Audie Award, Distinguished Achievement in Production, 2013
Audie Award, Multi-voiced Performance, 2013
Audie Award Nominee, Classic, 2013
Because of the widespread awareness of the story of the evil Transylvanian count and the success of numerous film adaptations that have been created over the years, the modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
This production of Dracula is presented by what is possibly the best assemblage of narrating talent ever for one audiobook: Emmy Award nominees Alan Cumming and Tim Curry plus an all-star cast of Audie award-winners Simon Vance (The Millenium Trilogy), Katherine Kellgren (Pride and Prejudice and Zombies), Susan Duerden (The Tiger’s Wife), John Lee (Supergods) and customer favorites Graeme Malcolm (Skippy Dies), Steven Crossley (The Oxford Time Travel series), Simon Prebble (The Baroque Cycle), James Adams (Letters to a Young Contrarian), Nicola Barber (The Rose Garden), Victor Villar-Hauser (Fun Inc.), and Marc Vietor (1Q84). These stellar narrators have been cast as follows:
Dr. Seward: Alan Cumming
Jonathan Harker: Simon Vance
Mina Murray/Harker: Katy Kellgren
Lucy Westenra: Susan Duerden
Van Helsing: Tim Curry
Graeme Malcolm: Dailygraph correspondent
Steven Crossley: Zookeeper’s account and reporter
Simon Prebble: Varna
James Adams: Patrick Hennessey
Nicola Barber: Sister Agatha
Victor Villar-Hauser: Arthur Holmwood
Marc Vietor: Quincey Morris
John Lee: Introductory paragraph, various letters
Public Domain (P)2011 Audible, Inc.
"Listening to this full-cast performance turns out to be remarkably suspenseful and chilling…The superlative cast lends this powerful production the diversity that is required by the structure of the novel…Each actor employs various accents, infusing into the characters vibrant emphasis, urgency, and dread." (AudioFile)
This was well worth it. Alan Cumming is a favorite and so versatile. Tim Curry never disappoints. The only thing missing from Audible's production is a cast list. I recognized some narrators that I had listen to before, but think they all deserve credit for the job well done. Lucy's naivety, and Minna steadfast strength for instance deserve crediting. I was disappointed when this was not a part of the concluding credits.
If other reviewers could not be swept up in the production, perhaps it is due to a distaste for the genre. I like a good vampire tale as much as the next person, but this sheds so much light on how far we have come from the mother of all tales, where more is implied than exposed.
I love this edition for many reasons, but mainly because it is an accurate rendition of Stoker's novel. Every film version changes the story somewhat, and this edition does not. Readers get the treat of the accurate story along with great narration.
I love Tim Curry's voice, and think he does an excellent job.
Reading the book deprives you of the emotional range the human voice is capable of that add so much detail and color to the story.
I consume literature. I drive a semi-truck/tanker and have lots of time between my destinations so a good book is essential to my well being
Alan Cumming and Tim Curry are two of my favorite actors so it really enriched the experience. Having people reading with real British accents was also nice.
I'm not going to compare it to other books, the style was unique to me.
Tim Curry's yes, much better this time.
The Evil Bloodsucker Must Die
I had a good time listening to this audiobook, I can't believe anyone would have had a problem listening to it. I could really get a feel for the age it was representing with the readers using their native accents.
Eclectic mixer of books of my youth and ones I always meant to read, but didn't.
This truly is a revelation. I had read the book many years before, of course, but I had never really appreciated the way the story was told in correspondence. I suspect that lack of appreciation is a testament to Bram Stocker's skills as a storyteller and to my lack of acuity. Whatever the reason, hearing the tale told through the words of the correspondents makes it so much more intimate and exciting. It puts the Twilight Saga and True Blood in their place as pieces for their time and generations, but confirms the traditional view of Dracula, van Helsing and Transalvania as everlasting pieces of literature for all time and a mature audience. In the parlance of the present cinema, it's M15+ verging on R, but not for the sensuality (although that is there) or the viloence (of which there is an abundance), but for the themes.
As for the production, it is first class. For me it was Simon Vance and Katy Kellgren who shone; more so even than the named principals. Alan Cumming was as good as ever. Tim Curry really didn't have enough of a part to make a real impression, more's the pity. Van Helsing is really seen through others' eyes. So the Harkers stole the show. In retrospect, that's not suprising, but I had (wrongly) expected more from the principals. I also missed a voice for Dracula (because he is not a correspondent, of course). I thought Vance captured his intonation beautifully when he recounted the conversations between the Count and Harker, but with Borsi Karlof, Frank Langella and others in mind, it would have been nice to hear him speak. Alas, that was a legitimate sacrifice for the lierarary device that Stoker adopted and which this production brings to life.
Say something about yourself!
Hearing the final words, "Audible hopes you enjoyed.." it's hard to resist vigorously clapping your hands together and jumping to your feet to whoop out a "Bravo!" While it looks like some reviewers are more familiar with the particulars of each narrator, I must be less fussy; I thought it was a perfect cast that produced a dark gothic atmosphere that Stoker would call worthy of this masterpiece.
The story is longer than I thought it would be, the flowery speech style of the Victorian era no doubt adding to the length of the journals/diaries of each articulate character, that comprise the tale -- a style that, if you are unprepared for, may be too verbose to your liking (but authentic to the time--think Doyle's Sherlock Holmes, Oscar Wilde, William Butler Yeats). Where one during that period might say:
"Dear Madam, by God, your neck! May perhaps I suggest more wreaths of the garlic flowers to be festooned around your lovely neck to prohibit a further attack from this most vile blood-sucking fiendish creature of the night which has befallen upon you most unfairly, dear sweet lady?"
We today, 100 years later, might say:
"Huh, vampire bite. Want some garlic (was he sparkly)?"
You can see how this could take up some pages. But the profuse Victorian vernacular combined with the fine reading puts you in the necessary frame of mind -- where a dark red-eyed character in a cape could creep around a deteriorating castle, summon wolves from the fog, and morph into a bat flapping against a pane of glass. (It was a little amusing listening to the breathy and fragile Lucy and Mina...considering the time frame in which this was written. While Stoker had them helplessly swooning away, across the pond, Susan B. Anthony was gathering her own minions.)
Bram Stoker truly affected history with this book -- Audible's production was a great homage to a literary icon as well as a fun engaging production, well worth the purchase.
All the seasoned actors and narrators.
Anyone Tim Curry plays will always be my favorite character. All the narrators do an excellent job.
That they are all such season actors that listening to them makes you feels as though you are really there.
Tim Curry. Does one need a reason?
You can't go wrong with this audiobook. Simon Vance, Simon Prebble, Alan Cumming....honestly, could a book get any better than this. This is well worth the credit!
I have 220 titles in my library and this is in the top 10. Fantastic. Very well produced and having never read the original I was amazed at the pace and excitement of the story. Highly recommended!
I love the BBC and British mysteries, but my tastes are very eclectic. I live with my husband and menagerie of rescued cats and dogs.
I would definitely recommend this book because of the incredible performances. I read the book several years ago and liked it, but listening to it...I LOVE it! If you've never read Dracula, this is the version you want; if you have read or listened to Dracula before, you still want THIS version. This is sure to be considered the definitive version of Dracula.
Mina Murray was a stand out character. As performed by Katherine Kellgren, Mina was a strong female character who managed to remain feminine. Further, Kellgren voiced the other characters in Mina's narratives very distinctively.
I was particularly struck by Renfield's characterization in this version. In the movie versions and even in my own reading, I had envisioned Renfield as a victim. In this version, Renfield is clearly a manipulative madman, quite creepy even before we find him influenced by Dracula. Looking back, I was surprised to see that no single person voiced Renfield because his character was so well-defined and cohesive across different narrators.
The cast of narrators is like a list of my own favorite narrators. Each one is so good at his or her job that this novel comes to life.
The idea of having multiple narrators for this book is a good one: like the novels of Wilkie Collins, it seems made for that. And while most of the readers here are first-rate, I was disappointed in Alan Cumming's performance. To me (apparently in contrast to most of the other listeners), it seemed bland, hurried, almost phoned-in. This is particularly a problem because the journal of his character, John Seward, takes up much if not the majority of the novel. Cumming is an outstanding actor, but here (for me), he misses the mark. I much prefer the single-narrator versions of Simon Vance and John Lee, both of whom appear here as well.
This story (very familiar to me) is so well performed by the artists reading it, that I cannot listen to it at night--it is simply too frightening. Good to be reminded of the power of Bram Stoker after years of other, lesser vampire books. Prepare to be scared--it's wonderful!
"Frankenstein Assemblage From Anaemic All-Star Cast"
Very disappointed with this version of Dracula; I was looking to spend a credit wisely, but was regretting it within 30 mins. What could possibly go wrong? A stellar cast, the promised restitution of the horror and power missing in so many other productions, and all the 'campiness' and creepy music erased. For me, however, much of the narration seems decidedly lacklustre, rather careless even, lacking the much vaunted drive and tension in numerous sections: in short it seems to lack direction. To me, it seems not to have been directed at all but 'divvied up' and then reassembled. One of the female characters speaks throughout in the same simpering and numbing three-note cadence, while one character accent, from the North East of England sounds suspiciously as if modelled on Daphne out of 'Frasier'. Editing choices militate against any build in tension: pauses are chopped out, sentences butt up against each other as if there was a shortage of 'tape'. Wish I'd gone for one of the single narrator versions or the BBC dramatized version.
"Horror well done."
I love Bram Stokers "Dracula" of which I have many audiobook versions. Personally I find the multiple cast members bring a whole new world to the characters and story pace, rather than a lone narrator. Some of the accents and pronunciations are a little off, but I like the quirkiness and professionalism of this audiobook.
"Classic horror with multiple voices"
The basic story of Dracula is probably familiar to most, but it is the central concept that stays longest in the mind after reading/listening. To be fair the plot loses steam at various moments and the characters are fairly flat, but the vampire and Transylvania as a setting have had so much impact on Twentieth Century culture that this book needs to read by everyone at least once just to see where it all came from. And I can't think of a better way to do that than listening to this audio-book. The book is narrated by various voices, so likewise this audio-book is read by a different narrator for each character, such as Alan Cumming for Seward and Time Curry as Van Helsing. This works very well, the multiple voices really adding something extra to sustain interest - this really is one of the most enjoyable audio-books I have listened to: A massively influential book read very well - highly recommended.
"Will disturb your sleep"
As preparation for a project set in Whitby I downloaded Bram's Stoker's classic "Dracula' to as useful way of getting a feel for the place. This is a very unnerving story and rather than providing me with local colour on Whitby, the novel kept me awake for 3 nights as I became fixated with the plot and characters. It does not matter how many second rate horror movies have been made of this story, the original does not fail to chill. Stoker's detail and multi-vocal perspective seems innovative and designed to entrap the reader. Read with restraint and precision by an able cast, this is a must listen.
"Started of well and then got really bad."
The first part of the book was really good and engaging all about the man staying at Dracula's house and discovering who or what dracula was. And then just as it got juicy, it switched narrator's voice to a lady in England, who has a REALLY annoying voice. This unfortunately is as far as I got. Her voice is really whiny and I am SO confused as what is going on. Don't bother, read the book.
I have to agree with Greg. I found this dragged on and i struggled to finish it. thought with the cast it had, it would of been alot better than it was. Tim Curry was hardly in it which was what i was looking forward to but was disappointed.
Not better than the print version but on par with it.
The different narrators really bring the story to life.
Entering castle Dracula for the first time and the frowning weathered stones.
Ancient evil,malignant and deadly has raised its head in the Carpathian mountains. The dead are walking,the children of the night are singing. Count Dracula is on the move and no-one will feel safe again.
Was dubious about getting this book after seeing some of the negative reviews. Fortunately I purchased it any way and I'm so glad I did, the narrators are superb and the story sublime. Take my advice get this book you'll be so glad you did.
"The original Dracula."
Dracula is such a well worn trope in popular culture, anyone could be forgiven for thinking they know the character and story like the back of their hand. But listening to this excellent audiobook still manages to wield many surprises, and provides several creepy moments. The cast are all brilliant, and the book well paced with great production values.
"Some poor narration lets this down !"
It wasn't the book it was poor accent from one of the female actors
The story is a classic, it shouldn't be changed
One female lost me with her Yorkshire accent , I couldn't understand a word she said. She then made Van Helsing sound like Dracula with an East European accent instead of a Dutch one ........ very disapointing
I would have re-cast Mina Murray with somebody who could perform the right way
"You really ought to consider buying this."
Most fantasy fans know and love this classic but the sheer talent of the cast here makes this production 15 hours and 28 minutes of entertainment comparable to the best of the BBC productions. I love this story anyway but was a bit jaded by all the TV remakes, however the way the cast tell it really refreshes the story. Their performances really bring out the creepiness of the story and the absolute horror of the unfolding events in a world where communications are so poor that terrible events can happen and people can disappear without the general public ever finding out. The way the story is told through journal entries told by different narrators gives you a sense of closeness to the characters which would not have worked for me if I was simply reading the story. I don't give five stars easily but books like this are why I am an Audible member.
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