Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.
Public Domain (P)2012 Trout Lake Media
It seems that I have established a pattern with Bronte... As when I have last read the novels by the other sisters, the reading if this took me three times longer than it aught to have. It was slow to get into, and remained that way for much of the first half - and even when I did finally become more interested, I was never so gripped that I couldn't put it down nor was I tempted to do nothing but read hour hours at a stretch as is typical of me.
The goings on were dismal 90% of the time, and there were few characters to like. I wasn't even particularly fond of the narrator, and I can hardly forget his violent outburst at one point. And though he repents of it, he is prone to passions, and there was something in him that I did not like overmuch. And I felt only pity for Helen much if the time. What an awful lot, and merciless cruel people bedeviled her life.
It was difficult to bear, and witnesses will attest to my indignation and horror and anger at the ingrates! I was moved to tears even, at one juncture of vile mistreatment towards her. But alas, I held little hope that this Bronte novel would leave off on any happier a note than others like it, but alas, it was a dash more cheery. Those whom we have known to be blagards and villains have met deserving fates, those of repentant or constantly good natures are seen to pass brighter futures and proportionate happiness. Thank goodness, all was set right for Helen, after she endured so much.
The performance was unremarkable. Much of the time the narrative and dialogue were indistinguishable, nor were the voices of most characters throughout, which lead to no little confusion during multi-person exchanges several times.
I would wholeheartedly recommend the book, as it is one of my favourites. However, I would recommend reading it, or finding a different audio version.
Jane Eyre, Northanger Abbey - the style and stories have similar elements.
Davina Porter or have Juliet Stevenson do the unabridged version. Mary Sarah Agliotta kept mispronouncing words and does not have an English accent.
It has been made into a very nice TV mini series.
Overall enjoyed the story, definitely worth listening. Part of my decision to "listen" to the classics and glad to include in my collection and recommend.
This was my first Audible book I have listened to. I enjoyed the warm reading of the story (and the clear pronunciation). The characters came alive by the pleasant voice of the narrator who playfully conveyed the emotions and personalities of each character. I totally enjoyed having the story being read to me as a relaxing way to wind down my days. I look forward to downloading more brooks from Audible and from this narrator.
I don't have time for that. Also, I enjoyed returning to the book at the end of each day so I prefer having it spread out over a week as opposed to listening to it all in one sitting.
I can't imagine anyone enjoying this book because the narrator is extremely poor.
The moment when I decide to purchase a different version of this classic in order to enjoy it. I could not finish listening, the narrator was so bad I had to listen over and over again to understand
articulate, read slower, avoid monotone
The text is complex, because this is not the way we talk today. It is to be expected from a classic.Mary Sarah Agliotta's reading is so monotone and fast that it is impossible to follow the story while doing anything else. You have to concentrate on the book in order to understand. Besides her voice is not even pleasing. I will never listen to anything narrated by this person again,
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