Winner of the Sheridan Morley Prize for Theatre Biography 2011
Drawing on a lifetime of writing about theatre and film, Callow takes us behind the curtain and behind the camera to introduce us to the performers and performances that have shaped him as an actor and as a public persona. They include giants like Orson Welles, Charles Dickens, Tommy Cooper, Charles Laughton and Laurence Olivier.
The book reconstructs the highlights of his career, including his breakthrough roles as the foul-mouthed Mozart in Amadeus, and as Reverend Beebe in the film of A Room With a View, at the personal insistence of producer Ismail Merchant. The pieces are interspersed with commentaries on pantomime, nudity, homosexuality, and the many other aspects of a rich and varied life, both on and off the stage.
Read by Simon Callow
©2010 Simon Callow (P)2011 Audible Ltd
This is a glorious work. I can't even begin to emulate his grasp of the english language or am I able to wax lyrical enough at the pleasure of listening to his voice, the instrument mentioned in the title. So many actors that I have heard about brought into focus with his many pieces of writing. I was a little hesitant to start listening to begin with as I was drawn to it because of a fondness for his'"Chance'' character, and this work has such depth I now find it hard to stop.
I like to weed and read at the same time.
Simon Callow gives us a glimpse of his life enriched by readings of previously published erudite,funny,detailed and thoughtful pieces ranging from Newspaper reviews to eulogies for colleagues both living and dead. His voice is quite wonderful, his sense of humor delicious and his compassion endless. He is self deprecating and discrete about his personal life. There are extremely interesting ( to me) essays about acting and directing techniques, Stanislavski, Wells, Hall. Gielguid, Schofield and Richardson to mention just a few. This book has sent me off on a hunt for many of the books he cites and quotes from. To me this is is what a good autobiography should do. I listened to it three times and like all favorite books,can't bear to finish it and so the last half hour remains unheard.
How I wanted so badly, being a fan of Simon Callow's acting, for this to be a real memoir, a tale of his life. Which it is, to an extent... interspersed every few minutes by reviews and articles he has written for various publications over the last couple of decades. This made me feel a little cheated. Even his grand style, good writing and lovely accent can't make it better.
The articles completely take away from the story, adding far too many superficial references to various (sometimes obscure) people and plays of whom Callow reviews... and tends to hack the story to "pieces," instead of contributing any real value.
This book would have been so much better and worth reading without these added articles, which made the story feel cheapened, having relied on already-written content, often well over 10 or 15 years old, to lengthen the book. I found myself skipping most of them, desperate to hear the short snippets of actual story between them.
"Memorable and compelling."
I have always admired Simon Callow as an actor but had no idea, until I read this book, of the sheer power of his erudition. It would be hard to say whether he excels more as a writer or an actor. The marvellous thing about this particular autobiography is how, through using his own previous articles in newspapers, he is able to add layer upon layer to other actors who have been much revered over the years. It doesn't hurt either that he is a first class mimic and brings so many of the characters under discussion to life. The book is very long and impossible to listen to in one hit, as it were. However, I found as I finished it, that I was turning to part 1 and starting again!. To anyone interested in theatre and the art of acting, this biography is a complete joy.
"A wonderful read"
Having been a fan and avid attendee of theatre for many years I bought this title on impulse, purely because it promised to be a very different take on the world of the actor and, somewhat selfishly, I thought it would help while away my current daily commute into The City. I was not disappointed; this book is an amazing find, grabbing the listener from the off and introducing them to an array of famous lives such as Olivier, Geilgud, Richardson, Edith Evans, Nigel Hawthorn, John Schofield, and looks at the effect they had on the world of theatre and how it impacted them.
The success of this title is in no small way down to Simon Callow whose infectious love of the theatre and the people in it is clear from the very start. Weaving his story broadly around his own life and career as an actor, Callow touches on aspects of the world of theatre that few audience-goers consider, and he gives a fascinating insight into the intrigues and alliances that are formed during a production. And yet he manages to maintain direct contact with you, the listener, talking as if you're sitting at a bar, passing the day.
My morning commute just isn't the same without Mr Callow and his tales, this is a must-have title.
"All about men"
I do love Simon Callow's work and intelligence but this book is not a great one to listen to. He reads his published articles which are strung along the string of his life story but reveal far too little about himself as a person. Rather, the book is essentially about other people or their books or plays. And the people, books and plays he writes about are all men. In this book Simon rarely writes about women and those he does in passing mention are skimmed over or simply just nodded to. They are not certainly considered among all the great people of the stage and screen in this book, at least, and frankly, after a while, I couldn't have cared less...
I thought I liked Simon Callow and that it would be interesting to read. I could not get into this though. I found him to be irritating and dry.
I will give it another try as I am sure the content my be good if I can get over Mr Callow.
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