Gwendolen Harleth is the beautiful, high-spirited daughter of an impoverished upper-class family. In order to restore their fortunes, she unwittingly traps herself in an oppressive marriage. Humbled, she turns for solace and guidance to Daniel Deronda, the high-minded adopted son of an aristocratic Englishman. But when Deronda, who is searching for his path in life, rescues a poor Jewish girl from drowning, he discovers a world of Jewish experience previously unknown to him, and to the Victorian novel. Dismayed by the anti-Semitism around him, the tragedy of the lovely Gwendolen begins to fade for Deronda. When he finally uncovers the long-hidden secret of his own parentage, he must confront his true identity and destiny.
(P)1997 Blackstone Audio Inc.
"Nadia May meets the strenuous demands of Eliot's narration with easy assurance." (Library Journal)
"Daniel Deronda is a startling and unexpected novel....It is a cosmic myth, a world history, and a morality play." (A.S. Byatt)
A wonderful reading by Nadia May of George Eliot's complex novel. For me, this was a far more absorbing and emotionally resonant tale than "Middlemarch"; Eliot's ability to portray the London Jewish community sympathetically seems unique among Victorian authors, at least the ones I've read. That portrayal is not just sympathetic but (at times) immersive: this is no cursory glance but a deep exploration. I can't quite give it five stars though, for two reasons: one is that Eliot's writing tends to be humorless, even though her characters are brilliantly drawn; and May, even though she gives wonderful voice to those characters, can't make up her mind how to pronounce the name "Mordecai."
If you liked "Middlemarch," this one is certainly worth listening to. If you didn't, the greater dramatic intensity in this novel may still be worth a try.
After reading/listening to Middlemarch and Adam Bede, I embarked on the 4 volume Deronda. I was happy that I enlisted Nadia May whose spectacular voice rendition of charcters pulled me through all 4 volumes. I enjoyed it all and was particularly captivated by the ugly experience of British prejudice so prevalent in cultured British society. The love story as with all George Eliot's books was tender and romantic.
I had long heard of Daniel Deronda and kind of given up hope of ever reading it. But a two-hour commute each way to work made this a wonderful companion. Deep, compelling, and filled with fascinating characters, the novel is a melodrama with philosophical and religious depths. Called a "controversial novel," because of the author's ability to show the Jewish community of the 19th century in a tolerant and non-stereotypical way (in a culture, or, perhaps, a world in which stereotypes did---and do---abound), Eliot shows what is unique, human, and sometimes ignorant and insensitive in individuals, no matter their culture or religion. Nadia May's wondrous narration is truly a joy. She captures the core of each character, and her Italian, French, and German seems on the mark (although her pronunciation of Mordechai is not). She has renewed my interest in Eliot and I will surely continue to purchase books that she has narrated.
A tale of triumph and tragedy skillfully told in the style of bygone years. If you enjoy classics, you'll want to listen. A bit long winded in several areas. Deronda appeals to the reader.
I would recommend this audiobook to any friend who had a philosophical mind, who delights in interior, rather than exterior events, who can appreciate the mind of a truly masterful writer. Nadia May's reading of this book and its wonderfully complicated characters is one of the best I've ever heard.
It's very difficult to pick a favorite character, but I would have to choose Daniel Deronda himself. He is subtle, complex, and deeply compassionate. A spiritual guide to Gwendolyn, he serves as a spiritual guide to all readers, as well.
Nadia May brought a vivid nearness to each of the characters she portrayed with such cohesion and understanding. She is more an actress than mere reader. I felt as if I were watching a play or a movie, rather than listening to a book, and this was entirely because of May's superb performance. It's almost too exquisite a reading to be called a performance.
No. I listened to it over a period of almost two months. It is more than 30 hours long.
I listened to the book while I read from the Oxford edition, and I think the two companion experiences and media made it all the more penetrating. This is probably one of the best books I've ever
I'm a fan of George Eliot, but If you're wanting to get a start with her, I wouldn't recommend this one as the first to try. There are two stories entwined, one about spoiled, self-centred and self-indulgent Gwendolen Harleth, and the other about Daniel Deronda, brought up as the "nephew" of a baronet but ignorant of his true parentage. A large theme is Judaism, and I was hoping and expecting to find an examination of the attitudes of various upper-class and aristocratic Victorians to Jews.
It's just not there, and I was disappointed.
I was also a little disappointed with the narration: it's good, but it's not as good as the very best.
There is still plenty to like about Daniel Deronda. The portrait of Gwendolen Harleth in the first half of the book, before her marriage, is excellent, and the description of how she accepts the proposal of the rich but cruel selfish Grandcourt is outstanding.
Say something about yourself!
An almost perfect novel, divided by two distinct plots. The first a complex and glowing account of Gwendolen Harleth, a young strongly willed girl with many charms and faults, and Daniel Deronda, a parent-less gentleman, an intellectual with empathy only for the obviously miserable, the other. Her journey fascinates me and his informs me of the world situation, at the time, of nation building. Unlike, perhaps, all other popular Victorian novels, we have a very positive portrayal of a Christian's view of Zionism. Very interesting and important, but for me jarring and awkward into what is a great story that naturally flows from Elliot.
As with all of George Eliot's books, the language is astounding and the insights into human nature are deep. The story is interesting and morally important.
The conversations and feelings shared between Daniel and Ezra.
no, I haven't listened to her other readings.
When Daniel met his mother.
I first read Middlemarch- an amazingly brilliant book, and was so taken with Eliot that I then chose Daniel Deronda. DD didn't really grab me, seriously grab me, until chapter 32. From 32 to the end, I was completely moved. If you haven't read Eliot, or you did long ago, do give Middlemarch a go; as great as literature can get. I'm now listening to Mill on the Floss by Eliot.
ONE OF THE BEST AUDIO-BOOKS I HAVE HEARD SO FAR.THE STORY IS SO PERTINENT TO OUR DAYS IT'S HARD TO BELIEVE THAT IT WAS WRITTEN NEARLY 150 YEARS AGO.
THAT'S THE MAKING OF A TRUE CLASSIC.
THE STORY -NO SPOILER HERE- TELLS OF TIMES WHEN PEOPLE STILL HELD HUMANISTIC VALUES AND IDEALS.
IT IS,THE EPIC ROMANCE APART,A STRONG MANIFESTO AGAINST ANTI-SEMITISM,MASTERFULLY WRITTEN.AGAIN,ADDRESSING ISSUES AS PERTINENT TO OUR DAYS AS THEY WERE IN1860,IN 1930 AND,PERHAPS WILL BE ETERNALLY.
THE CHARACTERS ARE BEAUTIFULLY DESCRIBED,WITH HEART-WRENCING DEPTH,INSIGHT AND ABOVE ALL,HUMANITY.
THE STORY-LINE IS FASCINATING,NEVER A DULL MOMENT.I COULDN'T WAIT FOR THE NEXT DEVELOPMENT IN THE STORY,ALWAYS SURPRISING,NE'ER A CLICHEE.
WANT TO COMPLIMENT THE NARRATOR,NADIA MAY.
SHE IS EXCELLENT .FABULOUS DICTION,SUPERLATIVE ABILITY TO TAKE ON THE VOICES OF THE NUMEROUS CHARACTERS IN A CLEAR,COMPREHENSIBLE AND DIVERSIFIED MANNER.
LOOKING FORWARD TO MORE GEORGE ELIOT
I am a latecomer to George Eliot. I'd read Thackery, Dickens, and Trollope, but was intimidated by Eliot's reputation as a formidable intellectual. Then last year I listed to Middlemarch (also narrated by Nadia May) and loved it, so I moved on to Daniel Deronda.
DD was Eliot's final novel, and it shows a mastery of the novelist's art. Some people complain that it is really two novels, but I think that the parallel stories, which always intersect, are a deliberate device and enrich the tales of both Daniel and Gwendolen.
Eliot's style can make some of the writing hard to understand on first hearing, which is why I recommend keeping a paper (or electronic) copy of the book handy to go back over passages that you don't quite get the first time. I also like returning to parts of the book that I fully understood but want to savor again.
Nadia May is one of the best audiobook narrators, IMO. I've listened to several other books she's read, both fiction and nonfiction, and when I have a choice of readers (as with DD), I'll usually choose her. Her strengths are clarity of speech and a full command of each writer's sentence structure. The latter, in Eliot's case, is crucial, as her sentences are apt to be long and complex. She's usually great with foreign languages, too, although here she mispronounces "Mainz" and can't seem to get a handle on "Mordecai." And she's a terrific actress, effortlessly lending each character a distinctive voice. The double climax of the book--Daniel's meeting with his mother and Grandcourt's . . . well, no spoilers--was thrilling. I didn't want to get out of the car!
If you're new to George Eliot, I wouldn't begin with DD. I would ease into her by starting with something simpler. But don't miss reading this book when you're ready for it.
"worth listening to"
I was surprised to find, when I checked, that this book had only been rated with two stars, as I actually found it very rewarding. There were some difficult bits in it (theories concerning Jewish ideas in the 19 century etc) which I'm afraid did tend to go in one ear and out the other, but the theme of the book in general was, I thought, very powerful. Despite the fact that it was written about 130 years ago, some of the characters experienced thoughts and emotions which wouldn't have been out of place in a modern novel, and although obviously the story can't help being dated, it is no less absorbing for that.
I would have struggled to get through a novel of this size in book form, and I am glad to have had the opportunity to discover it this way instead - any effort I had to make was definitely rewarded.
My only real quibble is that the reader seemed to have trouble in being consistent with her pronunciation of the name 'Mordecai', which she kept varying rather irritatingly, sometimes even in the same phrase. However, other than that I thought she read it with expression and I found it a reasonable quality.
"Great Except for Foreign Names"
The book is brilliant. Let's leave George Eliot out of this.
The reader was very good. There are lots of characters and lots of different accents. She did a remarkable job. But she had two ways of pronouncing Mordechai, neither correct, which she she seemed to have randomly chosen between over and over again. Even if there are only 200,000 Jews in Britain, she might have found one and asked how to pronounce it. I know it is petty but it took me out of the story each time it happened.
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