In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground. A dark and politically charged novel, Notes From Underground is Dostoyevsky at his best.
Another in Dostoevsky's line of repulsive (but immediately recognizable) main characters. The Underground Man is someone you want to grab by the collar and shake till his teeth rattle. Simon Vance (as usual) gives a superb performance.
Loved it. Why can't every authour write as well, or, at the least, use Dostoevsky as a measuring stick for their own plots, styles and themes? And such themes--of truth, of character, of love, hate, ideology and motives. 'Notes' has insights that are more contemporary than most self-help books written only last week: timeless. And an Anti-Hero that readers can use as a measuring stick of symptoms to identify in one's own psyche. Could there have been a Breaking Bad without this authour's formulation of the seminal, negative (yet honest to a fault) existential protagonist?
I don't think it was the fault of Simon Vance. The character of Underground Man was very off putting and I did not enjoy the ranting of the first half of the book.
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