Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.
Dorothea Brooke is an outstanding heroine; Middlemarch is filled with characters that are vivid and true, comic and moving. It is one of the greatest novels in the English language.
Public Domain (P)2011 Naxos AudioBooks
My first exposure to Middlemarch was as a teenager when my older brother read it to me. He was studying it at University and I was still in school. I loved it and the book became one of my favourite books after Pride and Prejudice.
Then I watched the BBC serialisation of Middlemarch when I was a bit older and it meant more to me and I loved that too.
But the Juliet Stevenson version is quite simply the one that was meant by George Eliot. It is masterpiece. I will treasure it for ever. The fact that one single human being can interpret the nuances of tone and texture of so many personas is remarkable. I am not sure who is the more remarkable artist; George Eliot or Juliet Stevenson. I fell in love with Juliet Stevenson when I happened upon a small English movie called something like deeply madly and I knew she was a star.
Yes, I have already recommended it to my sister, who like myself has now gone soft and is an avid reader (whilst I prefer to listen due to to much time on PC at work).
I have 300+ books in my collection and love to safe 5 STAR Books in my "Audible Bank" to listen too when making my 12 hour journey back home from my work in Saudi Arabia.
I have just finished Middlemarch, and it is one of my prized assets in my "AB", and it will always be on my IPod to listen to again whilst stuck in the Airport.
I checked out Middlemarch on Wiki and could agree with:
“Virginia Woolf gave the book unstinting praise, describing Middlemarch as "the magnificent book that, with all its imperfections, is one of the few English novels written for grown-up people." Martin Amis and Julian Barnes have cited it as probably the greatest novel in the English language”.
George Eliot’s prose is just fantastic and I marvel how she could use such language, which along with the superb narration by Juliet Stevenson made this an outstanding listen for me.
There are so many prominent characters in the book, (and on my first listen I just soaked upt the quality of the language and the narration), that I don't have a favourite character yet. Maybe I will when I listen to it again.
What I liked is the number of characters, the insight into their virtues, weaknesses, flaws, and how the landed gentry interacted with each other.
No, but I will certainly do what I do some of my other favourite 5 Star Listens (books I wait 5 mins in the car before going to the office and have marked down to read again), I will check out Books with the same narrator. This is what I like about Audible, the narrator can really make the book come to life.
The difference between this and the preceding Question is too subtle for me !!
My collection of Auible Books, which is very eclectic (Espionage, History, Thriller, Young Adult,Comedy, Biography, Military), is my one vice, and I am always happy to find a Gem like Middlemarch.
I have bought a number of Classic Books from Audible, and so far Middlemarch has been both the best and most enjoyable for me.
Middlemarch is somewhere near my all time favourites:
Tinker, Taylor Soldier Spy
Open (Andre Agassi)
I loved this novel and felt as though I knew every character from the nuanced reading of Juliet Stevenson. I would gladly listen to any book she reads and hope that "Daniel Deronda" will be among her next projects.
Cannot speak highly enough of this extensive story, nor Juliet's reading. Indelible characters (and lots of them!). I saw this more as an exercise in applied philosophy than a novel. Moral dilemmas and human frailty are played out brilliantly.
George Eliot must be one of the most gorgeous prose stylists who ever wrote in English. Her psychological insights are astounding. But just looking at the many pages and the small print in the book itself is daunting -- so it's lovely to have it read to you by a first-rate reader.
I think the brilliant novels of Edith Wharton -- especially "The House of Mirth." But, because of the complex double- and triple-plotting, something by Dickens is probably the closest match. To me Eliot is superior to Dickens.
Stevenson is a superb reader, but I think her male voices are a bit exaggerated and often do not fit my visual image of the characters. Her female voices (surprise!) are the most effective. This temptation of readers to "act" everything out is often more of a distraction than an asset.
The entire saga of Dorothea Casaubon is a moving feminist statement, but Eliot carefully balances this with the saga of the young doctor, Tertius Lydgate. The plotting is amazingly good.
One of the great books in English. Belongs on a Top Ten list.
A wonderfully complex and rich book, full of subtle and beautifully portrayed characters, is made even better by Juliet Stevenson's extraordinary performance. She really brings the people to life. This is about as good as an audiobook gets.
I read Middlemarch for the first time twenty-five years ago. I remember the first 100 pages were a bit of a slog, but after that I was hooked. Since then I have read it again twice and listened to it twice. Juliet Stevenson is the only reader I have ever heard whose performance adds, rather than takes away from, the profound insights expressed by the omnipotent narrator into the minds of her characters and the vivid portrayal of time and place, (1830's England). To quote Virginia Woolf, Middlemarch is "the magnificent book that, with all its imperfections, is one of the few English novels written for grown-up people."
While I could appreciate the exquisite turns of phrase and skillful use of the English language, I couldn't get into the story. I found my mind wandering, and I'd snap out of it and start listening again and wonder what happened while I'd "dozed off." Juliet Stevenson is an excellent reader, but even she couldn't keep me involved. I struggled along for several hours, but surrendered about a third of the way through.
Not only is the book totally amazing ... the story ... the characters ... life lessons ..etc
everything about Elliot's novels is just fantastic ... the narrator is without a doubt the best there is ... many times throughout my listen i even forgot that it was a single narrator ... Juliet stevenson is so talanted ... so passionate and just plain FANTASTIC
"Middlemarch read by Juliet Stevenson"
This is one of my favourite novels and is now one of my favourite Audibles. I really didn't want it to end and actually went back to the beginning again for a while. Juliet Stevenson' s reading, for me, was perfect. She caught all the characters beautifully and the pace was just right. Listening to this made me want to hear other books read by her. I shall be listening to this again too.
I have read the novel at least 5 times over the years but hearing the words read in Juliet Stevensons beautiful and flexible voice has added a unique new pleasure to the enjoyment of this great story. I found it perfect!
"One of the most brilliant books I've ever re-read"
One of my favourite books of all time, and another wonderful performance by Juliet Stevenson. Highly recommended to all readers.
"4.75 stars for story"
Glad I listened, Juliet Stevenson reads beautifully. It's a classic tale of thwarted love coming right and all the heartbreak and decision making in between. There are some great characters, and well observed understanding of human behaviour.
Had to stop myself using words and sentence structure that I managed to absorb while listening to it though, I went all Eliot/Austen.
"Long-winded and pretentious"
I liked some of the characters but disliked the endless musings
No, I know she is highly thought of but I found it pretentious
Juliet Stevenson is a wonderful narrator, I felt her struggle with some of the Italian and French preambles to each chapter but they could have been left out in my opinion as they added nothing.
"What amazing insight into the human condition."
Yes, as it is such a rich story and I probably missed some of this in hurrying to get to the end
Eliot's ability to show each character from their own authentic view. I also was impressed at the building and interweaving of all the characters into an overall plot that was believable and rich indepth.
No, but think she is a great narrator
"Is this the best novel ever written?"
I have read it and loved it over the years. Wonderful performance by Juliet Stephenson. It is long but well worth the effort.
The best audiobook I've listened too. By far. Beautiful reading of a fabulous novel.
The downfall of Bulstrode and with him, Dr Lydgate
I'd buy audiobooks just because Juliet Stephenson was a narrator. 84 Charing Cross Road being one example. But this was an outstanding reading of what can be dense text.
A very special story of a very ordinary town
"Classic soap opera"
For the women characters to be stronger and more assertive. Dorothea was clearly an intelligent woman but she just gave in all the time to the men around her. I liked Mary much better. She knew what she wanted, said so and in the end got her way.
Return of the Native b Thomas Hardy
Juliet Stevenson gave all the characters individuality and she was my favourite thing about this book. The bumbling, stuttering uncle was the best.
A host of characters all with different stories, which to me appeared to be like a period soap opera.
"Juliet Stevenson makes the reading magnificent."
Not again - this is probably a once in a lifetime listen, but not to be missed.
The slow progression, as the characters in Middlemarch are introduced, developed, and inter-act.
At over 30 hours, I think not.
Report Inappropriate Content