Afghan American Nadia Hashimi's literary debut is a searing tale of powerlessness, fate, and the freedom to control one's own fate that combines the cultural flavor and emotional resonance of the works of Khaled Hosseini, Jhumpa Lahiri, and Lisa See.
In Kabul, 2007, with a drug-addicted father and no brothers, Rahima and her sisters can only sporadically attend school and can rarely leave the house. Their only hope lies in the ancient custom of bacha posh, which allows young Rahima to dress and be treated as a boy until she is of marriageable age. As a son, she can attend school, go to the market, and chaperone her older sisters.
But Rahima is not the first in her family to adopt this unusual custom. A century earlier, her great-aunt Shekiba, left orphaned by an epidemic, saved herself and built a new life the same way.
Crisscrossing in time, The Pearl That Broke Its Shellinterweaves the tales of these two women separated by a century who share similar destinies. But what will happen once Rahima is of age? Will Shekiba always live as a man? And if Rahima cannot adapt to life as a bride, how will she survive?
©2014 Nadia Hashimi (P)2014 Blackstone Audio, Inc.
Yes I would. This audiobook has so much to offer in terms of engaging the listener and creating images in the mind that stir the heart.
Americanah by Chimamanda Ngozi Adichie. Both authors weave multiple stories within the story and show how other cultures live, love, and believe. The social fabrics are so well presented in these two novels yet speak volumes as to the underlying truth. Different from us in America, yet utterly human and with the same emotions and desires.
Well, her narrative style was superlative. Although she doesn't have the masculine voice timber, her style made the male characters believable anyhow and gave them depth. I think just reading the book wouldn't have been nearly as visceral as her narrative provided.
Follow your heart.
I hated for the story to end. I'll probably listen again and it'll be all fresh and new and wonderful once more. Excellent story and great writing.
Powerful, compelling. What a good read. It always grieves me to see how people in other countries are treated and this book as no exception. What these women go through is absolutely horrifying. I have read several books of this type and have to say that I think the author did a great job with this book. She gave a unique perspective by having one of the girls be a bacha posh and then showing her life after that time as well as the lives of others in Afghan. So thankful that I live in the USA and we don’t have to face things like this today.
I found this gem in a list of suggestions for the best books of the year. I couldn't agree more, for this is one of the best books I have listened to in a very long time. Do not be intimidated with the faraway names of the cast. You will easily be able to follow the stories of these women and feel blessed for having heard them.
The story begins with nine year old Rahima, the middle of five daughters in a family living in Kabul Afghanistan in 2009. To enable the family, her mother makes her a bache posh (to live and dress as a boy through adolescence). Rahima life is overnight vastly elevated. The freedom of being male permits her to perform chores outside the home. But imagine the inevitable reverse transformation. During visits their beloved disabled aunt shares tales of the life of their ancestor, Khala Shaima that also lived in Kabul, but in the early 1900’s. In alternating chapters we follow the women through twenty years of remarkable struggles of endurance and survival. The voice of the great, great grandmother’s gives hope and encouragement to push her granddaughter through her similar strife, a century later.
Each woman’s story is the depth of emotional highs and lows. You will hold your breath and your heart will beat faster repeatedly for their lives are constantly in peril. Reading this work puts ones ‘personal stresses’ in perspective. It is amazing that in the one hundred years separating these women the oppression is relatively unchanged. Further interesting, to me, is regardless of the land or the century, the ruthless disregard for compassion that women have for one another.
Nadia Hashimi is just masterful at weaving unimaginable tales in a clear manner while detailing an immense amount of tradition and rules. Hard to believe this is a debut novel. Gin Hammond’s narration is flawless in transparent execution.
Lawyer, reader, writer, performer. Just love listening to books and talking about it!
Another excellent surprise. This started out a little rough for me, but I'm so glad I stuck with it. It is a book with huge scope covering the lives of two women in Afghanistan, this will first make you curious and then begin tugging on your heart strings from a powerful new (old) perspective, that of the imprisoned and disenfranchised women. Shall we not guard or own freedoms with all of our being? In what ways do we need to break out of our shells?
Also, this book really brings home the very limited world view that so many trapped women have and why. It's so hard for me to fathom. I'm so thankful for my life, and I'll learn about the issues and exercise my right to vote every single time. I can't help but wonder -- if push came to shove, would we be as brave as these women?
I loved the way I was drawn in to the experience of women in Afghanistan. Having grown up in the Middle East, I was curious as to how women were being treated in a very traditional Muslim country that has been at war for so very long. Nadia Hashimi has an amazing talent for showing the gamet of life of women in her home country.
When Shaqiba and her father buried their family. She and her father were very much alike. They truly were the image of Afghanistan.
at the end, When Rahima changed into boy's clothing and left for the Women's Shelter. I could feel the exhilaration and the fear within her. I felt so proud of her.
I cried when Rahima's son died with her and when her husband beat her, every time.
Ms Hashimi is a gifted writer. I hope this only the first of many excellent novels!
I hear voices. But maybe that's because there's always an Audible book in my ear.
I count on books to give me a glimpse of what life is like for other people in environments that are completely different from mine. Settling in with this one, I hoped to get something really insightful about women in Afghanistan. Through the tale of the two main characters, I think I have a better understanding of day-to-day life and the control placed on women. Culturally, it's eye-opening. That's all good - particularly if it's new turf for the reader. My issue had more to do with the writing and the narration.
I hate saying anything negative about an author's first book. But in this particular book, the dialogue feels so stilted that I have to comment on it. I'm not sure if it's an accurate look at the kinds of conversations people have or a flaw in the writing. I just know that sometimes I felt like I was listening to a YA. It felt choppy and was narrated in a way that exaggerated it.
This book will likely be on every book club's reading list for 2015. If it brings awareness, then it has done its job. Though the writing isn't nearly as graceful as I'd hoped, it is very functional. It's a book I liked - but could not love.
Nadia Hashimi's debut novel is a strong work that explores the lives of two Afghani women who lived a hundred years apart. Both women, for different reasons, participate in a Afghan tradition, bacha posh of dressing a daughter as a boy when there are no sons. The novel tackles the issues of child marriage, abuse, discord between women of a household (second, third, and fourth wives as well as mother-in-laws), opium abuse, warlords, corruption, and the impact of war and invasion on everyday people. The focus is on the burden on women in the society and the split narratives show how little conditions for women have changed.
What is interesting is that the portrayal of Rahima is not a story of someone living under the radical Taliban beliefs, but of the more traditional Afghan society. Her great-great-grandmother, Shekiba's world is that of the monarchy. One can see how despite the changes in government, little has changed for women.
Hashimi's language is beautiful at times but the world she paints is bleak, full of loss and struggle. There is strength in many the women who exist in the novel but it creates a bitterness that they often take out on each other and leaves the reader with a sense of anger and a desire for them to turn that bitterness and anger on the men who have built this dreadful world they inhabit.
The two women's stories end differently, but for me it is Rahima's that falls short. It felt rushed and almost anti-climactic. Granted, at 450 pages, it was time to end it, but there was room for editing earlier on that could have left more space to do her story justice in the ending. It wasn't a bad ending in terms of where it left the reader, rather a poorly paced ending that lost the potential impact of a better structured and written ending.
Despite the rush at the end, the novel is worth the read for the insights into a world few westerners can fathom. It is through novels that we can develop empathy for those who live a life so different from our own.
No, because it was 16 hours long and because I have so many books I want to read that I rarely re-read books. That doesn't mean I didn't love this book though! I would recommend it to anyone!
My favorite character was Rajima (sp?). The book follows her from a young age through her adolescence and finally into her womanhood. I loved her determination and her heart.
This book was the first audiobook i ever tried--and it is over 16 hours long! The fact that I listened, rapt, to the end (not all at once) is a testament to the author because I won't even go to a movie that's over 2 hours and prefer books under 300 pages. The narrator was wonderful. Her accent suited the book and she differentiated the characters' voices while keeping the story sounding natural. This book was fascinating, emotional, descriptive, and even educational.
Another story that helped me understand a culture I still fail to get and therefore bring me closer to forging out why we in the West must learn patience.
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