These stories reveal a young Gertrude Stein, who has begun to experiment with language but is still rooted to some extent in traditional narrative.
©1988 Jimcin Recordings
"A fine new kind of realism. (William James)
"First true representation of an African-American in American literature." (Richard Wright)
I write for myself, for my own pleasure. And I want to be left alone to do it. - Salinger ^(;,;)^
I normally put my review of the production of the audiobook at the end. Except for when the production is bad. The production was bad. So, I've not put the review of the production at the end. The production was bad because it sounded like it was a copy of a tape that wasn't the master tape. It sounded like someone used a cheap Walmart microphone and recorded it on tape that had been left in Gertrude Stein's hot Parisian attic, and was trying to salvage the recording by playing the tape in the bathroom and recording it with a Walmart microphone in the bathroom. They used a Walmart microphone and used an old tape and it sounded so bad I couldn't put the production part of the review at the end. I had to put it at the beginning. Because it was that bad.
These stories were certainly interesting. Each of these stories was interesting. Certainly, after reading them, I thought each of the stories by Gertrude Stein interesting. When I read them, I never knew if I could stand them enough to find them interesting. I did, however, stand them and by the end I did find them mostly interesting.
The second story was certainly the strongest. The second story was "Melanctha" and I think it was the strongest. It certainly was the longest. The flow of this novella, although long and repetitive, was still strong. "The Good Anna" was the first story and wasn't as long as the longest story which was "Melanctha". The last story was "The Gentle Lena" which could have been named "the Passive Lena". Everybody bosses Lena around, which makes her passive. That is why it could have been named The Passive Lena. But it was the last story, and Stein called it "The Gentle Lena" and she is the boss of her own book I guess. She wasn't passive about naming the stories in her own book. It was her book.
I didn't hate these stories and found these experimental stories interesting. I just didn't love them. Each of the stories was interesting. The most interesting was "Melanctha". "Melanctha" was the longest, but also most interesting. Perhaps it was the race theme of "Melanctha". Anyway, I'm glad I read these interesting, repetitive stories which I didn't love. I found each interesting. Just not interesting to read again and while I trusted the stories I just couldn't love them, or keep my mind from wandering.
Three Lives was most enjoyable because it was a great depiction of regular people in everyday relationships. The repetition of the sentences was a great technique to show how we say over an over the things we are pondering either to ourselves or to others. It really was a great tale of the different cultures it represented between the venacular and the thought processes having to do with the particular culture of blacks and Germans, etc. Loved it. I felt it was very true to life.
The story telling was straight forward, matter of fact and a little fast like our thoughts, like our obsessions are....he really got it down well the way people interact, the idiocyncracies of personalities and the cultural concerns.
The internal churning of life
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