From the legendary author of Things Fall Apart comes a long-awaited memoir about coming of age with a fragile new nation, then watching it torn asunder in a tragic civil war.
The defining experience of Chinua Achebe's life was the Nigerian civil war, also known as the Biafran War, of 1967-1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe's people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war's full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than 40 years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa's most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.
Achebe masterfully relates his experience, both as he lived it and how he has come to understand it. He begins his story with Nigeria's birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country's promise, which turned to horror when the hot winds of hatred began to stir. To read There Was a Country is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers - they should speak for their history, their beliefs, and their people.
Marrying history and memoir, poetry and prose, There Was a Country is a distillation of vivid firsthand observation and 40 years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe's place as one of the most vital literary and moral voices of our age.
"1966", "Benin Road", "Penalty of Godhead", "Generation Gap", "Biafra, 1969", "A Mother in a Refugee Camp", "The First Shot", "Air Raid", "Mango Seedling", "We Laughed at Him", "Vultures", and "After a War" from Collected Poems by Chinua Achebe. Copyright 1971, 1973, 2004 by Chinua Achebe. Used by permission of Anchor Books, a division of Random House, Inc. and The Wylie Agency, LLC.
©2012 Chinua Achebe (P)2012 Penguin Audio
Mr. Akinnuoye-Agbaje, a non-Igbo speaker who simply happens to be of Nigerian-descent, manages to mispronounce every Igbo word in the book, making it a particularly painful experience to listen to his reading. It wouldn't have required much to learn how to pronounce these words properly, without which their meanings are lost. I'll be exploring the possibility of getting my money back. There's no imaginable reason why an Igbo speaker could not have been recruited to read this book for Audible. That this was not the case is simply inexcusable.
His pronunciation of Igbo words are embarrassingly silly, to put it mildly.
I own both the British and American hardback editions, so, of course, i think the book is brilliant. But I could not suffer through the very first few minutes of the reader's performance.
Audible should withdraw this disaster, and have a native speaker of Achebe's language read the book.
As a young Nigerian with a lot of questions why the country had depleted culturally and economically to the level which we find ourselves today, this book exposes some very important facts in history that helps one comprehend where things went southward, it would also probably help we the future/ unborn generations identify this thorns and avert it repeating itself in future.
I loved the level of detail of the book while maintaining its ease of reading.
The narrator seemed not to be well-prepared to handle this novel. He pronounced every single name of person and place, but for one or two, inaccurately. Even the author's name wrong. Both times. Unfortunately, this takes away from the quality of the performance for those who have heard the names before, and is misleading for those who haven't.
What country will there be?
New Englander Living in Latin America
I would listen again simply to be bathed in the beautiful narrative voice of Adewale Akinnoye-Agbaje.
My favorite character was obviously the author, Chinua Achebe.
I loved the rich voice of Adewale Akinnuoye-Agbaje with his Beautiful African accent. It made me feel like Mr. Achebe was personally telling me the story. It made it a much stronger experience than simply reading the words.
The overall experience of listening to this account of the history of Biafra and Nigeria was moving in itself. Chinua Achebe's style of writing in the verbal history tradition was perfectly executed. As much as I love to read, the Audio version was a much more memorable, touching experience.
1) When the narrator has the accent of the writer, it makes the experience of listening seem as if the author is telling you the story personally. The choice of Adewale was perfect: beautiful voice and beautiful pronunciation.2) I'd like to know how my husband (Native Russian speaker, fluent in Spanish) and I (native US speaker and also fluent in Spanish) can participate in reading books for Amazon Audio.Bravo! This was my first audio book and you've completely hooked me!
I remember hearing about the tragic Biafran war many years ago, but have never had the opportunity to hear how it unfolded in any detail. This account, excellently narrated, tells one side of the story from the perspective of a highly respected author (rightly so). I found myself, however, wondering about how successful Achebe has been at distancing himself from a particular point of view and evaluation of events. Not that it is possible, or even desirable, to achieve complete detachment. But I was left with a sense that what I had heard needed to be supplemented by other voices and other perspectives.
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