Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.
At once romantic, sensuous, comic, and somber, Brideshead Revisited transcends Waugh's familiar satiric exploration of his cast of lords and ladies, Catholics and eccentrics, artists and misfits, revealing him to be an elegiac, lyrical novelist of the utmost feeling and lucidity.
©1973 Laura Waugh (P)2012 Hachette Audio
The audio version is sublime.
Evelyn Waugh's magnificent prose.
Flawless phrasing; elegant, perfect timing.
This has already been done, as one impeccable broadcast series. And when it aired originally, it was reviewed as television's "finest hour.". That will do.
My audible library approaches 1,000 titles. I rarely submit reviews here on the website, preferring to tweet my impressions and recommendations. But when this title was released yesterday, I rearranged my day around listening.
Jeremy Irons' reading of "Brideshead Revisited" is magnificent.
Secondary, and even ancillary characters are fully realized, in the most surprising and wonderful voices--- Cordelia and Charles Ryder's father in particular. The vulnerable, sometimes diaphinous voicing of Sebastian and Julia Flyte, the narcissistic, calculated stutter of Anthony Blanche; worthless, unremarkable Kurt and lethally charming Lady Marchmain (a paradigm of toxic parenthood) surpass every expectation.
And of course, Jeremy Irons will be our Charles Ryder for all time. His pronounciation of the word 'forerunner' is a lesson for all dramatic actors. Be mindful, readers, that this same narrator's rendition of Nabokov's "Lolita" is considered to be one of the finest ever offered by audible.com.
Performances like this are what every reader and listener hopes for. This title belongs in everyone's library. Buy it, and be spellbound.
This may be one of my favorite books ever. But why? I don't like any of the characters. They are almost all self absorbed blighted people who hurt others with little compunction. The subject is depressing, the loss of innocence, alcoholism, divorce, lost love, death, the list goes on and on. It ends on the eve of ww2 with the house being neglected and ruined by soldiers stationed there. All is so sad, yet the prose are so wonderful, I feel I must have champagne and strawberries this afternoon. Of course, this book's narration belongs to Jeremy Irons, perfection! Listen before you see the movie (the old one, not the new silly choppy one). Get this book and enjoy Mr. Waugh's masterpiece!
I've read this book (on paper) maybe a dozen times--it's the book that has defined me more than any other. Irons' reading is exactly what I would hope for, and I am grateful to find it.
I am a huge fan of Masterpiece Theater's "Brideshead Revisited" and have tried to read the book at least twice. Just could not get through it. But this Audible version is the next best thing to the television production. In it, Jeremy Irons channels all his co-stars from the BBC series - my favorite is his John Geilgud impression - bringing the whole series alive again. He brings Waugh excellent prose to life in a way the physical book just couldn't for me.
There are not enough words to describe how good this audiobook is. The story, in and of itself, is a masterpiece, but Jeremy Irons' rendition is absolutely perfect. He demonstrates once again that he is one of the finest actors of his generation, and his talents are on full display here. His portrayal of every character with their own accents and speech patterns never ceases to impress.
Get this audiobook, and listen to it often. You won't be disappointed.
If you want to listen to something depressing, this book is for you. Well written book and the reader was great, but I don't want to listen to non-stop unhappy. I saw the movie and wanted to see how close it was to the book. I just wanted it to be over.
This recording was right up there at the top...
Not so much the actual story but the prose; extremely well written.
Jeremy Irons was the only one to read this as he was also the star of the BBC series. In addition his voice was beautifully fit for this English story and his interpretation of the character's voices was wonderful.
I wanted to savor it so listened in meaningful segments.
It was wonderful to see just how well the book was interpreted for the TV series and many of the pictures of the series were just as Evelyn Waugh had described them in the book.
I grew up on Golden Age Radio, I love to learn about a great many things, and I enjoy a wide variety of genres. Me, bored? Never!
A coworker of mine who's more "literati" than I am heard me talk about how I was surprised to enjoy a series like Downton Abbey, given that it's not typically in my wheelhouse. Since I tend to explore outside my wheelhouse quite frequently where good books are concerned, my coworker suggested this one.
On the surface, this book has quite a bit in common with Downton Abbey. It deals with the decline of the British noble class in the wake of the first world war and the romantic nostalgia it seems to invoke. But that's really where the comparison stops. This book concentrates more on relationships and religion, and how these concepts factor into the shaping of personal identity. I can't really say more without spoilers, but suffice to say, if there was an illusion to the social norm of Britain at this time, this story is all about cracking the facade in the pursuit of personal truth.
My understanding is that the book is semi-autobiographical, which makes sense given the details of personalities and situations. Most of what's here would be highly controversial in the time period it depicts and in the decades since it was written. But I think the ever-changing landscape of what's considered socially acceptable or typical, combined with the fairy tale aspects of life at a British country manor, might offer something new to this generation's readers. As cynical as the story plays at times, there is a singular wit about it as well that makes it accessible.
The characters really make this story what it is, brought to life by Waugh's incredible writing style. Regardless of how much may be drawn from real life, the author made sure to make all of these characters his own, and the result is astounding.
As narrator, Jeremy Irons is a great choice. Having played the lead in the 1981 mini-series adaptation, that's an considerable personal insight into what this story offers. 30+ years of such nostalgia added to a story that plays on that very theme? Perfect. Irons is already impervious to the idea of a bad performance. With this book, his contribution is most definitely the touch of the master's hand.
History enthusiast with military and legal background.
I felt I was actually in the story, not just listening to it. I felt I was in the room, and part of the family and conversation. It was surreal. Sure the characters are bad people, but aren't we all? The character development is the best I have ever seen.
Avid audible listener for over 10 years.
The story is slightly tedious sometimes, but the narration is impeccable. Jeremy Irons the British actor does an amazing job at narration. This was also a PBS series with Jeremy Irons as one of the characters so he knows the material in and out. You would have no clue that you were not actually listening to several different narrator. Set in England at the same times as the Downton Abby series many of the characters are very similar. You have the overbearing mother, the social climbing friends and the boozy lord of the manor. Be forewarned that the ending is not so happy.
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