One of the greatest mystery thrillers ever written, Wilkie Collins's The Woman in White was a phenomenal best seller in the 1860s, achieving even greater success than works by Charles Dickens. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall audiences today.
The story begins with an eerie midnight encounter between artist Walter Hartright and a ghostly woman dressed all in white who seems desperate to share a dark secret. The next day Hartright, engaged as a drawing master to the beautiful Laura Fairlie and her half sister, tells his pupils about the strange events of the previous evening.
Determined to learn all they can about the mysterious woman in white, the three soon find themselves drawn into a chilling vortex of crime, poison, kidnapping, and international intrigue.
Masterfully constructed, The Woman in White is dominated by two of the finest creations in all Victorian fiction: Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant "Napoleon of Crime".
Public Domain (P)2010 Tantor
"Collins's mid-Victorian novel is one of the first, and possibly still the greatest, of all literary thrillers." (The Irish Times)
Wonderful but delicate suspense. Character development was clear with their associations a part of the mystery. The performance was excellent and the experience was very entertainment.
The suspense, the mystery, the surprise.
Trouble in Old England
No, not really. I admire the currage of the writer to write such a story in that time frame but it would have been better to publish it on audible in an abriged version. The whole story endlessly dragged on.
The mail narrator was rather ok but the woman I didn't like.
No. But if you find the best scenario writer maybe.
It took too long to tell the story. And the ending was contrived
Performance was good
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I was looking for a good read that didn't have a contemporary feel. Occasionally, I enjoy that. For example, Doyle's Complete Sherlock Holmes or even the modern author Connie Willis' To Say Nothing of the Dog. I'm not a Jane Austin fan, but once in awhile I have that urge to sink into something that comes at you slow, without profanity, and without wild crazy stuff.
It had its moments of boredom like every book in this style, but the point of view changes saved it. Never did I want to reach over and click it off or move it to the next chapter..
Neither out classes the other and they mixed well. I am just finishing a Baldacci book, First Family, where the two narrators didn't mesh well at all, leaving me with a disgruntled discomfort until I finally accepted it. In contrast, Bailey and Prebble worked well together and the audio mixing was excellent.
Of course not! That was the whole point of choosing it! I wanted to be immersed in the times! The book delivered.
For the right listener and at the right time, I would recommend it.
Since joining Audible, I have used audio books to help me get through my daily fitness commitment on the treadmill and other similar machines. I have listened to many good books by outstanding readers, and am constantly searching for a good mystery/thriller. After recently starting several mystery/thrillers, written by Audible Best Sellers, I had difficulty making it halfway through the book. Is seems that today's writers feel it necessary to include plots involving child molestation, serial killers, dismembering bodies, torture, and the like. Whatever happened to the bank robbery, diamond heist, or singular murder that had a convoluted plot, interesting characters, a little romance, and a clever detective to eventually find the culprit?
This was the case until I happened across The Woman in White. What beautifully crafted story and mystery. In my opinion, Wilkie Collins is comparable to Jane Austen in character development, and in a total command of the English language. I have started and am thoroughly enjoying my second book by Wilkie Collins, Moonstone.
I highly recommend both of these books.
Nice vocal characterizations, enunciation, easy to follow story
I couldn't wait to turn it on for my daily drives, hard to stop when arriving at my destation; beautifully performed, great character & plot development.
Born 1949, living in outback New South Wales, Australia.
It's not the very best, but certainly very good.
Best of all, I love its history and the fact that I'd never heard of it! Nor of its author, whose name must be American, I thought. Always happy to learn. Wikipedia sold this book to me. First published as a book in 1860 London, it was written throughout 1859 as a serial for monthly or weekly newspaper.
From Wikipedia: "It is considered to be among the first mystery novels and is widely regarded as one of the first (and finest) in the genre of 'sensation novels'." This sentence convinced me: "The use of multiple narratives draws on Collins's legal training, and as he points out in his Preamble: 'the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness'."
At the time of purchase, I was researching family history in England and Australia during the 1850s. What better way to gather a feel for the class and gender inequalities of 1850s England, than through its fiction. I wasn't disappointed.
The readings were exceptional. I absolutely detested the sound of the most loathsome male character in the book. Likewise I detested the voice of the superior house keeper of the property and her inability to distinguish between nobility and decency. Where each participant is given the time and opportunity to tell their story uninterrupted, the bore or the shrew will be difficult to tolerate in an audio book. As it is in life. Sigh.
35 hours would be difficult at a sitting but I must confess that I do have my books playing night and day. These readers use the nuances of the language rather than volume to control the variations of pitch, tone and accent.
I'm surprised that it wasn't heralded during struggles for women's rights, votes and legislation. Maybe it was. I missed it. I'm glad that I've found it and I do recommend it.
I'd rather pull my own 2 front teeth than go through another Wilkie Collins book.
Its certainly turned me off the genre for a good long while. At least male authors of the period.
The simple fact these narrators didn't even give a HINT of a yawn while suffering through all the surplus verbage entitles them not only to a chance to read to me again, they positively deserve medals for their efforts here.
I am very well acquainted with the writing style of this period: florid, loquacious, verbose.... but this? Collins made me want to scream. Collins made even the "heroine" female lead so insipid as to show her as barely conscious of her surroundings and helpless, timid, .....vapid.
The turns the story took were always apparent beforehand; the ending no surprise.
Bummer bummer bummer.
I was astonished and so pleasantly surprised by this book. Although it is more than 150 years old it is just as relevant as any thriller written now. Actually I would say much better. The characters are developed superbly, the psychological insights into the characters and their motives are right on target and the story itself is so original.
I could not stop listening to this book and being amazed anew at each chapter at the brilliance of the story. The narration, told by a man and woman, are also very well done.
Listening to The Woman in White brought out the drama of the moments and the flavor of the different characters.
The story itself is a little drawn out and sometimes melodramatic. The idea is refreshing and the mystery kept me guessing the first time I read it.
I loved to listen to Count Fosco as read by Simon Prebble as much as I love to hate the character himself.
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