Simon Vance narrates this no-frills production of what is widely regarded as the first science-fiction novel ever published. This classic horror story may be one of the most oft-recorded novels of all time, but this version is certainly a fine one. In fact, it's hard to imagine one better. Simon Vance's regal English accent provides the perfect tone for this early-nineteenth-century moral exploration of mankind's use of knowledge. Mary Shelley wrote this novel which may surprise those whose experience with the story is only from movies. Nearly two hundred years later, it is still thoughtful and completely worthwhile.
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Mary Shelley began writing Frankenstein when she was only 18. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein.
Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.
Frankenstein, an instant best seller and an important ancestor of both the horror and science-fiction genres, not only tells a terrifying story but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? And how far can we go in tampering with Nature?
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
"A novel which excites new reflections and untried sources of emotion." (Walter Scott, Blackwood's Edinburgh Magazine)
Absolutely. Frankenstein is a wonderful horror story and the characters are iconic and amazingly crafted. I always thought I would like Dracula better but in the end Frankenstein is the better story. Simon Vance's performance was superb.
The monster. I can understand his emotions even if I didn't agree with what he did. The whole scene when he is with the family in the mountains is sad and well written.
I think he brings a deeper sense of empathy to the monster. He also gives us great insight into Victor and both his selfishness and his guilt in what he has done.
This book probably doesn't need another movie.
It can be Hell on earth - or heaven. You choose!
Anyone who doesn't know the story of Frankenstein is either a) not from this country or b) has been living under a rock for the last century. A true classic in its own right that began the proliferation of many copy cats soon thereafter.
Wow .. I didn't know Mary Shelly wrote this novel at the tender age of 19. Geez. That's just mind boggling.
Narrator Vance gave an exemplary performance.
It is definitely not the best example of Simon Vance's performance. The accent which the narrator has chosen for Frankenstein fluctuates and seldom is forgotten at all. Kind of a hastily made narration by a professional.
no, but i would pass it down to my siblings that are going into English IV
Victor Frankenstein, because he is a mad scientist.
this book is great for people that are in English IV, it is a good book and the audio is great and i would advice all high school students download this audio and read this great book.
I loved the book, but I am disappointed in the ending. I feel that it should be more there, in some way it just stopped like the aouter got tired of here story. And I can see that I might be a bit out on a lim there, but I want there to be more. A conclusion to the last problem and maybe some help to the narrater of the story of Frankenstein.
This was my first gothic novel. I was very surprised by the vocubulary and the way the story came alive. I have not come across modern authors with the skill and command of the language to tell stories like the classical authors do.
I read Les Miserables before I listened to Frankenstein. It was a totally different genre, but the gift for bringing the reader in with the detail was captivating. Who needs television for entertainment when books like these two are so vivid.
I read and listened at the same time with my daughter. It was so much easier to visualize than reading alone and kept us from getting bogged down in the print.
I felt so sad for the creature when Frankenstien refused to create a companion for him. I also felt frustrastion and grief for the families who lost loved ones to the creature's revenge.
Somehow I never read this book in school. It is a classic and very influential so I wanted to hear it. It has a really interesting structure of stories being told within the larger story, which allows you to hear from three different characters in first person. This book deals with big important themes like hubris and compassion in a clever way. I just found the overwrought misery of each of the characters unbearable. There is a whole lot of bemoaning one's fate in this book and the reader's performance does not help matters. I had a hard time getting through it.
This story begins with a great concept, but is very poorly executed. One improbable event is followed by even more improbable events. The monster seems to have a homing radar with Frankenstein and his friends. This probably has to do with the fact that this story was originally a short story and only at the urging of her husband did Mary Shelley extended it to a novel. The narration was adequate but the cauterization at times seemed silly.
Great audio book! I had to read it for a school asssignment but because I spend so much wasted time in the car commuting I decided to try the audio and it was great!
Simon Vance is popular, I think, but he's always rubbed me the wrong way. Narrating a stuffy, melodramatic gothic novel brings out the traits of his that I have trouble with. He really doubles down on sounding like a pompous 19th c Euro aristocrat, with no humanizing or naturalizing of the language.
The novel is not good. There are so many words and so little happening. Frankenstein made sense as a young man, but grown, he just runs around Europe alternately fleeing, chasing, and trying to forget his monster, while having regular nervous breakdowns. There are a number of deaths and a monster, but there's not much horror or suspense as far as I've read.
I'm giving up at 80%, having read most of that at 2x, looking fruitlessly for anything of interest in this stinker.
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