When Prince Dmitri Nekhludov is called for jury duty on a murder case, he little knows how the experience will change his life. Faced with the accused, a prostitute, he recognizes Katusha, the young girl he seduced and abandoned many years before, and realizes his responsibility for the life of degradation she has been forced to lead. His determination to make amends leads him into the darkest reaches of the Tsarist prison system, and to the beginning of his spiritual regeneration.
Based on a true story, Tolstoy’s final novel is a deeply moving and compassionate tale of human frailty and reformation.
Public Domain (P)2012 Naxos AudioBooks
I have edited 38 national best sellers and had a writing fellowship from the National Endowment for the Humanities.
As a book editor, I ask my clients not to use their characters to speak for them but to allow the characters to speak for themselves. I don't believe this is the case in Resurrection. Tolstoy wants to address the Russian "justice" and penal systems, and although he dramatizes the unfolding action, at its core, the dialogue and narrative are more obviously coming straight from the author than I prefer. The setup is interesting: a wealthy juror finds that the accused murderer is a young woman who lived in his aunts' house and whom he loved and betrayed many years before. Believing his betrayal resulted in her ruination and ultimately brought her to this sorry fate, he takes responsibility and follows her to Siberia, where she is imprisoned. This nobleman's thoughts and dialogue were, in my opinion, not distanced enough from what Tolstoy believed, and I was always aware of the author's presence. I think the author should be invisible to the readers rather than the characters' puppeteer.
I did, however, respect Tolstoy's stance and his taking on his huge and terrible issue that was so unfair and prevalent in his country.
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