Remembrance of Things Past is one of the monuments of 20th century literature. Neville Jason’s widely praised 39 CD abridged version has rightly become an audiobook landmark and now, upon numerous requests, he is recording the whole work unabridged which, when complete, will run for some 140 hours.
Sodom and Gomorrah is the fourth of seven volumes. Accidentally witnessing an encounter between the Baron de Charlus and the tailor Jupien, the narrator’s eyes are opened to a world hidden from him until now; he suspects that Albertine is attracted to her own sex.
Public Domain (P)2012 Naxos AudioBooks
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Reviewing 'Sodom and Gomorrah' puts me in an awkward spot. What are the risks of looking back obliquely on Proust's fourth volume of 'In Search of Lost Time' (ISOLT)? Will any indirect reference to Proust's army of inverts turn me into a pillar of salt? Will I disquiet my friends and my family with funky quotes from Proust's salon-centric novel?
It is hard to grab this one volume and grade or inspect it separate from the previous three, and seems premature to attempt to capture the full body of ISOLT before finishing the next three. Still, having read/listened 2700+ pages /102 hours of Proust now, I can still feel confident in saying that the guy is brilliant, weird, distressing, mesmerizing, queer, petulant, boring, beautiful, raving, labyrinthine, decadent, lyrical, perverse, funky, banal, and that is just a sampling of my feelings about Proust on just one of his d@mned pages.
But this is a novel that once started, must be finished. It is also a novel that needs to be eaten in discrete and slow chunks. I'm not sure it is possible to eat an entire wheel of Leerdammer by oneself, or to drink an entire hogshead of wine, or to read Proust's ISOLT all the way through. It is brilliant, but needs to be consumed in small graceful quantities, preferably with your pinky sticking out.
Yes. The narration is excellent in every respect, which is a considerable achievement given the novel. Neville Jason renders the very long sentences comprehensible, does different characters without overdoing the distinctions, and transmits the writing beautifully, which can only be so if he understood himself - again no mean feat
There's no need to review Proust.
No one has read this work in one sitting.
I have much less difficulty in reading this work via audiobook than by sight.
Without the audiobook, I would never have attempted to read the book, and even if I did, I couldn't have brought as much to it as the narrator. Few realize how funny as well as insightful it is.
Charlus is both the figure of fun as well as a historical anomoly and Neville Jason milks him for all he's worth--and more.
Listening to Jason is like rejoining an old friend over a glass of brandy after a wonderful dinner. The stories, the digressions, all are first rate.
At 24+ hours, it's too much. I listen during my commute and the time in the car flies by.
For those who have only heard of, wondered about, and might be intimidated by the heft and the reputation of the novel, this are the best way to go. The insights into human nature are timeless. The abridged versions are worthless, since plot is the least of the charms.
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