©1948 Random House, Inc.; Copyright renewed 1975 Jill Faulker Summers; (P)2005 Random House, Inc. Random House Audio, a division of Random House, Inc.
Retired teacher of literature with an interest in religion and in science and in history. I have loved reading for 50 years.
Faulkner's style is not easy, so anyone who reads him or listens to him should expect to work a bit. However, there are major rewards for the effort.
The central character in this story, a proud mixed-race man who is charged with murder and assumed to be guilty because he is Afro-american in the South many years ago, is one of the most satisfyingly depicted black male characters in all of American literature. Faulkner's expertise in drawing this man, Lucas Beauchamp, and in depicting his dialect, his speech patterns, is beyond reproach. As you listen, you will see this man in your imagination as clearly as you see yourself in a mirror.
The plot is that of a mystery being solved. Lucas sits patiently in jail as the white roughnecks in the community plot to take him out and lynch him....Lucas is patient and confident because he knows he did not murder the dead white man, and he knows a way to prove it, and he manages to set in motion certain actions that will bring the truth to light...if the actions can be completed (by two boys, one white, one black) before the lynch mob gets Lucas out of jail for the rope and gasoline party they have in mind.
You will wonder after enjoying this fine story if the author of To Kill a Mockingbird was inspired by the tale. Intruder preceded Mockingbird by several years, and the themes and story line and characters are closer to each other than I would be comfortable with had I written Mockingbird.
Intruder is one of Faulkner's most accessible books. You will not be disappointed.
This is one of my favorite books, although many do not consider it one of Faulkner's best. Faulkner was gifted with the ability to write memorable quotes of dialogue, and there are some gems here. Reading Faulkner always requires concentration, but it's worth the effort. In this story he takes a very simple plot, occurring over a very short time frame, and creates a fascinating work by exploring what the characters think about themselves and their community. One note of caution: the book is full of a few words that have become racial hot buttons. The story is set in the South in the 1950's. These words don't bother me - I'm not afraid of words, and they are true to the setting of the story - but it's something a reader who is unfamiliar with Faulkner should be aware of.
The story is alright, some reasonably interesting twists although the author can be a bit repetitive at times. The narrator seems to build up almost every sentence with volume and excitement to some sort of climax that really never comes. I comes off as preachy, I found my self tuning out uncle Gavin's long speeches.
action scenes= best. It's like being in the center of a thunderstorm- there's so much going on at once but you feel so totally alive at that moment even though it should be horrifying
Literally everything else. This guy writes 5-page long sentences that are confusing af. don't expect to read this book in one sitting
absolutely not. reasons listed above
white southern male
yep. Woody Allen would be the racist uncle, Shaq O'Neil could be Lucas. The boy could be played by anyone really. The lady who played Proff. McGonegal in the Harry Potter series would make a great Mrs. Habersham
This is probably a really good book if you like Faulkner's style of writing
Few authors have the dexterity and precisenessness of human speech and emotions as Faulkner. His commentary and observation of the nuance of racial encounters in America is unsurpassed.
Scratched the classic-southern-gothic itch alright. Something about it seemed a little like a formulaic noir detective novel though. However there were some awesome scenes scattered amongst the less imaginitive stuff.
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