Follow the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the 20th century.
Who's your papa? Listen to more from Ernest Hemingway.
©1926 Charles Scribner's Sons. Copyright renewed ©1954 Ernest Hemingway. All rights reserved, including the right of reproduction in whole or in part in any form; (P)2006 Simon and Schuster, Inc. All rights reserved. AUDIOWORKS is an imprint of Simon and Schuster Audio Division, Simon and Schuster, Inc.
"An absorbing, beautifully and tenderly absurd, heart-breaking narrative....It is a truly gripping story, told in lean, hard athletic prose...magnificent." (The New York Times)
Insomniacs. People who unreservedly love William Hurt
Giving up and turning the awful droning off.
I cant stay awake through the "Hurt" I realize there are all different tastes and people prefer different narrational styles. However William Hurt to my ears is so painfully flat, droning, and lacking any real character depth in his narration as to make this book listenable. I have had this book for over 6 months and have tried to listen to is many times without success. This is very rare for me to be unable to listen to a story (especially a well written story) due to the narrator. I have narrators I prefer not to listen to (Scott Brick) however I still managed to listen through a @40 hour book (The Company) multiple times in the years it has been in my library. This book however is possibly the first time in my @15 years as an Audible subscriber I can't manage to finish to a book I purchased. Hell I doubt I have managed to stay awake through more than the first couple of hours. As for who to read this story, I would say Campbell Scott. He did a fantastic job on For Whom the Bell Tolls. For me Campbell Scott just gets the Hemingway pacing, cool and tonality.
Hugely disappointed by the monotone narration. Such a waste of a good story and a credit.
Listen to the sample very carefully, It doesn't get any better and probably gets much worse. ZZZZZZZZzzzzzzzzzzzzzz Can I get a refund for this wasted credit?
His foreign accents are abominable. Even his performance of the main character is completely flat. Frankly, I didn't even finish listening because the accents were so distracting!
William Hurt's bizarre phrasing of the narrative portions was a Major distraction. His rendering of Spanish and French accents was very good, but Bret's English accent was truly bizarre.
The bullfights, beautifully, graphically, tragically described mirrored the encounters of the main characters, always coming closer to each other, to love or to fight, and then backing away, a tangled dance like that of matador and bull, dodging, feinting, charging and ending, not in death, but still with a sense of tragedy.
No. Not ever.
I liked the characters and the story setting. The descriptions of bullfighting and scenery were great. Really got a feeling I was there. On the bad side, I did not know why I was there. The whole story kind of seemed aimless.
No. The reading of the story was too lethargic. Made the whole story just seem listless. I much prefer the other Hemingway books. For Whom the Bell Tolls was fantastic.
Too lethargic. Seemed like all the characters were William Hurt. Other narrators seem to do a better job making the characters more unique in the reading.
Yes. I would like to see the scenery in a movie. Despite the light plot, Hemingway paints with his words and the beauty of the places shine through.
Ernest Hemmingway - yes. William Hurt - never again.
No. No. No. Such a boing performance. I've read this story 2 times and thought I'd try listening to my (once) favorite story. Almost abandoned listening to the story multiple times. No tone change in the character's voice. It was like listening to a teenager tell a story he really doesn't want to tell. Monotone and boooreing!
The story is fantastic.
If you're a fan of Ernest Hemmingway, stick to the printed version of this book and try For Whom the Bell Tolls in audio version.
Male, 58. Listen mainly on my 45 minute one way commute. Listen mostly to non-fiction, especially history and christian books.
I have always enjoyed and respected William Hurt as a very professional actor. I feel as though he failed miserably in narrating this novel. He just does not seem to get Hemingway. He does not come close to the excellent narration Stacey Keach provides in the short stories or the narrator in For Whom the Bell Tolls.
Yes I would read another book by Ernest Hemingway, and no, I will never buy a book read by William Hurt. He was awful. I couldn't get past ch. 1.
I don't have one. I only got through chapter one because William Hurt was awful at the reading. He read so slow and deliberate; I couldn't stand it.
I felt like he was reading to a Kindergartner. He read so slow and he enunciated too much. Even during dialogue, he didn't have any personality.
I don't know....didn't hear much.
I wish there were another version with another reader.
Rereading this classic, would have been a complete pleasure but for William Hurt's flat performance. He did a good job with the characters' dialogue. As narrator, his odd cadence clashed with the tone of the book.
William Hurt is a quality actor but i do not enjoy his efforts as a narrator. I may have given this book 4 stars if not for the narration but i doubt it. I agree this is one of Hemingway's better efforts as an author.
Have a different reader.
I normally enjoy his acting but his performance of this reading was dreadful. He sounded bored and half asleep. He emphasized random words in the sentenses which made it very hard to follow.
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