On the 75th anniversary of its publication, this outstanding work of literature is more crucial and relevant today than ever before. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.
©1932 Aldous Huxley; ©1998 BBC Audiobooks America; (P)2003 BBC Audiobooks America
"British actor Michael York's refined and dramatic reading captures both the tone and the spirit of Huxley's masterpiece." (AudioFile)
I love listening to or reading books--especially fantasy, science fiction, children's, classics, & historical.
Brave New World is a bitterly funny and humorously tragic dystopian novel in which Aldous Huxley satirizes modern civilization’s obsession with consumerism, sensual pleasure, popular culture entertainment, mass production, and eugenics. His far future world limits individual freedom in exchange for communal happiness via mass culture arts like “feelies” (movies with sensual immersion), the state-produced feel-good drug soma, sex-hormone gum, popular sports like “obstacle golf,” and the assembly line chemical manipulation of ova and fetuses so as to decant from their bottles babies perfectly suited for their destined castes and jobs, babies who are then mentally conditioned to become satisfied workers and consumers who believe that everyone belongs to everyone. In a way it’s more horrible than the more obviously brutal and violent repression of individuals by totalitarian systems in dystopias like George Orwell’s 1984, because Huxley’s novel implies that people are happy being mindless cogs in the wheels of economic production as long as they get their entertainments and new goods.
Michael York does a great job reading the novel, his voice oozing satire for the long opening tour of the Hatchery and Conditioning Centre, and then modifying in timbre and dialect for the various characters, among them the self-centered brooder Bernard Marx, the budding intellectual poet Helmholtz Howard, the sexy, sensitive, and increasingly confused Lenina Crowne, the spookily understanding Resident World Controller of Western Europe Mustapha Mond, and especially the good-natured, sad, and conflicted Shakespearean quoting “savage” John.
I had never read this classic of dystopian science fiction, so I’m glad to have listened to this excellent audiobook, because it is entertaining and devastating in its depiction of human nature and modern civilization, especially timely in our own brave new Facebook world.
As an Audible Editor I listen for a living! British classics, YA novels, speculative fiction, and anything quirky, fascinating, or heart-wrenching.
When I first read Brave New World it gave me nightmares. I was hooked. It might be strange to say that a book that gave me bad dreams is a good thing, but I was intrigued that a story could worm its way so powerfully into my psyche. It was really my first encounter with dystopian speculative fiction and I ultimately credit Huxley with sending me on my recent nosedive into YA lit. He probably wouldn’t appreciate this association, or the one I’m about to make, which is that I think this book is one of the most powerful and accessible works of dystopia ever created, and can be seen as a forebear to much of today’s hottest literature.
Sometimes when I’m not sure what I want to listen to next I’ll return to a book that I loved fervently in print and check it out in audio, and that’s what I did with Brave New World. I’m so glad that I did. Michael York is an excellent narrator and he captures the different characters admirably. But what I found most impressive is how he handles dialogue. Brave New World is more than dystopian sci-fi; it’s a novel of ideas and discussion. There’s a lengthy rapid-fire debate that takes place between John the Savage and Mustapha Mond near the end of the book that is generously peppered with obscure Shakespearian references. When reading you can gloss over anything you do not get immediately because you understand the merit of their discussion: is it better to be happy and controlled, or is the freedom to be unhappy the greatest of human liberties? But I found while listening that Michael York carried me along through their debate and the individual Shakespearian references sang clearly. Just as seeing a play acted out on stage is easier than reading it, I really feel that listening to this book was a heightened experience, and an improvement on the print version. Now when I recommend Brave New World to people I suggest they listen to it first.
And I’m going to recommend it again now: There’s a reason this is a classic, and read by most freshman English students. If somehow you’ve missed it, now is the time to pick this one up.
i found "brave new world" to be...interesting, interesting in a "make your skin crawl at the reality of how close to home this story hits" kind of way. a disturbing tale, written many years ago, it's tempting to dismiss the possibilites for a future like this as unthinkable, impossible, improbable...an alarmist's view of the future from so far in the past as to be almost laughable. in truth, laughing will be the last thing on the listener's mind. "brave new world" is presented in such a way as to make the listener think long and hard about our own current events and where they could potentially go in the not so distant future. a bit of a stuffy read at times, it may be a bit hard for many to understand due to both the english accent and the multisyllabic words used nearly constantly. find yourself a dictionary and settle in, just don't be surprised at the disturbing bent your dreams may take. use it as an entertaining listen, but be certain to take away the startling glimpses of what could so easily be our own "brave new world" in the not so distant future.
To be honest, I had never heard of the book before in my life. With my interest in dystopian worlds and lives, this book seemed like a good on to read. And it was. The narrator's performance was good and the storyline, as eccentric as it turned out to be, was very strong. This is no run-of-the-mill story, you will need to immerse yourself in the world and the style that it is written in, but when you do, be prepared for a mind-bending dystopia!
Jumps on his bed while licking the bottom of one foot. He persists in this life affirming act despite interference from the head nurse.
There are some books which, sooner or later, one must read. Here is one of them. Although quite famous, most of its worth lies in its insight than in its uneven prose. In fact, there are times when Huxley cannot write his way out of a paper bag, contrasted with other moments when, for some reason, he does better. He is best when describing objects and surroundings rather than conversation and human interactions. In any event, his writing is mediocre rather than great. Ideas and images buoy the text up: human embryos raised in bottles, then "decanted" (as the book's society calls it) into faux placentas until birth; humans given all the sexual thrills they can handle from childhood, and all the emotion-draining hallucinogenic drugs they want, in order to maintain social order. Michael York as narrator is superior, with my only complaint being that his voice gets strident at times.
After only a few chapters into Brave New World, you will be so shocked and appalled that you may feel inclined to emphatically put it down and disconnect yourself from it for the fear that someone else will overhear the spill of your headphones. I challenge you to keep reading; although it never explains itself in a way that eases our consciences, it categorically forces you to reconsider every quantum of morality and ethics you possess. Once done, you will certainly not agree with the hypothetical future set forth by Aldous Huxley, but you will understand why not, and thus have a far more solid foundation for why you believe what you believe.
How did I not read this before? Michael York is great! The book is a little dated (some cringe-inducing racial slurs & oh the rampant sexism) but really is a hoot. (Where are our
personal helicopters, anyway?!? Isn't it about time?}
It did bother me how messed up John Savage is. That point of Huxley's I honestly don't understand.
But I now know what soma means.
as a matter of fact, i couldn't even finish the book. having read the book in my youth, i was looking forward to experiencing it again, but the manner in which the book was read grated on me. as much as i tried to look past the annoying presentation, i found myself becoming more and more annoyed. to say he least, it was an utter disappointment.
I read science, biographies, histories, mysteries, adventures, thrillers, educationals, linguistics but not no way, not no how, romances.
There's no getting around it, Brave New World is a bad book. It's the story of a world where humans are engineered to fit a specific purpose and the engineering doesn't end after birth. The characters have come to accept this life, even the scheduling of their free time and the people they have relationships with, as normal. Our main character shifts halfway through the book to a man born on a reservation who is known as the savage. Then he comes into conflict with the New World.
That's the plot, but here's the juice: it's boring. The characters never challenge the world, they rarely come into conflict with its boundaries, and frankly, they're boring. They don't grow or want to grow in any significant way. The conflict only happens when the savage comes to the city, and even then it's too little and way too late. Not only that, but Michael York is an okay narrator - but his American accent is atrocious.
This stock is a definite Don't Buy.
"Better than a gram of soma...."
Superb. An absolute classic! This thought provoking tale of social engineering is made even more accessible by the masterly narration of Micheal York. Sheer auditory pleasure!
Bleak and excellent. An interesting thought experiment. As opposed to Orwell's "1984", in which a totalitarian government rules by fear and brutality, the Brave New World leaders remain in power by enslaving their population to unbounded, self-indulgent pleasures. All humanity is lost when grief, pain and suffering are eradicated, and the book cleverly introduces a 'savage' from an 'old world' reserve who understands the loss that the new world has undergone. Despite it's cautionary tone (that seems to be more relevant in this day and age than when it was written) I couldn't help feeling I could do with just a little bit of unbounded, self-indulgent pleasure. Huxley would turn in his grave!! Clear sound and excellently narrated.
I have never posted a review before, as I have never felt strongly enough, in either direction, to want to make a public comment on something - until now. It is more years than I care to remember since I last read Brave New World, and what a delight to listen to Michael York as the narrator. For anyone who thinks that they 'ought to' read this book, then this is the perfect way to do it; and anyone who wants to revisit this timeless classic, then you are in for a sublime 8 hours. If only all audio books were of this standard.
"Interesing characters and ideas of the future."
Michael York makes listening to this book very easy.
The story portays a world where human engineering has advanced so far that children are grown in test tubes rather than born naturally. Distinct classes of people are manufactured in the test tube. Love and partnerships no longer exist as everyone belongs to everyone else. Subliminal teachings repeat the mantras of the new world order, ensuring stability and conformity. Drugs are freely available to wash away any hardship or stress. Gone are the writings of Shakespeare and all references to God.
But there are a few that are not content with the way of the world and look for answers to their feelings of emptiness.
The story follows these characters through their journey of self realisation and weakness, exploring the state's reaction to their outspoken views.
I really enjoyed the story and considering its age was impressed by the forward thinking.
"Great book, some volume issues"
First of all, this is a great book which I recommend. I do think there is a problem with the sound volume however, in that the volume difference between the most quiet and the loudest parts is too big. I listen a lot while commuting and I had to frequently lower the volume at the loud parts, and increase the volume at the most quiet parts to save my ears / be able to hear. I think it would have been clever if the publishers edited or mixed the sound to prevent that.
I don't think that should stop you from listening to this book still. Because it's great.
"Parody not prophecy."
This novel has to be read with the writer's historical context kept firmly in mind to appreciate its absolute genius. It's a parody - and a very funny one - of all the utopias being prescribed and promised by the political theories that are sweeping the world in that very strange period that was the 1930s. Capitalism was being battered - due to the Great Depression - and Socialism, Communism and Fascism were vying for dominance of people's hearts and minds; each declaring they had the keys to human happiness. And, alongside this, the science of eugenics seemed to be justifying the European dominance of its empires as well as the right of the upper-classes to rule the lower. So throw into this already very heady mix the hedonism of the Roaring Twenties, and the still very fresh memories of the Great War, and Alduous Huxley is writing in an extremely volatile time. So what does he do? He takes the piss out of everybody.
We follow the petty proto-revolutionary bureaucrat Bernard Marx (what a great name: George Bernard Shaw/Karl Marx) in his pathetic and ultimately futile quest for respect and importance in the genetically 'stable' utopia that has been manufactured. It's a very uncomfortable read at times - the erotic play of the toddlers comes to mind - and brutal too - the death clinics, and the descriptions of the Savages' reservations - but Huxley's point is to show that no matter what the grand Social Theories promise, they won't be able to take into account each individual's little weaknesses and lusts and ambitions; humans can't be put into little boxes and expected to be happy. The Shakespeare quoting savage John isn't happy in the reservation nor in the Brave New World; the stunted Bernard won't ever find acceptance from his peers, and Lenina ("Wonderful girl; splendidly pneumatic.") will never be able to understand her taste for something 'different'. Huxley isn't being prophetic, he's being parodic in Brave New World and he's having a lot of fun too. 5 stars
Enjoyed the book, and Michael York has a great voice, but the choices of accents was just bizarre! It was very hard to take seriously a 'savage' that had grown up amongst 'savages' from New Mexico that somehow had a Somerset farmer's accent... quite distracting.
"Marred by narration"
Great book, no doubting that, but I'm half way through and had to break to come on here and say I can't STAND Michael York's narration. Really after 20 audiobooks or more from Audible this is the first time it's happened, and it's particularly surprising given he's such a well known actor, but absolutely every moment of his performance is over-egged. It's Jackonory story-telling, subtle as a brick and prone to spasms of indulgent and frankly frightening wailing and crying. And the accents, entirely his contribution from what I gather, are atrocious. I'm probably in the minority given other reviews here, but give the sample a go and try before you buy, that's my advice!
I first read this book 25 years ago at school. Time (or my age) has made this book even better! Well read by Michael York. If you like George Orwell's 1984, you'll love this.
"Hindered by high expectations"
Yes - give it a stronger story.
More an observation of imagined, alternative reality, and a selection of characters in the midst, rather than a captivating story. The 'story' element was far less interesting than the world in which it occurred, plodding through a series of interesting life circumstances. The world was fantastically well realised, the story itself disappointing. Something bent around an emergent revolution, consequence, and so on, might have appealed more than a series of, albeit amusing, incidents to provoke episodes of bewildered intolerance, and objection from it's diverse set of characters. It had something of a satisfying climax, but was largely repetitive and boring on route to it.
Dry, monotone, listless
Yes - same world, better story.
1984 is far better in my honest opinion. A very different sort of oppressive utopia, and a much better story.
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