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The Castle of Otranto | [Horace Walpole]

The Castle of Otranto

On the day of his wedding, Conrad, heir to the house of Otranto, is killed under mysterious circumstances. His calculating father, Manfred, fears that his dynasty will now come to an end and determines to marry his son's bride himself, despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold.
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Publisher's Summary

On the day of his wedding, Conrad, heir to the house of Otranto, is killed under mysterious circumstances. His calculating father, Manfred, fears that his dynasty will now come to an end and determines to marry his son's bride himself, despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold.

First published pseudonymously in 1764, The Castle of Otranto is purported to be an ancient Italian text from the time of the crusades and is a founding work of Gothic fiction. With its compelling blend of sinister portents, tempestuous passions, and ghostly visitations, it spawned an entire literary tradition and influenced such writers as Ann Radcliffe and Bram Stoker.

(P)2006 Blackstone Audio Inc.

What the Critics Say

"[Walpole] is the father of the first romance and surely worthy of a higher place than any living writer." (Lord Byron)

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    Brian Cordova, TN, USA 07-07-06
    Brian Cordova, TN, USA 07-07-06
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    "As for literary history"

    This book, like Pamela for feminist literary history, is important due to the fact that it was the first gothic novel ever written. The voice is a good one for the story, deep, reverant, dramatic; the writing is of excellent breed as well. With that said, however, so much has been ripped-off from this novel, and into novels that we've already read, that the story itself comes off as a bit cliche, not to mention ridiculous. Although the hyperbole of the novel is based off sybolic intentions, the best that one can say about this piece is that it lit a torch for future great novels--not that it's so much a great novel on its own two feet. Worty of reading if you care about the history of novels in general, but if you're looking for a great gothic novel this can't be a first choice.

    8 of 12 people found this review helpful
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