The Greater Journey is the enthralling, inspiring - and until now, untold - story of the adventurous American artists, writers, doctors, politicians, architects, and others of high aspiration who set off for Paris in the years between 1830 and 1900, ambitious to excel in their work.
After risking the hazardous journey across the Atlantic, these Americans embarked on a greater journey in the City of Light. Most had never left home, never experienced a different culture. None had any guarantee of success. That they achieved so much for themselves and their country profoundly altered American history.
As David McCullough writes, “Not all pioneers went west.”
Nearly all of the Americans profiled here - including Elizabeth Blackwell, James Fenimore Cooper, Mark Twain, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, and Harriet Beecher Stowe - whatever their troubles learning French, their spells of homesickness, and their suffering in the raw cold winters by the Seine, spent many of the happiest days and nights of their lives in Paris. McCullough tells this sweeping, fascinating story with power and intimacy, bringing us into the lives of remarkable men and women who, in Saint-Gaudens’s phrase, longed “to soar into the blue”. The Greater Journey is itself a masterpiece.
©2011 David McCullough (P)2011 Simon & Schuster
Collection of stories of Americans who ventured to Paris in the 19th century - artists, doctors, etc. What they brought back from France and what was given in return by many historical figures that I knew little of. Another reminder why traditional history rote memorization of facts is worthless. The author provides such fascinating background information that makes you feel like you know the people involved and the challenges they faced. Worth the price, especially well done by reader Edward Hermann.
No, I was bored and finally gave up on the book about three quarters of the way through. I wanted to love it since I am obsessed with history and Paris, but I should have known better since I didn't care for 1776, either. As much as I am fascinated by the subjects and times in history David McCoullough chooses to write about, I find his style too factual and dry. Judging by the high Amazon reviews, I am guessing my opinion is not a popular one, but with this and 1776 I felt as if I was listening to a list of facts from research - I can go to wikipedia for that. I want to hear a a compelling story.
I did love the part about doctors working with the poor of Paris and the role doctors and the practice of medicine played in the history of Paris. I would like to read more about that topic.
A stunning and rich series of portraits of American artists, sculptors, inventors, physicians, and other leaders . . . And how their Parisian experiences enriched their lives and their accomplishments. And Eliju B. Washburn is my new humanitarian hero. Thank you, again and again, David McCullough, for all of your books!
This was a terrific introduction to nineteenth century Paris history as I knew virtually nothing! I made many of the sights I saw on my trip to Paris come alive!
I would recommend the book to anyone with a passing interest in the 19th century artist and scientist of America, and the role France had to play in their development. In scope it is not on par with 'John Adams' or Truman', but enteretaining.
Absolutely. he is one of the best biographer and story tellers today.
His performance was very good, but for some reason I cannot figure out, part of the narration is done by what sounds like a computerized monotone female voice. Her part of it is very small and poorly done that does make one wonder which why Edward Hermann did not narrate the whole thing? Where they just being cheap??
overall good. not on par with the greats of David McCollough. Good reader except for small snippets done by monotone computerized female voice.
zoeq is a trained chef an innkeeper. Currently she is writing a cookbook for the family cook. She lives in Florida and loves kayaking.
Not really. Too much time spent on cholera and murders - in detail. I don't think I'll ever be enamored of Paris again.
Not enough art and beauty and the inspiration Paris provided. Not enough of the positives of Paris.
Slow to start but then very very listenable. I like this narrator.
I wouldn't read it.
I'm the kind of person that wants to escape through my listening. This book was hard reality and while possibly true to history, it failed to inspire with too much attention to the morbid. I will return it.
Tell us about yourself!I am an avid reader but enjoy listening while waking to work, ironing, doing dishes, etc. Listening to novels is an entirely different experience than reading; a well narrated story is a cross between drama and written fiction. Listening to books on Audible has been a wonderful experience.
A discussion of the ideas that drove the tumultuous 19th century in France and the Americans' reactions to and against those ideas
The absence of the American's view of the seminal events of the 19th century in France: the worker's revolts, the Paris commune, the Dreyfus affair, the effects of Pasteur and P.C.A. Louis on American medical training and practice, the evolution of the wine industry and its restitution by American (Californian) rootstock, the origins of the Franco-Prussian war and the obsession with foreigners as spies (leading to the Dreyfus Affair and anti-semitism during the 20th century), the Algerian issues. There were many topics left out which Americans either participated in or were affected by.
His prononciation of French was poor and that detracted from the impact of the story
The discussions of Parisian fashion.
I listen to audio books as I make the 1 hr commute to and from work. I like to learn so prefer nonfiction, science or history.
You can't go wrong with David McCullough. I must admit, I only recognized a few of the Americans central to the story and didn't realize the back story of the people who's names I did recognize. Great for those interested in US History.
The book was fairly interesting and full of anecdotes about famous artists in particular that served as mini biographies. But it was much too long. I simply didn't want to know every detail of the subjects' family lives.
McCullough was so besotted with his subjects and with Paris that he just couldn't leave anything out.
Oh yes, then there was the repetition. Why is it that editors don't do their jobs? Proofreading is not enough.
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