This collection of nine short stories by Flannery O'Connor was published posthumously in 1965. The flawed characters of each story are fully revealed in apocalyptic moments of conflict and violence that are presented with comic detachment.
The title story is a tragicomedy about social pride, racial bigotry, generational conflict, false liberalism, and filial dependence. The protagonist, Julian Chestny, is hypocritically disdainful of his mother's prejudices, but his smug selfishness is replaced with childish fear when she suffers a fatal stroke after being struck by a black woman she has insulted out of oblivious ignorance rather than malice.
Similarly, “The Comforts of Home” is about an intellectual son with an Oedipus complex. Driven by the voice of his dead father, the son accidentally kills his sentimental mother in an attempt to murder a harlot.
The other stories are “A View of the Woods”, “Parker's Back”, “The Enduring Chill”, “Greenleaf”, “The Lame Shall Enter First”, “Revelation”, and “Judgment Day”.
Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
©1956 1957, 1958, 1960, 1961, 1962, 1964, 1965; renewed 1993 by the Estate of Mary Flannery O’Connor (P)2010 Blackstone Audio, Inc.
“The current volume of posthumous stories is the work of a master, a writer's writer—but a reader's too—an incomparable craftsman who wrote, let it be said, some of the finest stories in our language." (Newsweek)
“All in all they comprise the best collection of shorter fiction to have been published in America during the past twenty years.” (Book Week)
“When I read Flannery O'Connor, I do not think of Hemingway, or Katherine Anne Porter, or Sartre, but rather of someone like Sophocles. What more can you say for a writer? I write her name with honor, for all the truth and all the craft with which she shows man's fall and his dishonor.” (Thomas Merton)
This was possibly the best audiobook experience I've ever had with fiction. Each of the readers did a wonderful job with voices and with the "voice" of these stories, which are among the greatest (and funniest) in the American canon. As soon as I finished, I started over at the beginning and started listening to the first stories again.
I enjoyed Ms O'Connor's short stories as much or more than I've ever enjoyed any short stories. This is a challenging read because there is so much symbolism and depth to her writing. I advise using online resources such as cliffs and sparknotes so the reader doesn't miss anything. Be aware that Ms O'Connor's pen is cruel and prose is very biting. Her stories have quite a bit of "kick" to them. I'll definitely be reading more from her.
Favorite author: Alexander McCall Smith Favorite narrator: Gerard Doyle Favorite listen : Burton and Swinburne Trilogy
yes I would, although these stories were very relevent at the time There is also underlying truths that are relevant today. this is why Flannery O connor is one of the greatest authors of all time.
It is a collection of Flannery O connor stories there is no comparison
To be honest I did not like any of the characters. That is what is so great about the story telling. If we're honest though we di not like these people we all can relate some how.
Like I said I did't like any of these characters.
Is it just me or do they all die in the end.Which I guess is also timeless and universal, no one makes it out alive.
Bookman Old Style
Flannnery O'Connor is probably the best writer the South has ever produced. In this collection she draws unforgettable characters, with her masterful use of language and an ingenious ear for dialogue. The performances are wonderful, some of the best I've heard. This is not just entertainment, although it certainly entertains, but literature. Very much worth the listen.
I enjoyed the characterizations. I have attempted to read Flannery O'Conner and I have to say it can be tough. However, when it is dramatized, I get a better understanding. I don't hear everything in my voice, but a multitude of characters. The stories are very dark and foreboding but will keep you listening until the end.
As stated earlier, the characterization make these stories so interesting. Each narrator placed their own spin on the characters and made them come to life. Without their characterization, reading independently would have been tough and I probably would not have finished it. As a matter of fact, I purchased the audio version of Wise Blood because I could not get through the novel.
My only word of caution is the
Listening to a Flannery O'Connor story is as enjoyable as reading one.
The Mother. She was strong-willed in her determination, even if her view of society was wrong and outdated.
When the mother had her stroke, totally unpredictable and shocking.
I write on economics, history and politics. I read/listen to feed my pen. I enjoy great narration more than music,, movies or tv.
Everyone's right. Oconnor is a great writer. She peers into the details of her characters with such detail and plausiblity you can't stay uninvolved. And her use of language is great.
It's an anthology and I don't remember the titles. There was a story that takes place in a doctor's office and it was an amazing contrast of characters.
She falls back on killing those characters with traditional values, be they flawed values or not. You know who's getting snuffed by the end of the first paragraph.
Yes if the friend liked unhappy southern tales with a tragic twist.
Characterizations in each of the short stories.
Very well done.
The historian son who is full of himself but unable to deal with sexual issues.
The various narrators really enhanced the stories.
Ok, I read the reviews on this before purchased and thought it would be a good listen. Nine short stories, well to say the least, I was utterly sadden by the bleakness of this book. It probably would have lifted my spirit if there were one story that the word nigger was not maligned excessively. I cannot in good conscience give this book a good rating, it was utterly depressing, insulting and degrading.
The print version is better. The narration is really bad, especially when conveying dialogue. The male voice actors are annoying, even offensive when they attempt southern accents.
I think the voice actors are great when reading most things. Their attempts at conveying the dialect of these characters fell way short. My recommendation for a better performance would be to have someone with more compassion for Southern characters read O'Connor's work.
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