Remembrance of Things Past is one of the monuments of 20th-century literature. Neville Jason’s widely praised abridged version has rightly become an audiobook landmark and now, upon numerous requests, he is recording the whole work unabridged which, when complete, will run for some 140 hours.
The Guermantes Way is the third of seven volumes. The narrator penetrates the inner sanctum of Paris high society and falls in love with the fascinating Duchesse de Guermantes. Proust describes vividly the struggles for political, social, and sexual supremacy played out beneath a veneer of elegant manners. He also finds himself pursued by the predatory Baron de Charlus.
Public Domain (P)2012 Naxos AudioBooks
This is the best of the series of seven books now known as Proust's "In Search of Lost Time." Unfortunately, only five of the seven volumes have beed recorded on NAXOS in an unabridged form. The series will be completed soon, I imagine, but the main frustration altogether resides in the sad fact that after all is completed, it will be of an outdated translation by Scott Moncrieff which, however excellent and widely celebrated, is inferior in some ways to the brand new translations published in England by PENGUIN BOOKS (General Editor Christopher Pendergast) and which, because of a US Random House copyright, are NOT FOR SALE [at least the last four volumes are not] in the United States. One has to explore various Internet bookstores to find them in this country. Furthermore, the audiobook is the UNCORRECTED C.K. Scott Moncrieff version which was famously brought up to date several years ago. Sigh! So, as good as this recording is, MR NEVILLE JASON is exhausting himself on outdated material -- 2,500,000 words of it before he is finished. One notes that the first audiobook in the series is called THE REMEMBRANCE OF THINGS PAST for which the newer translation is given as IN SEARCH OF LOST TIME. Right away the reader sees the problem. However, this book -- THE GUERMANTES WAY -- is wonderful to listen to, and some generation (my grandmother's perhaps) was delighted with this translation which -- indeed -- was the only one in English and made the book famous in the English speaking world.
The book is packed with memorable incidents. The "classy" party scenes, of course, are always to be looked forward to since Proust's commentary is hilariously satirical. Most people do not realize that Proust can be very, very funny -- and in a very cutting manner as well.
This man is SUPERB -- and he makes everything totally comprehensible. Long Proustian sentences I cannot figure out when reading them on paper come over with total clarity and sense.
Yes. I am 71 years old and am thrilled to be reading this masterpiece at long last. I am glad I skipped it in my 20s and 30s, however; it's far too cynical in its world views. Nothing is as it seems at first! I would have been disillusioned for my entire life! Proust turns the world upside down. And did I say there's an awful lot of sex in it? Nobody warned me about that.
I am delighted with the recording -- but sorry the newer translations will likely not be recorded in my lifetime. Proust is easier to listen to than to read, so the audiobook is a blessing. I did, by the way, order the new print translations from England and have had fun comparing them with this one.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
In 'The Guermantes Way', Proust pushes several social forces together. He examines the cult of aristocracy, meditates on the role of the military in French society, examines French antisemitism through the Dreyfus affair, French art, and the banal conversations and selfish superficiality that permeate throughout the drawing rooms of the upperclass denizens of the Faubourg St. Germain.
Three times in the novel (the death of the Narrator's grandmother, the illness of of Amanien d"Osmond, and the announcement by Swann to Mme de Guermantes and the Duc that he is dying) Proust shows how the French aristocracy are concerned more with the shallow requirements of society (shoes, promptness, etc) than real human compassion for the dying.
This third volume of Proust's epic 'A la Recherche du Temps Perdu', carries the reader deeper into Proust's analysis of memory, society, language, and art.
Among the very best
To be judged with the other sections of this book.
Only his volumes of Proust, all similar.
Happiness I am reading Proust in English.
You must begin with the first section of A la Recherche du Temps Perdu, Swann's Way, and decide to read all (6 or 7) sections, of which this is the third. You will not regret it. I have read French fluently for over 60 years, but failed to make headway with Proust. This translation and reading is a joy, and I am confidently on my way to listening to the whole book, which is unmistakably the great European novel of the 20th. century.
If it weren't for Audible I'd never get any reading done.
If you're looking this far into the gigantic Proust novel, I'll assume you need no recommendations regarding the "story", such as it is, but I will say that Guermantes Way is likely one of the most entertaining and funny of all the volumes. Proust's dead-on critique of high society is full of cynical humour as he comes to realize that the princes and duchesses he's worshipped from afar are either vain, stupid or badly wasting any wit or talent they possess.
Neville Jason has undertaken the huge task of rendering Remembrance of Things Past into audio-book form in English. He gives a fine read, giving characters equivalent British accents (the Duc de Guermantes is given a London aristocrats' accent, Fran??oise an Irish servant's tones, etc.) and pronounces all surviving French words correctly. The short pdf reader's guide that comes with the audiobook was actually written by Jason as well, and he does a good job of introducing the general reader to Proust.
Originally published in two parts, the third part of Proust's mammoth work is equally gigantic in its audiobook form (it's 28 hours long). Yet whereas I found the second part, "Within a Budding Grove", a step down in form, this is as brilliant as they come.
Two things stand out. Firstly, The first part of the volume includes not only remarkably penetrating wit, which Proust has in abundance, but also the most devastasting tableau of sickness, withering and death. His wrenching clear-sightedness and the ability to verbalize borders on medically objective descriptiveness at times, and passionately emotional at others.
Secondly, Monsieur de Charlus. He is a fantastically written character, a monomaniac of epic proportions with paroxysms of repressed aggression that transcend even Ahab's biblical ravings.
I think it was Nabokov who described Proust's chief d'oeuvre as "fantasy" (again, I think he preferred to the first half of the seven-part work), a definition befitting Proust's fantastical sense of reality, not only his own but that of his contemporaries and characters. What makes Proust so wonderful a teacher of human character is his ability to see beyond this reality and reach to the conditional, the possible, as well as the impossible; imagined conversations that we project onto characters, conversations that never took place that still define social relations. In short, all the stuff human culpability in falsely attributing characteristics to other people based on misinterpretation, it's all here.
Proust doesn't give any answers, that's for sure, but he's the most acutely clear-sighted observer of our condition in Western literature since Shakespeare has offered. Okay, fine praise and just the kind of name-dropping and hyperbole that says absolutely nothing other than emphasizing my enthusiasm for Proust. But I can't help it, the familiar memes that we recycle over and over again are the only things in my disposal that I can throw at you. I'll stop raving now and instead go listen the next volume, "Sodom and Gomorrah".
[I finished listening to this in early September but only had time to post this review now]
"The perfect narrator for the perfect book"
Proust - coy, anxious, detached, waspish, flirtatious, prolix, detached, judgemental, effete, offhand, dreamy ... Audible have found the perfect narrator to capture that proustian voice and I'm looking forward to the full 150 hours of wandering sentences and tragic crushes. Having never managed to finish RTP on paper, having it as an audiobook fills up the next year very nicely for me.
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