd gelden. Tegelijkertijd is het hoogtepunt van die hechte relatie tussen de verbale en de muzikale taal ook het begin de barokperiode. Leo Samama behandelt in zijn hoorcollege dit omvangrijke terrein van vocale en instrumentale muziek, en van kerkelijke en wereldlijke composities. Hij maakt daarbij gebruik van talrijke muziekfragmenten alsook van voorbeelden op de piano.
Opgenomen bij Bob Kommer Studio’s.
Inhoudsopgave:
- H1. Introductie op de periode van de Renaissance
- H2. De gevolgen van het herontdekken van de Klassieke Oudheid
- H4. Over de notatie en de genres
- H3. Op zoek naar de muzikale Renaissance
- H5. Een beetje muziekfilosofie
- H6. Aanloop naar het begin van de 15e eeuw
- H7. Bourgondië en de Contenance angloise
- H8. Franco-Vlaamse componisten
- H9. Het Europese netwerk van de Franco-Vlaamse componisten
- H10. Italië en het Maniërisme
- H11. Het Franse chanson
- H12. De Renaissance elders in Europa
- H13. Engeland
- H14. De Reformatie
- H15. Instrumentale muziek
- H16. De rol van instrumentale muziek in de overgang naar de Barok
- H17. De Renaissance na de Renaissance
- H18. De Renaissance anno 2000
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