Strong plot and superb period detail combine to make Rob Roy a captivating tale and an extraordinary portrait of the haunted highlands and the glorious Scottish past.
(P)1995 Blackstone Audio Inc.
"When I think of Rob Roy, I am impatient with all other novels." (Robert Louis Stevenson)
"This early 19th-century classic...is alive and well in this production, elegant in sound and style. Frederick Davidson's voice masterfully moves from brogue to dialect, from Gaelic to English. He succeeds at the resonance of narrator Francis, the commanding voice of Rob Roy, the growl of the wicked Rashleigh, and the beautiful lilt of Diana Vernon. This recording, accordingly, 'thrills the blood.'" (AudioFile)
I love a good classic, well-read. Frederick Davidson is one of my favorite readers - he gets every accent just perfect. That is exactly the downfall of this audiobook - lots and lots of totally unintelligible Scottish accent-REALLY unintelligible. I have never read this book, was not familiar with the story at all. After six hours, I quit in frustration because I had lost so much of the plot. IF you know the story, IF you are good at deciphering Scottish accent (and I mean HEAVY, not Star Trek Scotty) then go for it. Otherwise, pass on this version of Rob Roy.
Starts slowly and becomes a fascinating tale of adventure and love. It captures the feeling of Scottish history and the social tensions of the time. Listened to it on a trip to Scotland and the understanding of the social stresses of the 18th century and the pleasure of listening to a darn good yarn added immensely to the trip. Heartily recommend this audiobook.
Frederick Davidson is a reliable narrator but this is hard work to listen to. There are large sections of it that appear to be written in a foreign language and the sometimes heavy handed characterisation makes them even harder to follow. The actual writing is of its period. Overly wordy and convoluted in the story telling and with large sections of background and build up with very little actual meat of the strory. Pretty sure that this won't make it to the regular relistening list.
When this was written Rob Roy was a larger than life character, with very little reliable resources to corroborate his exploits. Writing yet another sensationalist would just be mundane.
Sir Walter Scott was the greatest novelist Scotland has ever produced, and he loved a good story. In this case, the story is that of a privileged and somewhat spoiled Englishman who eventually encounters the turmoil of Scotland and Rob Roy. This is the genius of this book: observations not only from a 3rd party perspective, but from England itself.
And while Rob Roy is not the sun around which this story revolves, he is nonetheless very important for the development of the plot and the ultimate resolution.
Also keep in mind, that this is the novel that made Rob Roy someone to be remembered, regardless of the fact that he is not the star.
I endured the entire book and couldn't wait to get it finished...awful! This is the WORST book I have yet downloaded. Rambling and at times incomprehensible, the development is weak and incosequential and the characters poorly developed. Robin McGregor/Campbell plays a "bit-role" in the story line. I personally find the narrator's style affected, laborious and irritating; his presentation drawling and monotonous, as in all the other readings that I have heard of his thus far. His Scottish accent is on the contrary suprisingly unaffected and authentic.
I'm a fan of the classics and particularly of Sir Walter Scott. I loved the performance: authentic accents might be off putting to the naive, but is a wonderful reflection of the past. Scott's keen observations of 17th century life make this a fantastic listen.
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