A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. When the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"
This edition includes the controversial last chapter not published in the first edition, as well as Burgess' introduction, "A Clockwork Orange Resucked".
©1962, 1986 The Estate of Anthony Burgess; (P)2007 HarperCollins Publishers
"I do not know of any other writer who has done as much with language as Mr. Burgess has done here - the fact that this is also a very funny book may pass unnoticed." (William S. Burroughs)
I have listened to this before but had a strong desire to take the ride again. Spend some time with your little droogie Alex, an unrepentant psychopath, while he dishes out talchocks and that old ultraviolence. Step out of your day to day routine, peet some maloko with knives in it and get ready for a little dirty 20 to 1.
C.O. is somewhere in the middle. The narrator is compelling, but is occasionally hard to follow with all of the slang. It's fun to figure it out though
Alex. The main character is quit a troublemaker
he kept up very well with proper diction and presentation of all of the difficult jargon
the authors prologue was very special.
some of it is quite violent, but this only adds to important character development
Great story. More in depth than the movie, however it is somewhat hard to follow with the slag style this novel is written in. All in all it's a great read if you like dark subject matter.
Reading the original version. Nice introduction by the author talking about the difference between the US and original UK releases. I don't think Burgess knew how right he was. At the time there was a lot of concern about crime increasing and youth violence. What we've seen subsequent is that is a phenomenon of youth, that when we have a spike in the youth population that crime and violence will increase. The last chapter is the most important. Although this is a simple book, in so many ways, I appreciate raising the question of whether God wants goodness, if you don't have a choice otherwise. I found the slang easy to pick up, and there are online references, if you care to find them.
I went into this expecting a story of violence and abuse. What I got was a very good cautionary tale of what can happen when politicians get to run free. I would recommend this to anyone who follows a politician unquestioning. As long as you can understand the language, this novel will force you to listen to the whole thing in one go.
Obviously, this is a very tough read, both for content and writing. But by listening to this audio book, I was able to understand the fascinating language that Burgess created a lot more than I had while trying to read it myself. Lots of violence, yes, but a very interesting take of what Burgess calls a clockwork orange - someone who has no choice when it comes to good or evil. They are simply either good or evil without any thought to the other. I liked that that the audiobook included Burgess' introduction as well as his reading of the first 4 chapters.
I like how it shows that the "Authorities" are not much better than the street thugs as far as morals go, only in perception. I loved the movie, and the book just fills in the details that you can't fit into a 90 film.
Taxi Driver, it has a similar main character
He does really well with the accent and makes the character come to life. (I only wish there were a few more actors and sound effects, think old radio and I will give 5 stars)
Well worth your time
My favorite part is Tom Hollander's voice for Dim. Absolutely hysterical.
After the audiobook finishes, there are an extra two chapters of Anthony Burgess reading a Clockwork Orange! Although I was not ready to listen to this after finishing the entire text, I really appreciate the extra piece of audio and will listen to it another time. Although not as entertaining as Hollander, it's always interesting to hear the author read their own work.
I agree that audiobooks seem like a good format for this text because you don't allow yourself to get caught up in the meaning of inventive, mind-bending words.
(Good intro written by author placing film and American version in context and contrast with the author's intent
Nadsat is tough to get used to at first, so having a dictionary up while listening is probably a good idea. A lot of the words are used multiple times (viddy, rooker, plot, veck), so those are easy to pick up.
Great performance by the *humble narrator* and the various voices that he does.
About the 21st chapter: I liked it omitted. There are enough options where the main character comes of age. Those who argue that the denouement happens in the last chapter say so because they want to believe that there is good in everyone and some people just grow up. I think that the denouement comes with Alex getting his choice back late in the 20th chapter. The motif of freedom is much more important than the motif of coming of age.
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