Though Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West 20th Street in Manhattan, that he wrote the first full draft that was satisfactory to him. Typed out as one long, single-spaced paragraph on eight long sheets of tracing paper that he later taped together to form a 120-foot scroll, this document is among the most significant, celebrated, and provocative artifacts in contemporary American literary history. It represents the first full expression of Kerouac's revolutionary aesthetic, the identifiable point at which his thematic vision and narrative voice came together in a sustained burst of creative energy.
It was not until more than six years later, and after several new drafts, that Viking published, in 1957, the novel known to us today. The differences between the two versions are principally ones of significant detail and altered emphasis. The scroll is slightly longer and has a heightened linguistic virtuosity and a more sexually frenetic tone. It also uses the real names of Kerouac's friends instead of the fictional names he later invented for them.
This audio edition is narrated by actor John Ventimiglia, best known for his portrayal of restaurant owner Artie Bucco in The Sopranos.
©2007 John Sampas, Literary Representative, the Estate of Stella Sampas Kerouac; John Lash, Executor of the Estate of Jan Kerouac; Nancy Bump; and Anthony M. Sampas; (P)2007 Penguin Audio, a member of Penguin Group (USA) Inc.
"It is a dazzling piece of writing for all of its rough edges, and, stripped of affectations...it seems much more immediate and even contemporary....The novel that On the Road became was inarguably the book that young people needed in 1957, but the sparse and unassuming scroll is the living version for our time." (The New York Times)
t p prince esquire international-- Switzerland / USA --Author publisher of adult and children's literature.
The original Scroll of On The Road was amazingly inspiring for its warmth, honesty and integretty. I remember reading about Jack Kerouac in my journalism school days at Mizzou but I never really connected with Neal Cassidy till I listened to John Ventimiglia's interpretation of the original penning. What a wonderful, tragic and inspiring charachter he was. I spend my time hitching on the road in the seventies and this reading brought back the freedom and honesty that America once was. Who would have the balls to do those trips today? Who could so openly love and project themselves as Neal did back in the 50s? Easy Rider without a chopper!
Great look at America in 1947, wonderful imagery. The characters were contrasting and the book was a real nice listen during a long road trip.
All were good
Road trip before interstates
I live now on the eastern tip of the Big Island of Hawaii... and work in Pahoa Town... where I try to anticipate the weather...
Anybody who came of age in the mid 20th Century (1945-1970) has read this book at least once back then... when they were young... and it resinated. Not so much because of the stuff Jack and his friends did and talked about... but just because they could... and did and wrote about it. What a relief to read a book about a guy hitchhiking... and staying up all night and talking on wine and speed and pot and working at any old job because nobody much cared about the future or their career or the clothes they wore. This was a revelation... because I felt this way too... mostly.
Not now... because Kerouac kept writing 'On the Road' over and over. All his subsequent books were more versions of this book... and no way as good.
I liked the narrator very much... and this is a great book to hear... listen too... better I believe than reading it... it's such a verbal tour.
I don't like to listen to any book in one sitting... 'On the Road' included... but it would be a trip.
'On the Road' is a book for the young. Listening to it now... in my sixties... I find faults without knowing why... but I love it still... mostly because it took me back... for another ride.
I absolutely love On The Road but the Original Scroll is even better. It is what Jack initially wrote before he was told to edit it for the novel and I am happy that I read what Jack initially wanted On The Road to be.
LuAnne is my favorite character because her role in Jack and Neal adventures is put more emphasis than on the novel version.
Ventimiglia brought to me more of how the characters were with his accents
The ending when Jack thinks about the the two coasts, everything that is in between and Neal Cassady.
This is ideal for anyone who loves the Beat Generation.
Live in Cocoa Beach Florida. Am a videographer and photographer.
Although I was just a boy during the time frame of this manuscript, I found the charactors totaly foreign. Drugs, alcohol and meaningless relationships. I did not like any of the charactors. They were all one diminsional jerks thinking only of themselves. Still, I could not stop listening.
I'm an artist and an art historian, and a chef, and a dog mom, master crocheter, a mediocre gardener, and a girlfriend, mostly. My favorite authors (in equal amounts of favorite) are Tom Robbins, Jane Austen, J.D. Salinger, and Haruki Murakami.
I feel like this book would have been much more interesting written from an unprivileged minority's perspective, then a whiteboy looking for "adventure".
Nothing. I know that it is a classic, I just really found it boring.
His voice was boring to me. He didn't make me like the main character. He made me loathe him even more.
Maybe. Maybe the movie would take a different spin on the main character. Give him some interesting qualities.
I just have to say, if you are looking for adventure in this book you wont find it. If anything I find this book is important to America to show that it is still full of hipsters trying to make their lives more meaningful. The answer to that is to do great things, not bum off of people who really are unprivileged, and then make a mockery of their lives as a way to make yourself more interesting.
recording is great, the reader is awesome - the story is easy to follow.
with all that said the rating i gave is primarily due to the time wasted on Kerouac's constant digressions.
the first half is exciting! and seems like you will follow this great man on an amazing adventure!!! but as it gets more into the last half you begin to think, "whoa Kerouac, did you forget where you were going with this?"
he goes into ridiculous digressions of relationships with people who ultimately do not matter and are as uninteresting as my grandmothers new hummel.
sadly, and in my opinion, the story begins to break down in the last half into an anticlimactic bit of frustration.
i totally stopped listening because i got BORED.
Over hyped, but I guess these guys foreshadowed the hippies of the ‘60’s. Some powerful descriptions of America interspersed with a rambling narrative of pointless road trips heavy on sexual exploits. Women are one dimensional second class citizens. Neal Cassidy? Is he supposed to be a hero or a victim? He’s neither. Other than having a heightened sensitivity to, and appreciation of, the world around him, he’s a total loser.
A great look into the creation of novel ruined by horrid narration. I knew exactly what I was expecting from the scroll as I have read the book, but sitting in traffic on my commute, I was looking for a great experience of hearing it and understanding it just I little more intensely, but alas I am so annoyed by the narration, I almost want to stop listening to it.
There are enough recordings of Kerouac and Cassady to easily be able to recreate the feel of their timbre, accent, and meter. I mean, just listen to Mike Meyer in "So I Married an Axe Murder" and compare it to Kerouac on "Blues and Haikus," he does a brilliant homage to Mr. Kerouac.
Part of the greatness of this book, and books such as this like Travel's with Charlie, is that the authors attempt to capture the accents and vernacular from the different parts of the nation. The US in the 50s was still full of truly beautiful local dialects and this reading misses all of them. In fact, it has all but Kerouac's narration and Ginsburg's speech (which is pretty good) in a slightly mangled southern, black, riverboat accent.
There were so many great choices to make on who could read this properly, I wonder desperately why this actor was chosen and why the recording wasn't stopped after the first couple sessions and this actor sent home.
Never have a listened in such wonder that anyone would actually think this is a worthwhile book. It's nice to learn something new or at least be entertained - but this one offers neither, unless you want to hear about doing drugs, stealing gas and cigarettes, having sex with as many women as you can and calling a grand adventure. It was just boring.
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