Follow the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the 20th century.
Who's your papa? Listen to more from Ernest Hemingway.
©1926 Charles Scribner's Sons. Copyright renewed ©1954 Ernest Hemingway. All rights reserved, including the right of reproduction in whole or in part in any form; (P)2006 Simon and Schuster, Inc. All rights reserved. AUDIOWORKS is an imprint of Simon and Schuster Audio Division, Simon and Schuster, Inc.
"An absorbing, beautifully and tenderly absurd, heart-breaking narrative....It is a truly gripping story, told in lean, hard athletic prose...magnificent." (The New York Times)
I'm sorry but William Hurt hurts this novel. He does fine with the dialogue passages which makes sense i guess as an actor, but his voice and bored rendition of the narrative passages is just plain poor. At times as he's reading it seemed that he was seeing the text for the first time, his emphasis and inflection is off all over the place.
This is a great novel and I wish they would get the reading by Adams that Books on Tape had that I bought the cassettes of years ago. Much better reading. Adams did many of EH's novels and did them well, and though then I may have wished for variety in voices, I'd take those now.
Nice idea to have distinctive voices for EH, but you need some more dynamic readers, not ones that sound bored by the project. Donald Sutherland is a great actor, but a terrible reader of Old Man. Get the Charlton Heston versions of Old Man and Snows if you can and Scourby's reading of Macomber is awesome, Heston and Scourby are perfection.
This is possibly the best audio book I have ever listened to. William Hurt's narration is masterful bordering on dramatization but never losing touch with the classic Hemingway prose. This is one of those rare books that I did not want to end. It is altogether possible I will listen to it again simply because it was such a pleasure.
Wished I had read rather than listened. Very weak narration as compared to other audible books. Hemingway no problem.... Weak acting
Insomniacs. People who unreservedly love William Hurt
Giving up and turning the awful droning off.
I cant stay awake through the "Hurt" I realize there are all different tastes and people prefer different narrational styles. However William Hurt to my ears is so painfully flat, droning, and lacking any real character depth in his narration as to make this book listenable. I have had this book for over 6 months and have tried to listen to is many times without success. This is very rare for me to be unable to listen to a story (especially a well written story) due to the narrator. I have narrators I prefer not to listen to (Scott Brick) however I still managed to listen through a @40 hour book (The Company) multiple times in the years it has been in my library. This book however is possibly the first time in my @15 years as an Audible subscriber I can't manage to finish to a book I purchased. Hell I doubt I have managed to stay awake through more than the first couple of hours. As for who to read this story, I would say Campbell Scott. He did a fantastic job on For Whom the Bell Tolls. For me Campbell Scott just gets the Hemingway pacing, cool and tonality.
Hugely disappointed by the monotone narration. Such a waste of a good story and a credit.
Listen to the sample very carefully, It doesn't get any better and probably gets much worse. ZZZZZZZZzzzzzzzzzzzzzz Can I get a refund for this wasted credit?
His foreign accents are abominable. Even his performance of the main character is completely flat. Frankly, I didn't even finish listening because the accents were so distracting!
I really liked the characters and how Hemingway introduces and then holds true to their persona in the book. I liked the flow and pace of the book, I think the descriptions of Paris and the Spanish country were telling.
What can I say about this novel that hasn't already been said by those with more critical minds and more eloquent praise. Sparsely told with characters and locales who come to life in ways most writers wish they were capable. Captures a time and a sense of being long before I existed, but never seems out dated or obsolete. From France to Spain, from the long days at the cafes to the running of the bulls, this tells the tale of post WWI with exquisite detail. That said (and I do not offer this as criticism, simply fact) -- if you are looking for a "quick paced page-turner" this may not be for you. This is meant to be taken in slowly, savoring each word.
I had to read this book for a university course. First I read the novel myself and then listened to William Hurt's narration. He made the novel come alive for me and inspired me to write my essay on this novel. I especially enjoyed his characterization of Bill's dialogue. I would recommend this audio book to anyone looking for an enjoyable experience.
William Hurt's narration of this novel is simply amazing. His voice makes the story come to life, and his rendition of Mike (the drunken Scottsman) made me really fall in love with the story.
Hurt's excellent French pronunciations also helps considering I have no working knowledge of how to speak romance languages. This story was great from beginning to end. An audible must have!
"Hemingway again but not Hurt"
This was my first encounter with Hemingway, and threatened to be my last. If I had been listening to an author without such a pedigree, and therfore couldn't go online and be reminded by all and sundry that this is a defining novel, I suspect I would have walked away. This is undoubtedly partly my own fault - I came at the novel cold, without any reading about the context or themes, which at the distance of years would have been extremely useful. However, I believe much of the problem was the narration, which frequently irritated enough to distract concentration from the story. I'm a Scot, so Mike was a bad start - a cartoon character, sounding like a drunken Shrek. The other Brits had accents equally comic-book ridiculous, Brett's variable and often grating American take on Brit upper class just about killing her characterisation. Add in some Fawlty Towers Spaniards and only the Americans sound in any way true. In addition the narrator seems to eschew any flowing sentence structure, pausing where (I presume?) there is no punctuation in the novel, and sometimes grinding almost to a halt before jolting off. Again, perhaps my lack of familiarity with Hemingway is to blame, and he is supposed to be read in the form of heroic poetry, but I found it another layer of distraction.
Having read a number of online notes about the book since listening, I would certainly revisit it, as clearly I missed much of what makes this novel stand out. However, that will be a different narrator or a hard copy. Meanwhile I will buy another Hemingway on Audible, and watch Shrek again, where a stereotyped Scottish accent can be appropriately enjoyed.
A classic novel that stay forever. Fantastic narrator. Enjoyed it very much!
"What a way to ruin a good story!"
I was looking forward to listening to this story, but oh, what a disappointment! I never want to listen to William Hurt reading again.
He made it sound dull and was hopeless at the accents.
I was intrigued by the story. What sad empty lives all the characters led. So much drinking and smoking and falling in and out of love. I much enjoyed the bullfighting in Pamploma.
I look forward to reading and listening to more stories by Ernest Hemingway as long as they are NOT read by William Hurt1
"Excellent crisp and concise"
Wonderful book full of atmosphere and interesting characters. warning some may find Semitic references upsetting.
"Hemingway is good... this version is not!"
Hemingway is great. This is a good book, but the accents put on by the narrator ruined it. The Scottish sounded welsh, or occasionally it sounded like a parody of Scottish, the Spanish was very questionable, and the narrator sometimes seemed to forget who had what accent- so Brett often sounded American, and then to compensate she sounded ridiculously English in the next breath!
I wouldn't mind too much if this audiobook had cost 99p, but for the price it was very badly done! And it's hard to ruin Hemingway.
Hard to destroy Hemingway, and Hurt doesn't but his scottish accent for Mike is embarassing - it could be Welsh sometimes - and Brett he misses altogether but there is always a pleasure in hearing a Hemingway aloud.
"Kept my interest"
Very well narrated. I think Mr Hurt captured the pace and metre of Hemingway's work very well.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.